Araştırma Makalesi

The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”

Cilt: 3 Sayı: 1 30 Aralık 2024
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The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”

Öz

Classical fairy tales are considered amongst canon literary works written as androtexts whose aims are to give moral messages and traditional dicta. It is within the function of fairy tales to represent patriarchal ideological concerns to shape and form the morality of society. However, the re-written versions of fairy tales occur as a reaction and rejection of classical norms and taboos against men’s authority, therefore, the purpose of the re-written versions of old texts is to demythologize and subvert the intended messages and meanings in which there is either victimization or subjugation. For this reason, demythologization business is mostly conducted by women as a form of gynotexts. Through demythologization, the mythical and the biblical motives are subverted, and new meanings are put into old tales and texts as re-written and demythologized forms. Thus, the purpose of this study is to reflect the new readings and new versions of the monstrous witch image in the re-writings of classical fairy tale of “Hansel and Gretel.” This paper also scrutinizes how old iconoclasm depicting a woman as devouring and monstrous is deconstructed within new presences and qualities as a good-hearted helper and a nurturing mother image. The new readings of an old text, which are reformed and reshaped through demythologization, have the tendency of creating new and subversive spaces by demolishing and pervading old ideals in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as re-readings and re-writings of a traditional and classical tale of Grimm Brothers’ “Hansel and Gretel.”

Anahtar Kelimeler

Kaynakça

  1. Abrams, M. H. & Harpham, G. G. (2009). A glossary of literary terms. Wadsworth Cengage Learning.
  2. Cixous, H. (1976). The Laugh of the Medusa. K. Cohen and P. Cohen, Trans. Signs, 1(4), 875-893. http://www.jstor.org/stable/3173239
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  4. Donoghue, E. (1997). The Tale of The Cottage. Kissing The Witch. Joanna Cotler Books.
  5. Freud, S. (2003). The Uncanny. D. McLintock. Trans; H. Haughton. Introd., Penguin Modern Classics.
  6. Murai M. (2013). The Princess, the Witch, and the Fireside: Yanagi Miwa’s Uncanny Restaging of Fairy Tales.
  7. Marvels & Tales, 27(2), 234-253. http://www.jstor.org/stable/10.13110/marvelstales.27.2.0234
  8. Newton, K. M. (1997). Elaine Showalter: ‘Towards a Feminist Poetics.’ In Newton, K.M. (Ed.), Twentieth-Century Literary Theory, 216-220. Palgrave. http://doi.org/10.1007/978-1-349-25934-2_43

Ayrıntılar

Birincil Dil

İngilizce

Konular

İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü

Bölüm

Araştırma Makalesi

Erken Görünüm Tarihi

18 Aralık 2024

Yayımlanma Tarihi

30 Aralık 2024

Gönderilme Tarihi

3 Kasım 2024

Kabul Tarihi

16 Aralık 2024

Yayımlandığı Sayı

Yıl 2024 Cilt: 3 Sayı: 1

Kaynak Göster

APA
Ekmekçi, Ç. (2024). The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”. Manisa Celal Bayar University International Journal of English Language Studies, 3(1), 32-40. https://izlik.org/JA42KJ84RW
AMA
1.Ekmekçi Ç. The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”. MCBU-IJELS. 2024;3(1):32-40. https://izlik.org/JA42KJ84RW
Chicago
Ekmekçi, Çelik. 2024. “The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ ‘Hansel and Gretel’”. Manisa Celal Bayar University International Journal of English Language Studies 3 (1): 32-40. https://izlik.org/JA42KJ84RW.
EndNote
Ekmekçi Ç (01 Aralık 2024) The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”. Manisa Celal Bayar University International Journal of English Language Studies 3 1 32–40.
IEEE
[1]Ç. Ekmekçi, “The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ ‘Hansel and Gretel’”, MCBU-IJELS, c. 3, sy 1, ss. 32–40, Ara. 2024, [çevrimiçi]. Erişim adresi: https://izlik.org/JA42KJ84RW
ISNAD
Ekmekçi, Çelik. “The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ ‘Hansel and Gretel’”. Manisa Celal Bayar University International Journal of English Language Studies 3/1 (01 Aralık 2024): 32-40. https://izlik.org/JA42KJ84RW.
JAMA
1.Ekmekçi Ç. The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”. MCBU-IJELS. 2024;3:32–40.
MLA
Ekmekçi, Çelik. “The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ ‘Hansel and Gretel’”. Manisa Celal Bayar University International Journal of English Language Studies, c. 3, sy 1, Aralık 2024, ss. 32-40, https://izlik.org/JA42KJ84RW.
Vancouver
1.Çelik Ekmekçi. The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”. MCBU-IJELS [Internet]. 01 Aralık 2024;3(1):32-40. Erişim adresi: https://izlik.org/JA42KJ84RW