Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2024, Cilt: 3 Sayı: 1, 1 - 9

Öz

Kaynakça

  • Bauman, Z. (2006). Liquid Modernity. Blackwell Publishing. (Original work published 2000)
  • Brown, P. T. (2015). The Spatiotemporal Topography of Virginia Woolf’s Mrs. Dalloway: Capturing Britain’s Transition to a Relative Modernity. Journal of Modern Literature, 38(4), 20-38. Indiana University Press. https://doi.org/10.2979/jmodelite.38.4.20
  • Johnson, E. (2003). Creole Errance in Good Morning, Midnight. Journal of Caribbean Literatures, 3(3), 37-46. http://www.jstor.org/stable/40986142 Garvey, J. X. K. (1991). Difference and Continuity: The Voices of Mrs. Dalloway. College English, 53(1), 59-76. https://doi.org/10.2307/377969 Gasiorek, A. (2015). A History of Modernist Literature. Wiley Blackwell.
  • Linett, M. (2005). ‘New Words, New Everything’: Fragmentation and Trauma in Jean Rhys. Twentieth Century Literature, 51(4), 437-466. http://www.jstor.org/stable/20058781
  • Martínez del Barrio, C. (2021). Gendered Urban Spaces and Strangeness in Jean Rhys’ Good Morning, Midnight (1939). Odisea, 22(1), p. 137-149. https://doi.org/10.25115/odisea.v0i22.5485
  • Rhys, Jean. (1985). Good Morning, Midnight. In Diana Athill (Ed.), Jean Rhys: The Complete Novels (pp. 347-462). W. W. Norton. (Original work published 1939)
  • Tew, P., & Murray, A. (2009). The Modernism Handbook. Continuum Books.
  • Woolf, V. (2009). Mrs. Dalloway. Oxford University Press. (Original work published 1925)
  • Woolf, V. (2000) Mr. Bennett and Mrs. Brown. In M. McKeon (Ed.), The Theory of the Novel: A Historical Approach (pp. 745-758). Johns Hopkins University Press. (Original work published 1924)
  • Zimmerman, E. (2015). “Always the same stairs, always the same room”: The Uncanny Architecture of Jean Rhys's Good Morning, Midnight. Journal of Modern Literature, 38(4), 74-92. Indiana University Press. https://doi.org/10.2979/jmodelite.38.4.74

The Fragmented Self and Spatial Relations: Good Morning, Midnight and Mrs. Dalloway

Yıl 2024, Cilt: 3 Sayı: 1, 1 - 9

Öz

This article aims to analyze the fragmentation in the conception of self that arises from the conflict between individuality and society during the transitional era of modernity specifically in the works of Jean Rhys’s Good Morning, Midnight and Virginia Woolf’s Mrs. Dalloway. The ambiguities in Rhys’s protagonist Sasha Jensen’s and Woolf’s character Peter Walsh’s sense of belonging are investigated through the spaces they relate to and their social interactions. The relationship of these characters to certain social and private places are examined in order to reveal how the shift into the modern era provokes a conflict between the subjective sense of self and the social self, resulting in a fragmented concept of self, as well as how this conflict is reconciled by the individuals in the novels.

Kaynakça

  • Bauman, Z. (2006). Liquid Modernity. Blackwell Publishing. (Original work published 2000)
  • Brown, P. T. (2015). The Spatiotemporal Topography of Virginia Woolf’s Mrs. Dalloway: Capturing Britain’s Transition to a Relative Modernity. Journal of Modern Literature, 38(4), 20-38. Indiana University Press. https://doi.org/10.2979/jmodelite.38.4.20
  • Johnson, E. (2003). Creole Errance in Good Morning, Midnight. Journal of Caribbean Literatures, 3(3), 37-46. http://www.jstor.org/stable/40986142 Garvey, J. X. K. (1991). Difference and Continuity: The Voices of Mrs. Dalloway. College English, 53(1), 59-76. https://doi.org/10.2307/377969 Gasiorek, A. (2015). A History of Modernist Literature. Wiley Blackwell.
  • Linett, M. (2005). ‘New Words, New Everything’: Fragmentation and Trauma in Jean Rhys. Twentieth Century Literature, 51(4), 437-466. http://www.jstor.org/stable/20058781
  • Martínez del Barrio, C. (2021). Gendered Urban Spaces and Strangeness in Jean Rhys’ Good Morning, Midnight (1939). Odisea, 22(1), p. 137-149. https://doi.org/10.25115/odisea.v0i22.5485
  • Rhys, Jean. (1985). Good Morning, Midnight. In Diana Athill (Ed.), Jean Rhys: The Complete Novels (pp. 347-462). W. W. Norton. (Original work published 1939)
  • Tew, P., & Murray, A. (2009). The Modernism Handbook. Continuum Books.
  • Woolf, V. (2009). Mrs. Dalloway. Oxford University Press. (Original work published 1925)
  • Woolf, V. (2000) Mr. Bennett and Mrs. Brown. In M. McKeon (Ed.), The Theory of the Novel: A Historical Approach (pp. 745-758). Johns Hopkins University Press. (Original work published 1924)
  • Zimmerman, E. (2015). “Always the same stairs, always the same room”: The Uncanny Architecture of Jean Rhys's Good Morning, Midnight. Journal of Modern Literature, 38(4), 74-92. Indiana University Press. https://doi.org/10.2979/jmodelite.38.4.74
Toplam 10 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm Research Article
Yazarlar

Çakır Ceylin Yavuz Eskicioğlu 0000-0003-2470-3213

Erken Görünüm Tarihi 7 Aralık 2024
Yayımlanma Tarihi
Gönderilme Tarihi 19 Eylül 2024
Kabul Tarihi 4 Kasım 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 3 Sayı: 1

Kaynak Göster

APA Yavuz Eskicioğlu, Ç. C. (2024). The Fragmented Self and Spatial Relations: Good Morning, Midnight and Mrs. Dalloway. Manisa Celal Bayar University International Journal of English Language Studies, 3(1), 1-9.