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To Dance or not to Dance: Dancing Dilemmas in a Border Region in Northern Greece

Yıl 2020, Sayı: 7, 232 - 248, 15.12.2020
https://doi.org/10.46250/kulturder.829784

Öz

The imposition of totalizing national ideologies in the Florina region of northwestern border of Greece in end of the 1880's has led to the construction of several categories of belonging. The categories of belonging became varied with the migrations. Members of these categories looked for ways to protect their identity in the face of political balances that have changed over the years. The dance was one of the ways that individuals showed which group they belonged to. Dance had an important role in the process of identity formation in the region in the nineteenth century. In the mid-twentieth century, dance took on different meanings in the region by the various individuals and institutions. In the Florina region, home to many ethnically diverse groups, Dopioi using the Slavic language became the object of various political movements in the 1990’s. As a result of these political movements, dance activities began to be perceived as a means of being Greek or Macedonian. The fact that the dance took on a political dimension in the context of the Dopioi people brought the members of this group face to face with the dilemma of to dance or not to dance. Despite this, the attitude of Dopioi in the region shows that, despite all factors, groups adopt identities that provide them with a space for freedom or offer more than other identities.

Kaynakça

  • Abbot, George F. (1903). The Tale of a Tour in Macedonia. London: Arnold.
  • Agelopoulos, Georgios (1995). “Perceptions, Construction and Definition of Greek National Identity in Late Nineteenth-Early Twentieth Century Macedonia”. Balkan Studies, 36/2: 247-263.
  • Atzaka, Evangelia and Loutzaki Irene (1999). “Choros stin Ellada”. Ekpedeftiki Elliniki Egiklopedia: Theatro-Kinimatografos-Musiki-Choros. Ekdotiki Athinon, 28: 327-341.
  • Barth, Fredrik (1969). “Introduction”. Ethnic Groups and Boundaries: The Social Organization of Difference. Ed. Fredrik Barth. Oslo: Universitets Forlaget, 9-38.
  • Bauman, Richard (1992). “Performance”. Folklore, Cultural Performances, and Popular Entertainments: A Communications Centered Handbook. Ed. Richard Bauman. Oxford: Oxford University Press, 41-49.
  • Chotzidis, Angelos (1997). “Arthrosi kai Domi tou Meionotikou Logou: To Paradeigma ton Moglenon kai tis Zora”. Taftotites sti Makedonia. Eds. Vasilis Gounaris, Iakovos Michailidis,and Georgios Agelopoulos. Athens: Ekdoseis Papazisi, 143-169.
  • Cowan, Jane and K. Brown (2000). “Introduction: Macedonian Inflections”. Macedonia: The Politics of Identity and Difference. Ed. Jane K. Cowan. London: Pluto Press, 1-27.
  • Cowan, Jane K. (1997). “Idioms of Belonging: Articulations of Local Identity in a Greek Macedonian Town”. Ourselves and Others: The Development of a Greek Macedonian Cultural Identity since 1912. Eds. Peter Mackridge, Eleni Yannakakis. New York and Oxford: Berg, 153-171.
  • Cowan, Jane K. (2001). “Ambiguities of an Emancipatory Discourse: The Making of a Macedonian Minority in Greece”. Culture and Rights: Anthropological Perspectives. Eds. Jane K. Cowan, Marie-Benedict Dembour, and Richard A. Wilson. Cambridge: Cambridge University Press, 152-176.
  • Donnan, Hastings and Thomas M. Wilson (1999). Borders: Frontiers of Identity, Nation and State. Oxford: Berg.
  • Gounaris, Vasilis (1993). “Ethnotikes Omades kai Kommatikes Parataxis sti Makedonia ton Valkanikon Polemon”. Ta Ogdonta Chronia ton Valkanikon Polemon (1910-1914). Athens: ELIA, 189-202.
  • Handler, Richard (1988). Nationalism and the Politics of Culture in Quebec. Madison: The University of Wisconsin Press.
  • Hill, Peter (1995). “Die Herausbildung einer Makedonischen Nation”. Die Slavischen Sprachen, 46: 201-214.
  • Koutsouba, Maria (1997). Plurality in Motion: Dance and Cultural Identity on the Greek Ionian Island of Lefkada. PhD Thesis. London: Goldsmith’s College, University of London.
  • Michailidis, Iakovos (1997). “Slavofonoi kai prosfiges: politikes sinistoses mias oikonomikis diamachis”. Taftotites sti Makedonia. Eds. Gounaris, Vasilis, Michailidis, D. Iakovos and Agelopoulos B. Georgios. Athens: Ekdoseis Papazisi, 123-42.
  • Nahachewsky, Andriy (1995). “Participatory and Presentational Dance as Ethnochoreological Categories”. CORD Dance Research Journal, 27/1: 1-15.
  • Nova Zora (1997). Political Manifesto of the ‘Vinozhito’ Party, 1: 4.
  • Ortner, Sherry B. (1984). “Theory in Anthropology since the Sixties”. Comparative Studies in Society and History, 26: 126-166.
  • Vakalopoulos, Konstantinos (1986). I Makedonia stis paramones tou Makedonikou agona (1894- 1904). Thessaloniki: Barbunakis.
  • Vakalopoulos, Konstantinos (1988). Epitomi istoria tis Makedonias: Tourkokratia. Thessaloniki: Kiriakidis.
  • Verdery, Katherine (1994). Ethnicity, Nationalism and State-making. The Anthropology of Ethnicity: Beyond ‘Ethnic Groups and Boundaries’. Eds. H. Vermeulen and C. Govers. Amsterdam: Het Spinhuis, 33-58.
  • Vermeulen, Hans (1984). “Greek Cultural Dominance among the Orthodox Population in Macedonia during the Last Period of the Ottoman Rule”. Cultural Dominance in the Mediterranean Area. Eds. Anton Blok and Henk Driessen. Nijmegen: Katholieke Universiteit Nijmegen: pp. 225-55.
  • Wolf, Eric (1982). Europe and the People without History. Berkeley: University of California Press.

Dans Etmek ya da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi

Yıl 2020, Sayı: 7, 232 - 248, 15.12.2020
https://doi.org/10.46250/kulturder.829784

Öz

Yunanistan’ın kuzeybatı sınırındaki Florina bölgesinde, 1800’lerin sonundan itibaren milliyetçiliğin bütüncül dayatmaları çeşitli aidiyet grupları oluşturdu. Aidiyet kategorileri 1920’lerdeki göçlerle çeşitlendi. Bu kategorilerin üyeleri yıllar içinde değişen politik dengelerin karşısında kimliklerini muhafaza etmenin yollarını aradı. Bireylerin hangi gruba ait olduklarını göstermelerinin yollarından biri de danstı. 19. yüzyılda dans, bölgedeki kimlik oluşum sürecinde önemli rol oynadı. 20. yüzyılın ortalarında ise çeşitli kişiler ve kurumlar aracılığıyla dans bölgede farklı anlamlar kazandı. Etnik açıdan birçok farklı gruba ev sahipliği yapan Florina bölgesinde, Slav dilini kullanan Dopioiler 1990’larda çeşitli siyasi hareketlerin nesnesi haline geldiler. Bu siyasi hareketler sonucunda ise dans etkinlikleri Yunan ya da Makedon olmayı gösteren birer araç olarak algılanmaya başlandı. Dansın Dopioi halkı bağlamında politik bir boyut kazanması bu grubun üyelerini dans etmek ya da etmemek ikilemiyle yüz yüze getirdi. Buna rağmen Dopioilerin bölgedeki duruşu her türlü etkene karşın grupların kendilerine özgürlük alanı sağlayan ya da diğer kimliklerden fazlasını sunan kimlikleri benimsediklerini göstermektedir.

Kaynakça

  • Abbot, George F. (1903). The Tale of a Tour in Macedonia. London: Arnold.
  • Agelopoulos, Georgios (1995). “Perceptions, Construction and Definition of Greek National Identity in Late Nineteenth-Early Twentieth Century Macedonia”. Balkan Studies, 36/2: 247-263.
  • Atzaka, Evangelia and Loutzaki Irene (1999). “Choros stin Ellada”. Ekpedeftiki Elliniki Egiklopedia: Theatro-Kinimatografos-Musiki-Choros. Ekdotiki Athinon, 28: 327-341.
  • Barth, Fredrik (1969). “Introduction”. Ethnic Groups and Boundaries: The Social Organization of Difference. Ed. Fredrik Barth. Oslo: Universitets Forlaget, 9-38.
  • Bauman, Richard (1992). “Performance”. Folklore, Cultural Performances, and Popular Entertainments: A Communications Centered Handbook. Ed. Richard Bauman. Oxford: Oxford University Press, 41-49.
  • Chotzidis, Angelos (1997). “Arthrosi kai Domi tou Meionotikou Logou: To Paradeigma ton Moglenon kai tis Zora”. Taftotites sti Makedonia. Eds. Vasilis Gounaris, Iakovos Michailidis,and Georgios Agelopoulos. Athens: Ekdoseis Papazisi, 143-169.
  • Cowan, Jane and K. Brown (2000). “Introduction: Macedonian Inflections”. Macedonia: The Politics of Identity and Difference. Ed. Jane K. Cowan. London: Pluto Press, 1-27.
  • Cowan, Jane K. (1997). “Idioms of Belonging: Articulations of Local Identity in a Greek Macedonian Town”. Ourselves and Others: The Development of a Greek Macedonian Cultural Identity since 1912. Eds. Peter Mackridge, Eleni Yannakakis. New York and Oxford: Berg, 153-171.
  • Cowan, Jane K. (2001). “Ambiguities of an Emancipatory Discourse: The Making of a Macedonian Minority in Greece”. Culture and Rights: Anthropological Perspectives. Eds. Jane K. Cowan, Marie-Benedict Dembour, and Richard A. Wilson. Cambridge: Cambridge University Press, 152-176.
  • Donnan, Hastings and Thomas M. Wilson (1999). Borders: Frontiers of Identity, Nation and State. Oxford: Berg.
  • Gounaris, Vasilis (1993). “Ethnotikes Omades kai Kommatikes Parataxis sti Makedonia ton Valkanikon Polemon”. Ta Ogdonta Chronia ton Valkanikon Polemon (1910-1914). Athens: ELIA, 189-202.
  • Handler, Richard (1988). Nationalism and the Politics of Culture in Quebec. Madison: The University of Wisconsin Press.
  • Hill, Peter (1995). “Die Herausbildung einer Makedonischen Nation”. Die Slavischen Sprachen, 46: 201-214.
  • Koutsouba, Maria (1997). Plurality in Motion: Dance and Cultural Identity on the Greek Ionian Island of Lefkada. PhD Thesis. London: Goldsmith’s College, University of London.
  • Michailidis, Iakovos (1997). “Slavofonoi kai prosfiges: politikes sinistoses mias oikonomikis diamachis”. Taftotites sti Makedonia. Eds. Gounaris, Vasilis, Michailidis, D. Iakovos and Agelopoulos B. Georgios. Athens: Ekdoseis Papazisi, 123-42.
  • Nahachewsky, Andriy (1995). “Participatory and Presentational Dance as Ethnochoreological Categories”. CORD Dance Research Journal, 27/1: 1-15.
  • Nova Zora (1997). Political Manifesto of the ‘Vinozhito’ Party, 1: 4.
  • Ortner, Sherry B. (1984). “Theory in Anthropology since the Sixties”. Comparative Studies in Society and History, 26: 126-166.
  • Vakalopoulos, Konstantinos (1986). I Makedonia stis paramones tou Makedonikou agona (1894- 1904). Thessaloniki: Barbunakis.
  • Vakalopoulos, Konstantinos (1988). Epitomi istoria tis Makedonias: Tourkokratia. Thessaloniki: Kiriakidis.
  • Verdery, Katherine (1994). Ethnicity, Nationalism and State-making. The Anthropology of Ethnicity: Beyond ‘Ethnic Groups and Boundaries’. Eds. H. Vermeulen and C. Govers. Amsterdam: Het Spinhuis, 33-58.
  • Vermeulen, Hans (1984). “Greek Cultural Dominance among the Orthodox Population in Macedonia during the Last Period of the Ottoman Rule”. Cultural Dominance in the Mediterranean Area. Eds. Anton Blok and Henk Driessen. Nijmegen: Katholieke Universiteit Nijmegen: pp. 225-55.
  • Wolf, Eric (1982). Europe and the People without History. Berkeley: University of California Press.
Toplam 23 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Antropoloji
Bölüm Çeviriler
Yazarlar

Ioannis Manos Bu kişi benim

Çevirmenler

Bahar Dilara Semiz

Yayımlanma Tarihi 15 Aralık 2020
Yayımlandığı Sayı Yıl 2020 Sayı: 7

Kaynak Göster

APA Manos, I. (2020). Dans Etmek ya da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi (B. D. Semiz, çev.). Kültür Araştırmaları Dergisi(7), 232-248. https://doi.org/10.46250/kulturder.829784
AMA Manos I. Dans Etmek ya da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi. KAD. Aralık 2020;(7):232-248. doi:10.46250/kulturder.829784
Chicago Manos, Ioannis. “Dans Etmek Ya Da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi”. çeviren Bahar Dilara Semiz. Kültür Araştırmaları Dergisi, sy. 7 (Aralık 2020): 232-48. https://doi.org/10.46250/kulturder.829784.
EndNote Manos I (01 Aralık 2020) Dans Etmek ya da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi. Kültür Araştırmaları Dergisi 7 232–248.
IEEE I. Manos, “Dans Etmek ya da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi”, KAD, sy. 7, ss. 232–248, Aralık 2020, doi: 10.46250/kulturder.829784.
ISNAD Manos, Ioannis. “Dans Etmek Ya Da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi”. Kültür Araştırmaları Dergisi. Bahar Dilara SemizTrc 7 (Aralık 2020), 232-248. https://doi.org/10.46250/kulturder.829784.
JAMA Manos I. Dans Etmek ya da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi. KAD. 2020;:232–248.
MLA Manos, Ioannis. “Dans Etmek Ya Da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi”. Kültür Araştırmaları Dergisi, çeviren Bahar Dilara Semiz, sy. 7, 2020, ss. 232-48, doi:10.46250/kulturder.829784.
Vancouver Manos I. Dans Etmek ya da Etmemek: Kuzey Yunanistan Sınırında Dans İkilemi. KAD. 2020(7):232-48.