Postkolonyal Feminizm Bağlamında Kabuğunu Kıran İnci Romanında Üçüncü Dünya Kadınının Temsili

Öz

Bu çalışma, Nadia Hashimi’nin Kabuğunu Kıran İnci adlı romanını postkolonyal feminizm ve Üçüncü Dünya feminizmi perspektifinden incelemeyi amaçlamaktadır. Roman, Afganistan’da kadınların patriyarkal yapı içerisinde maruz kaldığı baskı biçimlerini Rahima ve Shekiba karakterlerinin kuşaklar arası kesişen hikâyeleri üzerinden görünür kılmaktadır. Bununla birlikte Afgan kadın figürünün Batı merkezli söylemlerde sıklıkla “kurtarılması gereken Doğulu kadın” imgesiyle temsil edilmesi, romanın ideolojik dolaşımını sorgulamayı gerekli kılmaktadır. Çalışmada Mohanty’nin Batı feminizmine yönelik eleştirileri, Spivak’ın “madun” tartışması ve Abu-Lughod’un kurtarıcı söylem eleştirisi temel kuramsal dayanaklar olarak kullanılmıştır. İnceleme sonucunda romanın kadın deneyimini görünür kılarken aynı zamanda Batılı okur için egzotikleştirilmiş bir acı estetiği üretme riskini taşıdığı; dolayısıyla hem direniş anlatısı hem de temsil politikaları açısından ikili bir yapı sergilediği ortaya konulmuştur. Bu çalışma, romanın Afgan kadınlarına yönelik Batılı söylemlere hem nasıl meydan okuduğunu hem de bu söylemleri potansiyel olarak nasıl pekiştirdiğini inceleyerek, postkolonyal feminist teoriye dayalı yakın metin analizi yöntemini kullanmaktadır. Bu bağlamda Kabuğunu Kıran İnci, Afgan kadın anlatılarının yalnızca patriyarkal baskı çerçevesinde değil, postkolonyal temsil ilişkileri içerisinde de değerlendirilmesi gerektiğini göstermektedir.

Anahtar Kelimeler

• Nadia Hashimi
• Postkolonyal Feminizm
• Üçüncü Dünya Feminizmi
• Afgan Kadını
• Kurtarıcı Anlatı

Representation of Third World Women in The Pearl That Broke Its Shell within the Context of Postcolonial Feminism

Öz

This article aims to analyze Nadia Hashimi’s novel The Pearl That Broke Its Shell from the perspectives of postcolonial feminism and Third World feminism. The novel portrays the patriarchal oppression experienced by Afghan women through the intergenerational narratives of Rahima and Shekiba. However, since Afghan women have often been represented within Western discourse as “Third World women in need of rescue,” the ideological circulation of such narratives requires critical reconsideration. Drawing on Mohanty’s critique of Western feminism, Spivak’s concept of the subaltern, and Abu-Lughod’s analysis of the “rescue narrative,” this study argues that while the novel makes women’s experiences visible, it also risks reproducing an exoticized aesthetics of suffering for Western readership. The study employs close textual analysis grounded in postcolonial feminist theory, examining how the novel both challenges and potentially reinforces Western discourses about Afghan women. Therefore, The Pearl That Broke Its Shell reveals a dual structure: it functions both as a feminist narrative of resistance and as a text embedded within postcolonial politics of representation.

Anahtar Kelimeler

• Nadia Hashimi
• Postcolonial feminism
• Third World Feminism
• Afghan Women
• Savior Narrative

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