BELGESEL ÜZERİNE

Öz

Kaynakça

1. Barthes, R. (1977) Image, Musk Text. New York: Hill and Wang.
2. Benveniste, E. (1966) Problems in General Linguistics. Coral Gables: University of Miami Press, 1971.
3. Bogatyrev, P. (1938) «Semiotics in the Folk Theatre», cev. B. Kochis. Matejka, L. ve Titunik, I.R.eds. Semiotics of Art: Prague School Contributions. Cambridge, Mass.: MIT Press, 1976.
4. Brodwell. D. ve Thompson, K. (1979) Film Art: An Introduction. Reading, Mass.: Addison-Wesley Pub. Co. Eco, U. (1976) A Theory of Semiotics. Bloomington: Indiana University Press, 1979.
5. Howard, G.W. (1980) Toward a Rcexaminatoin of the Documentary Film: Theory and Text. Ann Arbor, Mich.: University of Microfilms International, 1986.
6. Metz, C. (1975a) «History/Discourse A Note on Two Voyeurisms» Caughie, J., ed. Theories of Authorship: A Reader. London: Routledge and Kegan Paul, 1981.
7. Metz, C. (1975b) «The Fiction Film and His Spectator: A Metapsychological Study», cev. A. Guzzetti. Cha, T.H.K., ed. Apparatus, New York: Tana111 Press, 1980.
8. Metz, C. (1975c) «The Imaginary Signifier», cev. B. Brewster. Screen, 16 (2): 14-76.