Araştırma Makalesi
BibTex RIS Kaynak Göster

Otorite Metaforları: İrlanda Metinlerinde Kimlik ve Algının Güç Politikaları

Yıl 2024, Sayı: 20, 103 - 116, 10.03.2024
https://doi.org/10.46250/kulturder.1395737

Öz

Bu makalenin temel amacı, kanonlaştırılmış belirli İrlanda metinleri kapsamında İngiltere ve İrlanda arasındaki algıya ilişkin güç politikalarını araştırmaktır. Bu makalenin odak noktası, tanımlayan ve tanımlanan öznelerin rollerine esaslı bir vurgu yaparak, gözlemci ile gözlenen arasındaki ilişki üzerinde durmaktadır. Algıyı şekillendiren otorite olarak Baba İngiltere ve inceleme nesnesi olarak Ana İrlanda'nın metaforik çerçevesine odaklanan bu makale, İrlanda'nın bağımsızlık sonrası dönemini, mahrum bırakılan şeyi geri kazanma ile karakterize edilen dönüştürücü bir yolculuğun başlangıcı olarak tanıtıyor: benlik algısı. Baba İngiltere ile Ana İrlanda arasındaki algının güç dinamiklerini incelerken bu makale, önemli edebi eserleri analiz eden odaklanmış bir yaklaşım benimsemektedir. Özellikle James Joyce'un “Ölüler” (1914), Máirtín Ó Cadhain'in Anahtar (1949) ve John Banville'in Tutanak Defteri (1989) açıklayıcı örnekler olarak gösterilmektedir. Bu makale, bu metinlerle İrlanda'nın tanımlanmış bir konumdan kendi kendini tanımlayan bir konuma doğru evriminin yörüngesini tasvir etmeyi amaçlamaktadır.

Kaynakça

  • Arnheim, Rudolf (1988). The Power of the Centre. New York: University of California Press.
  • Ayrım, Oğuzhan (2023). “Representation of Violence from Imaginary to Symbolic: Identity Formation in John Banville’s The Book of Evidence”. bitig Journal of Faculty of Letters, 3(6): 14-27.
  • Banville, John (1989). The Book of Evidence. New York: Vintage Books.
  • Cheng, Vincent (1993). “Empire and Patriarchy in The Dead”. Joyce Studies Annual, 4(1): 16-42.
  • Cheng, Vincent (1996). “Of Canons, Colonies, and Critics: The Ethics and Politics of Postcolonial Joyce Studies”. Cultural Critique, 35: 81-104.
  • Cullingford, Elizabeth (2001). Ireland’s Other: Gender and Ethnicity in Irish Literature and Popular Culture. Cork: Cork University Press.
  • Farrell, Frank (1996). Subjectivity, Realism and Postmodernism: The Recovery of the World in Recent Philosophy. Cambridge: Cambridge University Press.
  • Holenstein, Elmar (2004). “The Zero-Point of Orientation: The Placement of the I in Perceived Space”. The Body. Oxford: Blackwell Publishing.
  • Joyce, James (2004). A Portrait of the Artist as a Young Man and Dubliners. New York: Barnes & Noble Classics.
  • Lanters, Jose (2000). Unauthorized Versions: Irish Menippean Satire, 1919-1952. Washington: The Catholic UP.
  • Licitra Rosa, C. et al. (2021). “From Imaginary to Theory of the Gaze in Lacan”. Frontiers, 12(1): 1-7.
  • McMinn, Joseph (1999). Supreme Fictions of John Banville. Manchester: Manchester University Press.
  • Merleau-Ponty, Maurice (2002). Phenomenology of Perception. London: Routledge.
  • Miller, Nicholas (2002). Modernism, Ireland and the Erotics of Memory. Cambridge: Cambridge University Press.
  • Ó Cadhain, Máirtín (2015). The Key. Trans. Louis De Paor and Lochlainn O Tuairisg. Illinois: Dalkey Archive Press.
  • Vuohelainen, Minna (2010). “Cribb’d, Cabined, and Confined: Fear, Claustrophobia and Modernity”. Journal of Literature and Science, 3(1): 23-36.

Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts

Yıl 2024, Sayı: 20, 103 - 116, 10.03.2024
https://doi.org/10.46250/kulturder.1395737

Öz

The central aim of this article is to explore the power politics of perception between English and Irish representations within selected canonised Irish texts. The focal point of this article orbits around the relationship between the observer and the observed with an essential emphasis on the roles of defining and defined subjects. Focusing on the metaphorical framework of Father England as the authority of gaze and Mother Ireland as the object of gaze, this article introduces Ireland’s post-independence era as the inception of a transformative journey that is characterised by a promise of self-definition after liberation from English dominion. In navigating the power dynamics of perception between Father England and Mother Ireland, this article takes a focused approach by analysing key literary works. Specifically, James Joyce’s “The Dead” (1914), Máirtín Ó Cadhain’s The Key (1949), and John Banville’s The Book of Evidence (1989) serve as illustrative examples. With these texts, this article aims to depict the trajectory of Ireland’s evolution from a position of being defined to a self-defining position.

Kaynakça

  • Arnheim, Rudolf (1988). The Power of the Centre. New York: University of California Press.
  • Ayrım, Oğuzhan (2023). “Representation of Violence from Imaginary to Symbolic: Identity Formation in John Banville’s The Book of Evidence”. bitig Journal of Faculty of Letters, 3(6): 14-27.
  • Banville, John (1989). The Book of Evidence. New York: Vintage Books.
  • Cheng, Vincent (1993). “Empire and Patriarchy in The Dead”. Joyce Studies Annual, 4(1): 16-42.
  • Cheng, Vincent (1996). “Of Canons, Colonies, and Critics: The Ethics and Politics of Postcolonial Joyce Studies”. Cultural Critique, 35: 81-104.
  • Cullingford, Elizabeth (2001). Ireland’s Other: Gender and Ethnicity in Irish Literature and Popular Culture. Cork: Cork University Press.
  • Farrell, Frank (1996). Subjectivity, Realism and Postmodernism: The Recovery of the World in Recent Philosophy. Cambridge: Cambridge University Press.
  • Holenstein, Elmar (2004). “The Zero-Point of Orientation: The Placement of the I in Perceived Space”. The Body. Oxford: Blackwell Publishing.
  • Joyce, James (2004). A Portrait of the Artist as a Young Man and Dubliners. New York: Barnes & Noble Classics.
  • Lanters, Jose (2000). Unauthorized Versions: Irish Menippean Satire, 1919-1952. Washington: The Catholic UP.
  • Licitra Rosa, C. et al. (2021). “From Imaginary to Theory of the Gaze in Lacan”. Frontiers, 12(1): 1-7.
  • McMinn, Joseph (1999). Supreme Fictions of John Banville. Manchester: Manchester University Press.
  • Merleau-Ponty, Maurice (2002). Phenomenology of Perception. London: Routledge.
  • Miller, Nicholas (2002). Modernism, Ireland and the Erotics of Memory. Cambridge: Cambridge University Press.
  • Ó Cadhain, Máirtín (2015). The Key. Trans. Louis De Paor and Lochlainn O Tuairisg. Illinois: Dalkey Archive Press.
  • Vuohelainen, Minna (2010). “Cribb’d, Cabined, and Confined: Fear, Claustrophobia and Modernity”. Journal of Literature and Science, 3(1): 23-36.
Toplam 16 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm Araştırma Makaleleri
Yazarlar

Oğuzhan Ayrım 0000-0002-2601-1416

Erken Görünüm Tarihi 5 Mart 2024
Yayımlanma Tarihi 10 Mart 2024
Gönderilme Tarihi 24 Kasım 2023
Kabul Tarihi 4 Ocak 2024
Yayımlandığı Sayı Yıl 2024 Sayı: 20

Kaynak Göster

APA Ayrım, O. (2024). Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts. Kültür Araştırmaları Dergisi(20), 103-116. https://doi.org/10.46250/kulturder.1395737
AMA Ayrım O. Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts. KAD. Mart 2024;(20):103-116. doi:10.46250/kulturder.1395737
Chicago Ayrım, Oğuzhan. “Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts”. Kültür Araştırmaları Dergisi, sy. 20 (Mart 2024): 103-16. https://doi.org/10.46250/kulturder.1395737.
EndNote Ayrım O (01 Mart 2024) Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts. Kültür Araştırmaları Dergisi 20 103–116.
IEEE O. Ayrım, “Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts”, KAD, sy. 20, ss. 103–116, Mart 2024, doi: 10.46250/kulturder.1395737.
ISNAD Ayrım, Oğuzhan. “Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts”. Kültür Araştırmaları Dergisi 20 (Mart 2024), 103-116. https://doi.org/10.46250/kulturder.1395737.
JAMA Ayrım O. Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts. KAD. 2024;:103–116.
MLA Ayrım, Oğuzhan. “Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts”. Kültür Araştırmaları Dergisi, sy. 20, 2024, ss. 103-16, doi:10.46250/kulturder.1395737.
Vancouver Ayrım O. Metaphors of Authority: Power Politics of Identity and Perception in Irish Texts. KAD. 2024(20):103-16.