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The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”

Yıl 2024, Cilt: 3 Sayı: 1, 32 - 40

Öz

Classical fairy tales are considered amongst canon literary works written as androtexts whose aims are to give moral messages and traditional dicta. It is within the function of fairy tales to represent patriarchal ideological concerns to shape and form the morality of society. However, the re-written versions of fairy tales occur as a reaction and rejection of classical norms and taboos against men’s authority, therefore, the purpose of the re-written versions of old texts is to demythologize and subvert the intended messages and meanings in which there is either victimization or subjugation. For this reason, demythologization business is mostly conducted by women as a form of gynotexts. Through demythologization, the mythical and the biblical motives are subverted, and new meanings are put into old tales and texts as re-written and demythologized forms. Thus, the purpose of this study is to reflect the new readings and new versions of the monstrous witch image in the re-writings of classical fairy tale of “Hansel and Gretel.” This paper also scrutinizes how old iconoclasm depicting a woman as devouring and monstrous is deconstructed within new presences and qualities as a good-hearted helper and a nurturing mother image. The new readings of an old text, which are reformed and reshaped through demythologization, have the tendency of creating new and subversive spaces by demolishing and pervading old ideals in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as re-readings and re-writings of a traditional and classical tale of Grimm Brothers’ “Hansel and Gretel.”

Kaynakça

  • Abrams, M. H. & Harpham, G. G. (2009). A glossary of literary terms. Wadsworth Cengage Learning.
  • Cixous, H. (1976). The Laugh of the Medusa. K. Cohen and P. Cohen, Trans. Signs, 1(4), 875-893. http://www.jstor.org/stable/3173239
  • Carter, A. (1998). Notes from the Front Line. Shaking a Leg: Collected Writings. In Joan Smith Introd., Penguin Books.
  • Donoghue, E. (1997). The Tale of The Cottage. Kissing The Witch. Joanna Cotler Books.
  • Freud, S. (2003). The Uncanny. D. McLintock. Trans; H. Haughton. Introd., Penguin Modern Classics.
  • Murai M. (2013). The Princess, the Witch, and the Fireside: Yanagi Miwa’s Uncanny Restaging of Fairy Tales.
  • Marvels & Tales, 27(2), 234-253. http://www.jstor.org/stable/10.13110/marvelstales.27.2.0234
  • Newton, K. M. (1997). Elaine Showalter: ‘Towards a Feminist Poetics.’ In Newton, K.M. (Ed.), Twentieth-Century Literary Theory, 216-220. Palgrave. http://doi.org/10.1007/978-1-349-25934-2_43
  • Özer Taniyan, R. (2023). White is For Witching: A Postcolonial Gothic. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, 21(2), 321-331. http://doi.org/10.18026/cbayarsos.1276598
  • Sebastian-Jones, M. (2013). Preface to the Special Issue on the Fairy Tale in Japan. Marvels & Tales, 27(2), 172-178. http://dx.doi.org/10.1353/mat.2013.a524094
  • The Grimm Brothers. (1979). Hansel and Grethel. In Eric S. Rabkin (Ed.), Fantastic Worlds: Myths, Tales, and Stories (pp. 104-111). Oxford University Press.
  • von Franz, M. L. (1974). Shadow and Evil in Fairy Tales. Spring Publications.
  • Winterson, J. (2020). Hansel and Greta: A Fairy Tale Revolution. Laura Barrett Illust. Vintage.
  • Zipes, J. (2002). Breaking The Magic Spell: Radical Theories of Folk & Fairy Tales. The University Press of Kentucky.
  • Zipes, J. (2009). Relentless Progress: The Reconfiguration of Children’s Literature, Fairy Tales, and Storytelling. Routledge.

Emma Donoghue'nun “The Tale of The Cottage” ve Jeanette Winterson'ın Hansel ve Greta'sında Grimm Kardeşlerin “Hansel ve Gretel"inin Yeniden Yazılmış Versiyonları Olarak Demitolojik Motifler

Yıl 2024, Cilt: 3 Sayı: 1, 32 - 40

Öz

Kaynakça

  • Abrams, M. H. & Harpham, G. G. (2009). A glossary of literary terms. Wadsworth Cengage Learning.
  • Cixous, H. (1976). The Laugh of the Medusa. K. Cohen and P. Cohen, Trans. Signs, 1(4), 875-893. http://www.jstor.org/stable/3173239
  • Carter, A. (1998). Notes from the Front Line. Shaking a Leg: Collected Writings. In Joan Smith Introd., Penguin Books.
  • Donoghue, E. (1997). The Tale of The Cottage. Kissing The Witch. Joanna Cotler Books.
  • Freud, S. (2003). The Uncanny. D. McLintock. Trans; H. Haughton. Introd., Penguin Modern Classics.
  • Murai M. (2013). The Princess, the Witch, and the Fireside: Yanagi Miwa’s Uncanny Restaging of Fairy Tales.
  • Marvels & Tales, 27(2), 234-253. http://www.jstor.org/stable/10.13110/marvelstales.27.2.0234
  • Newton, K. M. (1997). Elaine Showalter: ‘Towards a Feminist Poetics.’ In Newton, K.M. (Ed.), Twentieth-Century Literary Theory, 216-220. Palgrave. http://doi.org/10.1007/978-1-349-25934-2_43
  • Özer Taniyan, R. (2023). White is For Witching: A Postcolonial Gothic. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, 21(2), 321-331. http://doi.org/10.18026/cbayarsos.1276598
  • Sebastian-Jones, M. (2013). Preface to the Special Issue on the Fairy Tale in Japan. Marvels & Tales, 27(2), 172-178. http://dx.doi.org/10.1353/mat.2013.a524094
  • The Grimm Brothers. (1979). Hansel and Grethel. In Eric S. Rabkin (Ed.), Fantastic Worlds: Myths, Tales, and Stories (pp. 104-111). Oxford University Press.
  • von Franz, M. L. (1974). Shadow and Evil in Fairy Tales. Spring Publications.
  • Winterson, J. (2020). Hansel and Greta: A Fairy Tale Revolution. Laura Barrett Illust. Vintage.
  • Zipes, J. (2002). Breaking The Magic Spell: Radical Theories of Folk & Fairy Tales. The University Press of Kentucky.
  • Zipes, J. (2009). Relentless Progress: The Reconfiguration of Children’s Literature, Fairy Tales, and Storytelling. Routledge.
Toplam 15 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm Research Article
Yazarlar

Çelik Ekmekçi 0000-0002-7123-2621

Erken Görünüm Tarihi 18 Aralık 2024
Yayımlanma Tarihi
Gönderilme Tarihi 3 Kasım 2024
Kabul Tarihi 16 Aralık 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 3 Sayı: 1

Kaynak Göster

APA Ekmekçi, Ç. (2024). The Demythological Motifs in Emma Donoghue’s “The Tale of The Cottage” and Jeanette Winterson’s Hansel and Greta as the Rewritten Versions of The Grimm Brothers’ “Hansel and Gretel”. Manisa Celal Bayar University International Journal of English Language Studies, 3(1), 32-40.