Araştırma Makalesi
BibTex RIS Kaynak Göster

Occult African Films as a Reflection of Resurrection Stories: A Socio-Cultural Perspective on Cameroonian and Nigerian Video Films

Yıl 2024, Cilt: 7 Sayı: 2, 83 - 99, 31.12.2024
https://doi.org/10.47951/mediad.1570844

Öz

The African religious landscape is partly characterized by a plurality of vibrant neo-Pentecostal and charismatic movements. Many of these movements are founded, led or influenced by perceived gifted individuals who claim to have had a firsthand experience with the spirit world through diverse mystical or paranormal means. Some of these means include near death experiences or resurrection from the dead. Although some research works have examined the relationship between the narratives of these gifted individuals and the socio-political discourse in Africa, very little attention has been devoted particularly to how their descriptions of the spirit world and the afterlife affect or reflect cinematic production in Africa. This paper seeks to fill this gap in knowledge through an examination of the ways in which resurrection and near death stories driving charismatic Pentecostalism are reflected in some Cameroonian and Nigerian video films. Using secondary sources and a qualitative content analysis of relevant films, the paper specifically attains two main objectives. In the first place, it examines how Cameroonian and Nigerian resurrection stories describe the spirit world and affect the popular culture in Cameroon and Nigeria; while in the last place, the paper examines how these stories are particularly reflected in Cameroonian and Nigerian films.

Kaynakça

  • Abar, E. M. I. (2019). Christianity, traditional religions and power politics in Northern Nigeria since pre-Islamic period. A PhD Thesis submitted to Andrews University.
  • Aggarwal, R. & Ranganathan, P. (2019). Study designs: Part 2 – Descriptive studies. Perspectives on Clinical Research, 10(1), 34-36.
  • Akure, D. P. (2021). Cherubim and Seraphim seals four churches in Ondo for fetish activities. Vanguard, April 7 edition.
  • Amadi, E. (2005). The ethics in Nigerian cultures, Lagos: Bookraft.
  • Ameh, C. G. (2013, June 21). Dead man wakes up after three days in mortuary, recounts ordeal. Daily Post, Accessed October12, 2024, from https://thesun.ng/resurrection-story/
  • Anderson, A. (2013). An introduction to Pentecostalism: Global charismatic Christianity. Cambridge: Cambridge University Press.
  • Baeke, V. (1986). Witchcraft, secret societies and sacrifice among the Wuli of Western Cameroon. Systèmes de Pensée en Afrique Noire, 7, 155-174.
  • Chiorazzi, A. (2015, July 26). The spirituality of Africa. Harvard Gazette. Accessed December 16, 2024, from https://news.harvard.edu/gazette/story/2015/10/the-spirituality-of-africa/
  • Christian Broadcasting Networks (2022, April 16). Reinhard Bonnke tells of Nigerian man raised from the dead. Christian Broadcasting Networks, Retrieved October 12, 2024, from https://cbn.com/article/salvation/reinhard-bonnke-tells-nigerian-man-raised-dead
  • Dyer, J. (2016). Esoteric Hollywood, New York: Trine Day.
  • Ellis, S. (2008). The Okija shrine: Death and life in Nigerian politics. Journal of African History, 49, 445-466.
  • Endong, F. P. (2022). Deconstructing Collywood: A conceptual discourse on the anglophonization and nigerianization of Cameroon’s video film industry, International Journal of Media and Communication Research, 3(2), 1-16.
  • Eni, E. A. (1996), Delivered from the powers of darkness. Paris: Editions Parole de Vie.
  • Horton, L. A. (1996). “Eating hearts”: Witchcraft as soul murder; an analysis of an anti-witchcraft youth rebellion in Cameroon. A PhD thesis submitted to the University of California.
  • Khan, K., (2017). Ghosts, witches and the magical world in the Nigerian film Billionaires’ Club. Phantasma, 21, 284-291.
  • Koloss, H. J. (1985). Obasinjom among the Ejagam, African Art, 18, 63-103.
  • Kouenedji, M. (2021, May 15). Sorcellerie au Cameroun: ‘Il raconte comment il boit le sang humain avec ses camarades-sorciers. Cameroun Web, Accessed May 10, 2023 from https://www.camerounweb.com/CameroonHomePage/features/Sorcellerie-au-Cameroun-Il-raconte-comment-il-boit-le-sang-humain-avec-ses-camarades-sorciers-617803
  • Kroesbergen, H. (2020). African leadership and the kind of reality of the spirit world. HTS: Theological Studies, 76(2), 1-9.
  • Kugara, S. L. (2017). Witchcraft belief and criminal responsibility: A case study of selected areas in South Africa and Zimbabwe. A PhD thesis submitted to the University of Venda.
  • LeMarquard, G. (2012). The Bible as specimen, talisman, and dragoman in Africa: A look at some African uses of the psalms and 1 Corinthians, 12-14. Bulletin for Biblical Research 22(2), 189-199.
  • Leonard, Abel (2022, May 20). “Resurrection” story. The Sun. Retrieved October 12, 2024 from https://dailypost.ng/2013/08/18/dead-man-wakes-up-after-three-days-in-mortuary-recounts-ordeal/
  • Loe, S. (2012). Sorcellerie, l’enfer d’une croyance. Born: Susanne Ehlerding.
  • Mbunwe, S. P. (2012). Accounts from the Wimbun Area of the Cameroon Grassfields, Bamenda: Langaa, RPCIG.
  • Moyo, F. & Meer, E.V.D. (2014). The Christian church and witchcraft accusation in Africa. African Journal of Evangelical Theology, 33(1), 23-40)
  • Murray, A. (2015). Invisible power, visible dispossession: The witchcraft of a subterranean pipeline. Political Geography, 47, 64-76.
  • New Africa Magazine, (2013). The Rise of Nollywood. New Africa Magazine, (July edition): p.23.
  • Ngbea, T. G. (2019). Children and witchcraft in Nigeria: The role of Christianity. Akwanga Journal of Educational Studies, 3(2), 68-80.
  • Nguimfack, L. (2016). Psychothérapie des familles camerounaises confrontées a la sorcellerie. Thérapie Familiale, 37(3), 293-305.
  • Nwaka, C. J. (2020). The return of the gods? Trends and implications of the rising popularity of fetish rituals and occult practices among Nigerian youths. Africa Development, XLV(3), 53-76.
  • Oh, E. (2014). Nigeria’s film industry: Nollywood looks to expand globally. Executive Briefings on Trade, New York: United States International Trade Commission (USITC)
  • Oviasuji, P.O., Ajagun, O. & Isiraojie, L. (2011). Fetish oath taking in Nigerian politics and administration: Bane of development. Journal of Social Sciences, 27(3), 193-200
  • Pementa, N. V., Tabenyang, T. C. J. & Fubah, M. A. (2014). Communitarianism and the Obasinjom mask performance as ritual healing among the Bayang and Ejagham of Southwest Cameroon. In Alley Parish (ed) Rituals: Practices, ethnic and cultural aspects in emotional healing (1-58), New York: Nova Science Publishers.
  • Robold, M. (2017). The film industry in Cameroon: State cultural policies and foreign cultural institutions. A Master’s thesis submitted to the University of Wien.
  • Roschenthaler, U. (2004). Cult agency in the Cross River area. Africa: Journal of the International African Institute, 74(2), 241-276.
  • Sammuel, T. (2021, March 19). End time shocker. See the 8 times Nigerian pastors’ have allowed the devil to use them badly. Tori ng. Accessed May 9, 2023 from https://www.tori.ng/news/45166/end-time-shocker-see-the-8-times-nigerian-pastors.html.
  • Santanera, G. (2019). Films that don’t seem Cameroonian: Professional video making and self-styling among Douala youth. Africa, 89(1), 165-186
  • Santanera, G. (2016). Videomaking the city. Popular culture and urban life in Cameroon, Anno, VI(II), 87-98.
  • Sharon, R. A. (1998), Guide to African cinema. London: Greenwood.
  • Tsama-Essomba, M.. (1993). Va, et raconte ce que j’ai fait pour toi. Paris : Editions Parole de Vie.
  • Ukpabio H. (1996). The seat of Satan exposed. Calabar: Liberty Foundation Gospel Ministries, 1999);
  • Zigoto, T. T. (2012, June 29). Cinema: Why Collywood – Cameroon film industry. Le blog de Stephanie Dongmo Retrieved Mai 19, 2023 from http://stephaniedongmo.blogspot.com/2012/09/cinema-why-collywood-cameroon-film.html

Diriliş Hikayelerinin Bir Yansıması Olarak Afrika Okült Filmleri: Kamerun ve Nijerya Video Filmleri Üzerine Sosyo-Kültürel Bir Perspektif

Yıl 2024, Cilt: 7 Sayı: 2, 83 - 99, 31.12.2024
https://doi.org/10.47951/mediad.1570844

Öz

Afrika dini manzarası, kısmen canlı neo-Pentekostal ve karizmatik hareketlerin çeşitliliğiyle karakterize edilmektedir. Bu hareketlerin birçoğu, ruhani dünya ile çeşitli mistik veya paranormal yollarla doğrudan bir deneyim yaşadığını iddia eden, yetenekli olarak algılanan bireyler tarafından kurulmuş, yönetilmiş veya etkilenmiştir. Bu yollar arasında ölümden dönüş veya ölümden sonra dirilme gibi deneyimler bulunmaktadır. Bazı araştırmalar, bu yetenekli bireylerin anlatıları ile Afrika’daki sosyo-politik söylem arasındaki ilişkiyi incelemiş olsa da özellikle onların ruhani dünya ve ahiret tasvirlerinin Afrika’daki sinema üretimini nasıl etkilediği veya yansıttığı üzerine çok az çalışma yapılmıştır. Bu makale, karizmatik Pentekostalizmi yönlendiren diriliş ve ölümden dönüş hikayelerinin bazı Kamerun ve Nijerya video filmlerinde nasıl yansıtıldığını inceleyerek bu bilgi boşluğunu doldurmayı amaçlamaktadır. İkincil kaynaklar ve ilgili filmlerin nitel içerik analizi yoluyla, makale iki temel hedefe ulaşmaktadır. İlk olarak, Kamerun ve Nijerya’daki diriliş hikayelerinin ruhani dünyayı nasıl tasvir ettiğini ve bu hikayelerin Kamerun ve Nijerya popüler kültürünü nasıl etkilediğini incelemektedir. İkinci olarak, bu hikayelerin özellikle Kamerun ve Nijerya filmlerinde nasıl yansıtıldığını ele almaktadır.

Etik Beyan

There is no potential conflict of interest in the study

Destekleyen Kurum

No support is taken from any institution or organization

Teşekkür

Thanks

Kaynakça

  • Abar, E. M. I. (2019). Christianity, traditional religions and power politics in Northern Nigeria since pre-Islamic period. A PhD Thesis submitted to Andrews University.
  • Aggarwal, R. & Ranganathan, P. (2019). Study designs: Part 2 – Descriptive studies. Perspectives on Clinical Research, 10(1), 34-36.
  • Akure, D. P. (2021). Cherubim and Seraphim seals four churches in Ondo for fetish activities. Vanguard, April 7 edition.
  • Amadi, E. (2005). The ethics in Nigerian cultures, Lagos: Bookraft.
  • Ameh, C. G. (2013, June 21). Dead man wakes up after three days in mortuary, recounts ordeal. Daily Post, Accessed October12, 2024, from https://thesun.ng/resurrection-story/
  • Anderson, A. (2013). An introduction to Pentecostalism: Global charismatic Christianity. Cambridge: Cambridge University Press.
  • Baeke, V. (1986). Witchcraft, secret societies and sacrifice among the Wuli of Western Cameroon. Systèmes de Pensée en Afrique Noire, 7, 155-174.
  • Chiorazzi, A. (2015, July 26). The spirituality of Africa. Harvard Gazette. Accessed December 16, 2024, from https://news.harvard.edu/gazette/story/2015/10/the-spirituality-of-africa/
  • Christian Broadcasting Networks (2022, April 16). Reinhard Bonnke tells of Nigerian man raised from the dead. Christian Broadcasting Networks, Retrieved October 12, 2024, from https://cbn.com/article/salvation/reinhard-bonnke-tells-nigerian-man-raised-dead
  • Dyer, J. (2016). Esoteric Hollywood, New York: Trine Day.
  • Ellis, S. (2008). The Okija shrine: Death and life in Nigerian politics. Journal of African History, 49, 445-466.
  • Endong, F. P. (2022). Deconstructing Collywood: A conceptual discourse on the anglophonization and nigerianization of Cameroon’s video film industry, International Journal of Media and Communication Research, 3(2), 1-16.
  • Eni, E. A. (1996), Delivered from the powers of darkness. Paris: Editions Parole de Vie.
  • Horton, L. A. (1996). “Eating hearts”: Witchcraft as soul murder; an analysis of an anti-witchcraft youth rebellion in Cameroon. A PhD thesis submitted to the University of California.
  • Khan, K., (2017). Ghosts, witches and the magical world in the Nigerian film Billionaires’ Club. Phantasma, 21, 284-291.
  • Koloss, H. J. (1985). Obasinjom among the Ejagam, African Art, 18, 63-103.
  • Kouenedji, M. (2021, May 15). Sorcellerie au Cameroun: ‘Il raconte comment il boit le sang humain avec ses camarades-sorciers. Cameroun Web, Accessed May 10, 2023 from https://www.camerounweb.com/CameroonHomePage/features/Sorcellerie-au-Cameroun-Il-raconte-comment-il-boit-le-sang-humain-avec-ses-camarades-sorciers-617803
  • Kroesbergen, H. (2020). African leadership and the kind of reality of the spirit world. HTS: Theological Studies, 76(2), 1-9.
  • Kugara, S. L. (2017). Witchcraft belief and criminal responsibility: A case study of selected areas in South Africa and Zimbabwe. A PhD thesis submitted to the University of Venda.
  • LeMarquard, G. (2012). The Bible as specimen, talisman, and dragoman in Africa: A look at some African uses of the psalms and 1 Corinthians, 12-14. Bulletin for Biblical Research 22(2), 189-199.
  • Leonard, Abel (2022, May 20). “Resurrection” story. The Sun. Retrieved October 12, 2024 from https://dailypost.ng/2013/08/18/dead-man-wakes-up-after-three-days-in-mortuary-recounts-ordeal/
  • Loe, S. (2012). Sorcellerie, l’enfer d’une croyance. Born: Susanne Ehlerding.
  • Mbunwe, S. P. (2012). Accounts from the Wimbun Area of the Cameroon Grassfields, Bamenda: Langaa, RPCIG.
  • Moyo, F. & Meer, E.V.D. (2014). The Christian church and witchcraft accusation in Africa. African Journal of Evangelical Theology, 33(1), 23-40)
  • Murray, A. (2015). Invisible power, visible dispossession: The witchcraft of a subterranean pipeline. Political Geography, 47, 64-76.
  • New Africa Magazine, (2013). The Rise of Nollywood. New Africa Magazine, (July edition): p.23.
  • Ngbea, T. G. (2019). Children and witchcraft in Nigeria: The role of Christianity. Akwanga Journal of Educational Studies, 3(2), 68-80.
  • Nguimfack, L. (2016). Psychothérapie des familles camerounaises confrontées a la sorcellerie. Thérapie Familiale, 37(3), 293-305.
  • Nwaka, C. J. (2020). The return of the gods? Trends and implications of the rising popularity of fetish rituals and occult practices among Nigerian youths. Africa Development, XLV(3), 53-76.
  • Oh, E. (2014). Nigeria’s film industry: Nollywood looks to expand globally. Executive Briefings on Trade, New York: United States International Trade Commission (USITC)
  • Oviasuji, P.O., Ajagun, O. & Isiraojie, L. (2011). Fetish oath taking in Nigerian politics and administration: Bane of development. Journal of Social Sciences, 27(3), 193-200
  • Pementa, N. V., Tabenyang, T. C. J. & Fubah, M. A. (2014). Communitarianism and the Obasinjom mask performance as ritual healing among the Bayang and Ejagham of Southwest Cameroon. In Alley Parish (ed) Rituals: Practices, ethnic and cultural aspects in emotional healing (1-58), New York: Nova Science Publishers.
  • Robold, M. (2017). The film industry in Cameroon: State cultural policies and foreign cultural institutions. A Master’s thesis submitted to the University of Wien.
  • Roschenthaler, U. (2004). Cult agency in the Cross River area. Africa: Journal of the International African Institute, 74(2), 241-276.
  • Sammuel, T. (2021, March 19). End time shocker. See the 8 times Nigerian pastors’ have allowed the devil to use them badly. Tori ng. Accessed May 9, 2023 from https://www.tori.ng/news/45166/end-time-shocker-see-the-8-times-nigerian-pastors.html.
  • Santanera, G. (2019). Films that don’t seem Cameroonian: Professional video making and self-styling among Douala youth. Africa, 89(1), 165-186
  • Santanera, G. (2016). Videomaking the city. Popular culture and urban life in Cameroon, Anno, VI(II), 87-98.
  • Sharon, R. A. (1998), Guide to African cinema. London: Greenwood.
  • Tsama-Essomba, M.. (1993). Va, et raconte ce que j’ai fait pour toi. Paris : Editions Parole de Vie.
  • Ukpabio H. (1996). The seat of Satan exposed. Calabar: Liberty Foundation Gospel Ministries, 1999);
  • Zigoto, T. T. (2012, June 29). Cinema: Why Collywood – Cameroon film industry. Le blog de Stephanie Dongmo Retrieved Mai 19, 2023 from http://stephaniedongmo.blogspot.com/2012/09/cinema-why-collywood-cameroon-film.html
Toplam 41 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İletişim ve Medya Çalışmaları (Diğer)
Bölüm Araştırma Makaleleri
Yazarlar

Floribert Patrick C. Endong 0000-0003-1893-3653

Yayımlanma Tarihi 31 Aralık 2024
Gönderilme Tarihi 20 Ekim 2024
Kabul Tarihi 19 Aralık 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 7 Sayı: 2

Kaynak Göster

APA Endong, F. P. C. (2024). Occult African Films as a Reflection of Resurrection Stories: A Socio-Cultural Perspective on Cameroonian and Nigerian Video Films. Journal of Media and Religion Studies, 7(2), 83-99. https://doi.org/10.47951/mediad.1570844

Creative Commons License MEDYA VE DİN ARAŞTIRMALARI DERGİSİ (MEDİAD) - JOURNAL OF MEDIA AND RELIGION STUDIES

This journal is licensed under a Creative Commons Attribution 4.0 International License.