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OTTO HANEDANI DÖNEMİNDEKİ KUYUMCULUK ÇALIŞMALARINA DAİR BAZI ÖRNEKLER

Yıl 2025, Cilt: 7 Sayı: 7, 49 - 61, 29.12.2025

Öz

Otto Hanedanı (919-1024) Kutsal Roma İmparatorluğu tarihinde önemli bir döneme damgasını vurmuş, başta kuyumculuk olmak üzere, sanat ve zanaat alanında dikkate değer eserler ortaya koymuştur. Hanedanlığın liderleri olan I. Otto, II. Otto, III. Otto ve II. Henry sanatı desteklemişler ve Otto Rönesansı olarak bilinen kültürel canlanmaya öncülük etmişlerdir. Bu dönemde altın, değerli taşlar ve inciler ilahi ve dünyevi otoritenin sembolü olarak kullanılıyordu. Çalışmamızda öne çıkan kuyumculuk eserlerinden biri de Büyük Otto’nun sekizgen imparatorluk tacıdır. Hem Batı hem de Doğu geleneklerinden izler taşıyan bu taç, Hristiyan sembolizmiyle zenginleştirilmiştir. Bu dönemde üretilen diğer önemli eserler arasında Mathilde-Otto Haçı, Lothar Haçı, Essen Altın Bakire Heykeli, Uta Kodeksi Kitap Kapağı ve dönemin karakteristik tekniklerini yansıtan altın yüzükler ve broşlar yer alır. Tahmin edileceği üzere bu dönemde yapılmış çok fazla altın ve değerli taşlarla süslenmiş eser bulunmaktadır. Ancak bu çalışma, Otto Hanedanı döneminde kuyumculuk sanatının zirveye ulaşan bazı örneklerini inceleyerek, bu sanat eserlerinin dönemin kültürel kimliğine, dini sembolizmine ve imparatorluk otoritesine nasıl katkıda bulunduğunu analiz etmektir. Çalışmada, ele alınan eserlerin estetik, sembolik ve teknik yönleri üzerinde durularak, eserlerin dini, politik ve sosyal işlevleri açıklanmaktadır.

Kaynakça

  • “Ottonian Metalwork”, The Grove Encyclopedia of Medieval Art and Architecture: Laarne to Pépin de Huy, ed. Colum P. Hourihane, (New York: Oxford Üniversity Press, 2012), 509-512.
  • Altmann, Michael. “Der Ambo Heinrichs II – ein Höhepunkt mittelalterlicher Goldschmiedekunst und Ausdruck der kosmopolitischen Haltung ottonischer Herrschaft”, J.W. Goethe-Universität Frankfurt/Main, Institut für Kunstgeschichte, 2015, 1-27. https://www.academia.edu/31707251
  • Beckwith, John. Early Medieval Art, (New York: Preager Publishers, 1964).
  • Çetin Ünal, Banu. Orta Çağ’da Otto Rönesansı (İstanbul: Motto Yayınları, 2023).
  • Dickerson, Madelynn. The Handy Art History Answer Book, (Detroit: Visible Ink Press, 2013).
  • Figg, Kristen Mossler and Friedman, John Block (ed.). Arts and Humanities Through the Eras: Medieval Europe (814–1450), (Farmington Hills: Thomson Gale, 2005).
  • Fisher, Susannah D. Materializing The Word: Ottonian Treasury Bindings and Viewer Reception, The State University of New Jersey, (New Jersey: Doctoral Dissertation, 2012).
  • Hartt, Frederick. Art: A History of Painting, Sculpture, Architecture, Fourth Edition, Vol.1, (New York: Harry N. Abrams, Inc., 1993).
  • Hegseth, Virginia, Connections: The Ancestors of John West of Virginia and The West De La Warre Family 2000 BC to 1635, (Pittsburg: Dorrance Publishing Co., 2023).
  • Holladay, Joan A. “Metalworking”, Medieval Germany: An Encyclopedia, ed. John M. Jeep (New York: Garland Publishing, 2001), 519-520.
  • Kirchner, Walther. Middle Ages 375-1492, (New York: Barnes & Noble, Inc., 1968).
  • Lasko, Peter. “Ottonian Art”, The Encyclopedia of Visual Art, Vol.3, (Danbury: Crolier Educational Corporation, 1983).
  • Lasko, Peter. Ars Sacra 800-1200, (New Heaven: Yale University Press, 1994).
  • Lendvai, Paul. The Hungarians: A Thousand Years of Victory in Defeat, trans. Ann Major, (Princeton, New Jersey: Princeton University Press, 2003).
  • Little, Charles T. “New gold cloisonné enamel Ottonian rings”, “Luft unter die Flügel”….Beitrage zur mittelalterlichen Kunst: Festschrift für Hiltrud Westermann-Angerhausen, Hrsg. Andrea von Hülsen-Esch Dagmar Taube (Hildesheim: Georg Olms Verlag, 2010), 48-55.
  • Loaiza, Karen E. “Ottonian Art and Architecture: Introduction”, Medieval Germany: An Encyclopedia, ed. John M. Jeep, (New York: Garland Publishing, 200), 595.
  • Paulus, Dagmar. “From Charlemagne to Hitler: The Imperial Crown of the Holy Roman Empire and its Symbolism”, Online Journal of the Project Charlemagne, a European Icon, University of Bristol 2017, 1-17.
  • Ramirez-Faria, Carlos, Concise Encyclopaedia of World History, (New Delhi: Atlantic Publishers and Distributors, 2007).
  • Streissguth, Thomas, The Middle Ages, (Farmington Hills: Greenhaven Press, 2003).
  • Wheatley, Henry B. Philip Henry Delamotte, Handbooks of Practical Art; Art Work in Gold and Silver, Medieaeval (New York: Scribner and Welford, 1882).
  • Wixom, William D. (ed.), Mirror of the Medieval World, (New York: The Metropolitan Museum of Art, 1999).

SOME EXAMPLES OF JEWELRY WORKS FROM THE OTTONIAN DYNASTY PERIOD

Yıl 2025, Cilt: 7 Sayı: 7, 49 - 61, 29.12.2025

Öz

The Ottonian dynasty (919-1024) marked a significant period in the history of the Holy Roman Empire, producing notable works in art and craftsmanship, particularly in jewelry. The dynasty’s leaders—Otto I, Otto II, Otto III, and Henry II—supported the arts and spearheaded a cultural revival known as the Ottonian Renaissance. During this period, gold, precious stones, and pearls were used as symbols of divine and earthly authority. One of the prominent jewelry works highlighted in our study is Otto the Great's octagonal Imperial Crown. This crown bears traces of both Western and Eastern traditions and is enriched with Christian symbolism. Other remarkable works produced during this period include Mathilde- Otto Cross, the Lothar Cross, the Golden Virgin Statue of Essen, the Uta Codex Book Cover, as well as gold rings and brooches that reflect the characteristic techniques of the era. As might be expected, numerous artifacts adorned with gold and precious stones were created during this period. However, this study aims to examine select masterpieces of jewelry craftsmanship that reached their pinnacle during the Ottonian dynasty, analyzing how these works of art contributed to the cultural identity, religious symbolism, and imperial authority of the period. The study focuses on the aesthetic, symbolic, and technical aspects of the examined artifacts, elucidating their religious, political, and social functions.

Kaynakça

  • “Ottonian Metalwork”, The Grove Encyclopedia of Medieval Art and Architecture: Laarne to Pépin de Huy, ed. Colum P. Hourihane, (New York: Oxford Üniversity Press, 2012), 509-512.
  • Altmann, Michael. “Der Ambo Heinrichs II – ein Höhepunkt mittelalterlicher Goldschmiedekunst und Ausdruck der kosmopolitischen Haltung ottonischer Herrschaft”, J.W. Goethe-Universität Frankfurt/Main, Institut für Kunstgeschichte, 2015, 1-27. https://www.academia.edu/31707251
  • Beckwith, John. Early Medieval Art, (New York: Preager Publishers, 1964).
  • Çetin Ünal, Banu. Orta Çağ’da Otto Rönesansı (İstanbul: Motto Yayınları, 2023).
  • Dickerson, Madelynn. The Handy Art History Answer Book, (Detroit: Visible Ink Press, 2013).
  • Figg, Kristen Mossler and Friedman, John Block (ed.). Arts and Humanities Through the Eras: Medieval Europe (814–1450), (Farmington Hills: Thomson Gale, 2005).
  • Fisher, Susannah D. Materializing The Word: Ottonian Treasury Bindings and Viewer Reception, The State University of New Jersey, (New Jersey: Doctoral Dissertation, 2012).
  • Hartt, Frederick. Art: A History of Painting, Sculpture, Architecture, Fourth Edition, Vol.1, (New York: Harry N. Abrams, Inc., 1993).
  • Hegseth, Virginia, Connections: The Ancestors of John West of Virginia and The West De La Warre Family 2000 BC to 1635, (Pittsburg: Dorrance Publishing Co., 2023).
  • Holladay, Joan A. “Metalworking”, Medieval Germany: An Encyclopedia, ed. John M. Jeep (New York: Garland Publishing, 2001), 519-520.
  • Kirchner, Walther. Middle Ages 375-1492, (New York: Barnes & Noble, Inc., 1968).
  • Lasko, Peter. “Ottonian Art”, The Encyclopedia of Visual Art, Vol.3, (Danbury: Crolier Educational Corporation, 1983).
  • Lasko, Peter. Ars Sacra 800-1200, (New Heaven: Yale University Press, 1994).
  • Lendvai, Paul. The Hungarians: A Thousand Years of Victory in Defeat, trans. Ann Major, (Princeton, New Jersey: Princeton University Press, 2003).
  • Little, Charles T. “New gold cloisonné enamel Ottonian rings”, “Luft unter die Flügel”….Beitrage zur mittelalterlichen Kunst: Festschrift für Hiltrud Westermann-Angerhausen, Hrsg. Andrea von Hülsen-Esch Dagmar Taube (Hildesheim: Georg Olms Verlag, 2010), 48-55.
  • Loaiza, Karen E. “Ottonian Art and Architecture: Introduction”, Medieval Germany: An Encyclopedia, ed. John M. Jeep, (New York: Garland Publishing, 200), 595.
  • Paulus, Dagmar. “From Charlemagne to Hitler: The Imperial Crown of the Holy Roman Empire and its Symbolism”, Online Journal of the Project Charlemagne, a European Icon, University of Bristol 2017, 1-17.
  • Ramirez-Faria, Carlos, Concise Encyclopaedia of World History, (New Delhi: Atlantic Publishers and Distributors, 2007).
  • Streissguth, Thomas, The Middle Ages, (Farmington Hills: Greenhaven Press, 2003).
  • Wheatley, Henry B. Philip Henry Delamotte, Handbooks of Practical Art; Art Work in Gold and Silver, Medieaeval (New York: Scribner and Welford, 1882).
  • Wixom, William D. (ed.), Mirror of the Medieval World, (New York: The Metropolitan Museum of Art, 1999).
Toplam 21 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Ortaçağ Avrupa Tarihi
Bölüm Araştırma Makalesi
Yazarlar

Banu Çetin Ünal 0000-0003-2651-6286

Gönderilme Tarihi 9 Şubat 2025
Kabul Tarihi 15 Nisan 2025
Yayımlanma Tarihi 29 Aralık 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 7 Sayı: 7

Kaynak Göster

Chicago Çetin Ünal, Banu. “SOME EXAMPLES OF JEWELRY WORKS FROM THE OTTONIAN DYNASTY PERIOD”. MESOS Disiplinlerarası Ortaçağ Çalışmaları Dergisi 7, sy. 7 (Aralık 2025): 49-61.