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Appearance of Creative Industries in Transcendental Sphere: Effect of Creative Industries on Colonization of the Lifeworld

Yıl 2018, , 144 - 173, 15.12.2018
https://doi.org/10.17572/mj2018.2.144173

Öz

The concept of creative industry has begun to find a place both in scientific literature and everyday life as an obligation of over-technical-capitalist societies in the 1990s. According to the Habermasian approach considering that everything has double-meaning, it is clear that productions of creative industries produced by using the creativity and culture could have positive and negative dimensions. This study sought to draw attention to the possible disruptive effects of creative industries on cultural-normative structures which coordinate communicative action oriented to ‘understanding’ in the social sphere. In order to reinforce this argument, the study proceeded in line with the concept of ‘lifeworld’ originally developed by Husserl and the ‘colonization of the lifeworld’ theorized by Habermas, and was partly based on the thoughts of the Frankfurt School. Briefly, our study focused on how creative industries would influence such basic components of the lifeworld as cultural reproduction, social integration and socialization, and on how to coordinate communicative action and how to potentially colonize the lifeworld.

Kaynakça

  • Abbasia, M.; Vassilopouloub, P.; Stergioulas, L. (2017). Technology roadmap for the Creative Industries. Creative Industries Journal, 10 (1), 40-58.
  • Adorno, T. W. (1994). The stars down to earth and other essays on the irrational in culture. (Stephen Crook Edt.). Routledge: London and New York.
  • Adorno, T. W. (2000). Kültür Endüstrisini Yeniden Düşünmek. Kitle İletişim Kuramları (2. Basım). (Erol Mutlu, Ed. ve Çev.). Ankara: Ütopya.
  • Adorno, W. T. ve Horkheimer, M. (2010). Aydınlanmanın Diyalektiği. (Nihat Ülner - Elif Öztarhan Karadoğan Çev.). İstanbul: Kabalcı.
  • Baxter, H. (1987). System and Life-World in Habermas's "Theory of Communicative Action". Theory and Society, 16 (1), 39-86.
  • Benjamin, W. (2010). The Work of Art in the Age of Its Technological Reproducibility. Grey Room, (39), 11-38.
  • BMWi. (2017). Cultural and Creative Industries Monitoring Report. The Federal Ministry for Economic Affairs and Energy / Germany.
  • Bourdieu, P. (1986). The Forms of Capital (241-258). Handbook of Theory and Research For The Sociology of Education. (J. Richardson Edt.). New York: Greenwood.
  • Bourdieu, P. (1989). Social Space and Symbolic Power. Sociological Theory. 7 (1), 14-25.
  • Bourdieu, P. (1998). On Television. (Priscilla Parkhurst Ferguson Çev.). USA: The New Press.
  • Brand, G. (1973). The structure of the life-world according to Husserl. Continental Philosophy Review, 6 (2), 143-162.
  • Caves, R. E. (2003). Contracts between Art and Commerce. The Journal of Economic Perspectives, 17 (2), 73-84.
  • Cunningham. S. (2002). From Cultural to Creative Industries: Theory, Industry and Policy Implications. Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, 102 (1), 54-65.
  • DCMS (Department for Culture, Media and Sports). (1998). Creative Industries Mapping Document. London.
  • de Bone, E. (2016). Introduction. Think Creativity. Canon.
  • Demir, E. M. (2014). Yaratıcı Endüstriler. İlef Dergisi. 1(2), 87-107.
  • Deuz, M. (2007). Convergence culture in the creative industries. International Journal of Cultural Studies, 10(2), 243–263.
  • Dursun, O. (2013). Köşe Yazarları Yaşam Dünyamızı Sömürüyor Mu? Sermayenin ve Siyasetin Denetiminde Köşe Yazarlığı Alanı. Ankara: Siyasal.
  • EAFCWPFC 2011-2014. (2012). European Agenda For Culture Work Plan For Culture 2011-2014. European Union Open Method of Coordination / Expert Group on Cultural and Creative Industries.
  • EY. (2015). Cultural times /The first global map of cultural and creative industries. Globo Comunicação e Participações S.A. Erişim Adresi: https://en.unesco.org/creativity/sites/creativity/files/cultural_times._the_first_global_map_of_cultural_and_creative_industries.pdf, Erişim Tarihi: 07.07.2018.
  • Fleming, M. (2000). Social Labor and Communicative Action (s. 445-462). Perspectives on Habermas. (Lewis Edwin Hahn Edt.). USA: Open Court.
  • Florida, R. (2002). The Rise of the Creative Class: And how It’s Transforming Work, Leisure, Community and Everyday Life. New York: Basic Books.
  • Galloway, S. ve Dunlop, S. (2007). A Critique Of Definitions Of The Cultural And Creative Industries In Public Policy. International Journal of Cultural Policy, 13 (1), 17-31.
  • Gibson, C. ve Kong, L. (2005). Cultural economy: a critical review. Progress in Human Geography, 29 (5), 541-561.
  • Gouvea, R. ve Vora, G. (2018). Creative industries and economic growth: stability of creative products exports earnings. Creative Industries Journal, 11 (1), 22-53.
  • Granham, N. (2005). From Cultural To Creative Industries / An analysis of the implications of the “creative industries” approach to arts and media policy making in the United Kingdom. International Journal of Cultural Policy, 11 (1), 16-29.
  • Habermas, J. (1987). The Theory of Communicative Action (Vol II). (Thomas McCarthy Trans.). Boston: Beacon Press.
  • Habermas, J. (1993). İdeoloji Olarak Teknik ve Bilim. (Mustafa Tüzel Çev.), İstanbul: Cogito.
  • Habermas, J. (2001). İletişimsel Eylem Kuramı. (Mustafa Tüzel Çev.). İstanbul: Kabalcı.
  • Habermas. J. (1984). The Theory of Communicative Action (Vol I). (Thomas McCarthy Trans.). Boston: Beacon Press.
  • Habermas. J. (2009). Kamusallığın Yapısal Dönüşümü. (Tanıl Bora Çev.). İstanbul: İletişim.
  • Hansen, M. B. (2008). Benjamin’s Aura, Critical Inquiry, 34, 336-375.
  • Harrington, A. (2006). Lifeworld. Theory, Culture & Society, 23 (2-3), 341-343.
  • Horkheimer, M. (2010). Akıl Tutulması (8. Baskı). (Orhan Koçak Çev.). İstanbul: Metis.
  • Howkins, J. (2001). The Creative Economy: How people make money from ideas. UK: Penguin Press.
  • Humphries, M. ve Grant, S. (2005). Social Enterprise and Re-Civilization of Human Endeavors: Re-Socializing the Market Metaphor or Encroaching Colonization of the Lifeworld?. Comparative Education. 8 (1), 41-50.
  • Husserl, E. (1970). Crisis of the European Sciences and Transcendental Phenomenology. (David Carr Trans.). USA: Northwestern University Press.
  • Husserl, E. (1982). Cartesian Meditations / An Introduction To Phenomenology. (Trans.) Dorian Cairns. Netherlands: Martinus Nijhoff Publishers.
  • Husserl, E. (1983). Ideas Pertaining To A Pure Phenomenology And To A Phenomenological Philosophy / General Introduction To A Pure Phenomenology. (F. Kersten Trans.). USA: Kluwer Academic Publishers Group.
  • Husserl, E. (2003). Introduction To Transcendental Phenomenology. (Cyril Welch Trans.). Canada: Atcost Press.
  • IFCCD Raporu. (2010). Green Paper - Unlocking the Potential of Cultural and Creative Industries. International Federation of Coalitions for Cultural Diversity.
  • Innovate UK Digital Economy Strategy Report. 2015–2018. Accessed 01.08.2018. https://www.gov.uk/ government/uploads/system/uploads/attachment_data/file/404743/Digital_Economy_Strat egy_2015-18_Web_Final2.pdf
  • Jütten, T. (2011). The Colonization Thesis: Habermas on Reification. International Journal of Philosophical Studies, 19 (5), 701-727.
  • Laužikas, M. ve Mokšeckienė, R. (2014). The Development of Creative Industries: The Case of Lithuanian Fashion Design Companies. Societal Studies. 2014, 6 (1), 34–66.
  • Lukacs, G. (1971). History and Class Consciousness. (Rodney Livingstone Trans.). Cambridge, Massachussetts: The MIT Press.
  • Lukacs, G. (2014). Tarih ve Sınıf Bilinci. (Yılmaz Öner Çev.). İstanbul: Belge.
  • Madirolas, J.R. (2012). The Creative Industries and the Cultural Commons: Transformations in Labour, Value and Production. University of London. Creative Commons By-Share Alike.
  • Marx, K. (2011). Kapital / Ekonomi Politiğin EleştirisiCilt I. (Mehmet Selik ve Nail Satlıgan Çev.). İstanbul: Yordam.
  • Marx, K. (2014). 1844 El Yazmaları.(Murat Belge Çev.). İstanbul: 9. Baskı, Birikim.
  • Matulionyte, R.; Paton, E.; McIntyre P.; Gleadhill, D. (2017). The system of book creation: intellectual property and the self-publishing sector of the creative industries. Creative Industries Journal, 10 (3), 191-210.
  • McLean, R. ve Wainwright, D. W. (2009). Social networks, football fans, fantasy and reality: How corporate and media interests are invading our lifeworld. Journal of Information, Communication and Ethics in Society, 7, 54-71
  • Mensch, J. (2017). Life and The Reduction to The Life-World. Horizon. 6 (2), 13–29.
  • Miettinen, T. 2013). The Idea Of Europe in Husserl's Phenomenology: A Study in Generativity and Historicity. Philosophical Studies from the University of Helsinki 36.
  • Neilson, B. ve Rossiter, S. (2005) From Precarity to Precariousness and Back Again: Labour, Life and Unstable Networks. "The Fibreculture Journal. Issue 5.http://five.fibreculturejournal.org/fcj-022-from-precarity-to-precariousness-and-back-again-labour-life-and-unstable-networks/, Erişim tarihi: 08.08.2018.
  • Pagès, C. S. (2009). A reading of Husserl’s “life-world” against the loss of history in the context of postcolonial Aboriginal Australia. Coolabah, 3, 68-74.
  • Primorac, J. (2014). The Position and Perspectives of Cultural and Creative Industries in Southeastern Europe. Medij. İstraž, 20 (1), 45-64.
  • Purnomo, B. R. & Kristiansen, S. (2018). Economic reasoning and creative industries progress. Creative Industries Journal. 11 (1), 3-21.
  • Rawat, K. J. (2014). Introducing Husserl’s Phenomenology from an Aristotelian Point of View. Electronic Journal For Philosophy, 12, 1-17.
  • Rockmore, T. (2017). Lukács, Heidegger and Reification. Consecutio Rerum. 1 (2), 168-177.
  • Rutten, P. (2014. Prologue: Creative industries for society. Enabling Crossovers: Good Practices in the Creative Industries. Asia-Europe Foundation-ASEF: V-XVI.
  • Santiago-Delefosse M. ve del Río Carral, M. (2015). The Life-World and Its Multiple Realities: Alfred Schütz’s Contribution to the Understanding of the Experience of Illness. Psychology, 6, 1265-1276.
  • Schutz A., Luckmann T. (1989). The Structures of the Life-World (Vol II). Evanston: Northwestern University Press.
  • Schutz, A. (2011). Collected Papers (Vol V). ( Lester Embree Edt.). Springer Dordrecht Heidelberg London New York.
  • Schutz, A. (1962). Collected Papers (Vol I). (Maurice Natanson Edt.). The Hague: Martinus Nijhoff.
  • Schutz, A. (1970). Collected Papers (Vol III). ( Arvid Brodersen Edt.). The Hague: Martinus Nijhoff.
  • Schutz, A. (1996). Collected Papers IV. (Helmut Wagner and George Psathas with Fred Kersten Edt.). Dordrecht/Boston/London: Kluwer Academic Publishers.
  • Schutz, A. ve Luckmann, T. (1974). The Structures of the Life-World (Vol I). Evanston: Northwestern University Press.
  • Scott, A. J. (2004). Cultural-Products Industries And Urban Economic Development / Prospects for Growth and Market Contestation in Global Context. Urban Affairs Review, 39 (4), 461-490
  • Seçilmiş, İ. E. (2015). Türkiye’de Yaratıcı Endüstrilerin Kümelenmesi, Ege Akademik Bakış, 15 (1), 9-18.
  • UNDP & UNESCO. (2013). Creative Economy Report 2013 Special Edition. United Nations Development Programme (UNDP). USA: New York.
  • UNESCO. (2006). Understanding Creative Industries - cultural statistics for public-policy making.
  • UNESCO. (2007). Statistics On Cultural Industries / Framework for the Elaboration of National Data Capacity Building Projects.
  • Uzun, R. (2006). Gazetecilikte Yeni Bir Yönelim: Yurttaş Gazeteciliği. Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 16, 633-656.
  • Vaitkus, S. (2005). The “Naturality” of Alfred Schutz’s Natural Attitude of the Life-World (s. 97-121). Explorations of the Life-World: Continuing Dialogues with Alfred Schutz. (Martin Endress, George Psathas and Hisashi Nasu Edt.). The Netherlands: Springer.
  • Williams, R. (1961). The Long Revolution. UK: Penguen Books.
  • Wilson, T.P. (2005). The Problem of Subjectivity in Schutz and Parsons (s. 19-50). Explorations of the Life-World: Continuing Dialogues with Alfred Schutz. (Martin Endress, George Psathas and Hisashi Nasu Edt.). The Netherlands: Springer.
  • Yum, S. (2016). The economic growth of creative industries in the Miami metropolitan area. Creative Industries Journal, 9 (2), 130-145.
  • Yüksel, P.; Yıldırım, S. (2015). Theoretical Frameworks, Methods, and Procedures for Conducting Phenomenological Studies in Educational Settings.Turkish Online Journal of Qualitative Inquiry, 6(1), 1-20.
  • Zelić, T. (2007). On the Phenomenology of the Life-World. Synthesis Philosophica, 46 (2), 413–426.

Yaratıcı Endüstrilerin Aşkınsal Alanda Görünümü: Yaratıcı Endüstrilerin Yaşam Dünyasının Sömürgeleştirilmesine Etkisi

Yıl 2018, , 144 - 173, 15.12.2018
https://doi.org/10.17572/mj2018.2.144173

Öz

Yaratıcı endüstri kavramı, aşırı-teknik-kapitalist toplumların bir zorunluluğu olarak 1990’lı yıllarda gerek gündelik yaşama gerekse bilimsel yazına yerleşmeye başlamıştır. Habermas’ın çift değerlilik yaklaşımı doğrultusunda düşünüldüğünde, yaratıcı endüstrilerin, yaratıcılık ve kültürü kullanarak ürettikleri ürünlerin olumlu yanları kadar olumsuz yanlarının da olacağı açıktır. Bu çalışma yaratıcı endüstrilerin, toplumsal alanda anlaşma yönelimli iletişimsel eylemi koordine eden kültürel-normatif yapılar üzerindeki olası bozucu etkilerine dikkat çekmeye çalışmıştır. Çalışma, bu düşünceyi temellendirmek için, Husserl tarafından geliştirilen “yaşam dünyası” ve Habermas tarafından kuramsallaştırılan “yaşam dünyasının sömürgeleştirilmesi” kavramları doğrultusunda ilerlemiştir. Çalışmamızda kısmen Frankfurt Okulu’nun düşüncelerine başvurulmuştur. Çalışmamız özetle, yaratıcı endüstrilerin, yaşam dünyasının temel bileşenlerinden kültürel yeniden üretim, toplumsal bütünleşme ve toplumsallaşma süreçlerini nasıl etkileyeceğine, iletişimsel eylemi ne şekilde koordine edeceğine ve yaşam dünyasını potansiyel olarak nasıl sömürgeleştireceğine odaklanmıştır.

Kaynakça

  • Abbasia, M.; Vassilopouloub, P.; Stergioulas, L. (2017). Technology roadmap for the Creative Industries. Creative Industries Journal, 10 (1), 40-58.
  • Adorno, T. W. (1994). The stars down to earth and other essays on the irrational in culture. (Stephen Crook Edt.). Routledge: London and New York.
  • Adorno, T. W. (2000). Kültür Endüstrisini Yeniden Düşünmek. Kitle İletişim Kuramları (2. Basım). (Erol Mutlu, Ed. ve Çev.). Ankara: Ütopya.
  • Adorno, W. T. ve Horkheimer, M. (2010). Aydınlanmanın Diyalektiği. (Nihat Ülner - Elif Öztarhan Karadoğan Çev.). İstanbul: Kabalcı.
  • Baxter, H. (1987). System and Life-World in Habermas's "Theory of Communicative Action". Theory and Society, 16 (1), 39-86.
  • Benjamin, W. (2010). The Work of Art in the Age of Its Technological Reproducibility. Grey Room, (39), 11-38.
  • BMWi. (2017). Cultural and Creative Industries Monitoring Report. The Federal Ministry for Economic Affairs and Energy / Germany.
  • Bourdieu, P. (1986). The Forms of Capital (241-258). Handbook of Theory and Research For The Sociology of Education. (J. Richardson Edt.). New York: Greenwood.
  • Bourdieu, P. (1989). Social Space and Symbolic Power. Sociological Theory. 7 (1), 14-25.
  • Bourdieu, P. (1998). On Television. (Priscilla Parkhurst Ferguson Çev.). USA: The New Press.
  • Brand, G. (1973). The structure of the life-world according to Husserl. Continental Philosophy Review, 6 (2), 143-162.
  • Caves, R. E. (2003). Contracts between Art and Commerce. The Journal of Economic Perspectives, 17 (2), 73-84.
  • Cunningham. S. (2002). From Cultural to Creative Industries: Theory, Industry and Policy Implications. Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, 102 (1), 54-65.
  • DCMS (Department for Culture, Media and Sports). (1998). Creative Industries Mapping Document. London.
  • de Bone, E. (2016). Introduction. Think Creativity. Canon.
  • Demir, E. M. (2014). Yaratıcı Endüstriler. İlef Dergisi. 1(2), 87-107.
  • Deuz, M. (2007). Convergence culture in the creative industries. International Journal of Cultural Studies, 10(2), 243–263.
  • Dursun, O. (2013). Köşe Yazarları Yaşam Dünyamızı Sömürüyor Mu? Sermayenin ve Siyasetin Denetiminde Köşe Yazarlığı Alanı. Ankara: Siyasal.
  • EAFCWPFC 2011-2014. (2012). European Agenda For Culture Work Plan For Culture 2011-2014. European Union Open Method of Coordination / Expert Group on Cultural and Creative Industries.
  • EY. (2015). Cultural times /The first global map of cultural and creative industries. Globo Comunicação e Participações S.A. Erişim Adresi: https://en.unesco.org/creativity/sites/creativity/files/cultural_times._the_first_global_map_of_cultural_and_creative_industries.pdf, Erişim Tarihi: 07.07.2018.
  • Fleming, M. (2000). Social Labor and Communicative Action (s. 445-462). Perspectives on Habermas. (Lewis Edwin Hahn Edt.). USA: Open Court.
  • Florida, R. (2002). The Rise of the Creative Class: And how It’s Transforming Work, Leisure, Community and Everyday Life. New York: Basic Books.
  • Galloway, S. ve Dunlop, S. (2007). A Critique Of Definitions Of The Cultural And Creative Industries In Public Policy. International Journal of Cultural Policy, 13 (1), 17-31.
  • Gibson, C. ve Kong, L. (2005). Cultural economy: a critical review. Progress in Human Geography, 29 (5), 541-561.
  • Gouvea, R. ve Vora, G. (2018). Creative industries and economic growth: stability of creative products exports earnings. Creative Industries Journal, 11 (1), 22-53.
  • Granham, N. (2005). From Cultural To Creative Industries / An analysis of the implications of the “creative industries” approach to arts and media policy making in the United Kingdom. International Journal of Cultural Policy, 11 (1), 16-29.
  • Habermas, J. (1987). The Theory of Communicative Action (Vol II). (Thomas McCarthy Trans.). Boston: Beacon Press.
  • Habermas, J. (1993). İdeoloji Olarak Teknik ve Bilim. (Mustafa Tüzel Çev.), İstanbul: Cogito.
  • Habermas, J. (2001). İletişimsel Eylem Kuramı. (Mustafa Tüzel Çev.). İstanbul: Kabalcı.
  • Habermas. J. (1984). The Theory of Communicative Action (Vol I). (Thomas McCarthy Trans.). Boston: Beacon Press.
  • Habermas. J. (2009). Kamusallığın Yapısal Dönüşümü. (Tanıl Bora Çev.). İstanbul: İletişim.
  • Hansen, M. B. (2008). Benjamin’s Aura, Critical Inquiry, 34, 336-375.
  • Harrington, A. (2006). Lifeworld. Theory, Culture & Society, 23 (2-3), 341-343.
  • Horkheimer, M. (2010). Akıl Tutulması (8. Baskı). (Orhan Koçak Çev.). İstanbul: Metis.
  • Howkins, J. (2001). The Creative Economy: How people make money from ideas. UK: Penguin Press.
  • Humphries, M. ve Grant, S. (2005). Social Enterprise and Re-Civilization of Human Endeavors: Re-Socializing the Market Metaphor or Encroaching Colonization of the Lifeworld?. Comparative Education. 8 (1), 41-50.
  • Husserl, E. (1970). Crisis of the European Sciences and Transcendental Phenomenology. (David Carr Trans.). USA: Northwestern University Press.
  • Husserl, E. (1982). Cartesian Meditations / An Introduction To Phenomenology. (Trans.) Dorian Cairns. Netherlands: Martinus Nijhoff Publishers.
  • Husserl, E. (1983). Ideas Pertaining To A Pure Phenomenology And To A Phenomenological Philosophy / General Introduction To A Pure Phenomenology. (F. Kersten Trans.). USA: Kluwer Academic Publishers Group.
  • Husserl, E. (2003). Introduction To Transcendental Phenomenology. (Cyril Welch Trans.). Canada: Atcost Press.
  • IFCCD Raporu. (2010). Green Paper - Unlocking the Potential of Cultural and Creative Industries. International Federation of Coalitions for Cultural Diversity.
  • Innovate UK Digital Economy Strategy Report. 2015–2018. Accessed 01.08.2018. https://www.gov.uk/ government/uploads/system/uploads/attachment_data/file/404743/Digital_Economy_Strat egy_2015-18_Web_Final2.pdf
  • Jütten, T. (2011). The Colonization Thesis: Habermas on Reification. International Journal of Philosophical Studies, 19 (5), 701-727.
  • Laužikas, M. ve Mokšeckienė, R. (2014). The Development of Creative Industries: The Case of Lithuanian Fashion Design Companies. Societal Studies. 2014, 6 (1), 34–66.
  • Lukacs, G. (1971). History and Class Consciousness. (Rodney Livingstone Trans.). Cambridge, Massachussetts: The MIT Press.
  • Lukacs, G. (2014). Tarih ve Sınıf Bilinci. (Yılmaz Öner Çev.). İstanbul: Belge.
  • Madirolas, J.R. (2012). The Creative Industries and the Cultural Commons: Transformations in Labour, Value and Production. University of London. Creative Commons By-Share Alike.
  • Marx, K. (2011). Kapital / Ekonomi Politiğin EleştirisiCilt I. (Mehmet Selik ve Nail Satlıgan Çev.). İstanbul: Yordam.
  • Marx, K. (2014). 1844 El Yazmaları.(Murat Belge Çev.). İstanbul: 9. Baskı, Birikim.
  • Matulionyte, R.; Paton, E.; McIntyre P.; Gleadhill, D. (2017). The system of book creation: intellectual property and the self-publishing sector of the creative industries. Creative Industries Journal, 10 (3), 191-210.
  • McLean, R. ve Wainwright, D. W. (2009). Social networks, football fans, fantasy and reality: How corporate and media interests are invading our lifeworld. Journal of Information, Communication and Ethics in Society, 7, 54-71
  • Mensch, J. (2017). Life and The Reduction to The Life-World. Horizon. 6 (2), 13–29.
  • Miettinen, T. 2013). The Idea Of Europe in Husserl's Phenomenology: A Study in Generativity and Historicity. Philosophical Studies from the University of Helsinki 36.
  • Neilson, B. ve Rossiter, S. (2005) From Precarity to Precariousness and Back Again: Labour, Life and Unstable Networks. "The Fibreculture Journal. Issue 5.http://five.fibreculturejournal.org/fcj-022-from-precarity-to-precariousness-and-back-again-labour-life-and-unstable-networks/, Erişim tarihi: 08.08.2018.
  • Pagès, C. S. (2009). A reading of Husserl’s “life-world” against the loss of history in the context of postcolonial Aboriginal Australia. Coolabah, 3, 68-74.
  • Primorac, J. (2014). The Position and Perspectives of Cultural and Creative Industries in Southeastern Europe. Medij. İstraž, 20 (1), 45-64.
  • Purnomo, B. R. & Kristiansen, S. (2018). Economic reasoning and creative industries progress. Creative Industries Journal. 11 (1), 3-21.
  • Rawat, K. J. (2014). Introducing Husserl’s Phenomenology from an Aristotelian Point of View. Electronic Journal For Philosophy, 12, 1-17.
  • Rockmore, T. (2017). Lukács, Heidegger and Reification. Consecutio Rerum. 1 (2), 168-177.
  • Rutten, P. (2014. Prologue: Creative industries for society. Enabling Crossovers: Good Practices in the Creative Industries. Asia-Europe Foundation-ASEF: V-XVI.
  • Santiago-Delefosse M. ve del Río Carral, M. (2015). The Life-World and Its Multiple Realities: Alfred Schütz’s Contribution to the Understanding of the Experience of Illness. Psychology, 6, 1265-1276.
  • Schutz A., Luckmann T. (1989). The Structures of the Life-World (Vol II). Evanston: Northwestern University Press.
  • Schutz, A. (2011). Collected Papers (Vol V). ( Lester Embree Edt.). Springer Dordrecht Heidelberg London New York.
  • Schutz, A. (1962). Collected Papers (Vol I). (Maurice Natanson Edt.). The Hague: Martinus Nijhoff.
  • Schutz, A. (1970). Collected Papers (Vol III). ( Arvid Brodersen Edt.). The Hague: Martinus Nijhoff.
  • Schutz, A. (1996). Collected Papers IV. (Helmut Wagner and George Psathas with Fred Kersten Edt.). Dordrecht/Boston/London: Kluwer Academic Publishers.
  • Schutz, A. ve Luckmann, T. (1974). The Structures of the Life-World (Vol I). Evanston: Northwestern University Press.
  • Scott, A. J. (2004). Cultural-Products Industries And Urban Economic Development / Prospects for Growth and Market Contestation in Global Context. Urban Affairs Review, 39 (4), 461-490
  • Seçilmiş, İ. E. (2015). Türkiye’de Yaratıcı Endüstrilerin Kümelenmesi, Ege Akademik Bakış, 15 (1), 9-18.
  • UNDP & UNESCO. (2013). Creative Economy Report 2013 Special Edition. United Nations Development Programme (UNDP). USA: New York.
  • UNESCO. (2006). Understanding Creative Industries - cultural statistics for public-policy making.
  • UNESCO. (2007). Statistics On Cultural Industries / Framework for the Elaboration of National Data Capacity Building Projects.
  • Uzun, R. (2006). Gazetecilikte Yeni Bir Yönelim: Yurttaş Gazeteciliği. Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 16, 633-656.
  • Vaitkus, S. (2005). The “Naturality” of Alfred Schutz’s Natural Attitude of the Life-World (s. 97-121). Explorations of the Life-World: Continuing Dialogues with Alfred Schutz. (Martin Endress, George Psathas and Hisashi Nasu Edt.). The Netherlands: Springer.
  • Williams, R. (1961). The Long Revolution. UK: Penguen Books.
  • Wilson, T.P. (2005). The Problem of Subjectivity in Schutz and Parsons (s. 19-50). Explorations of the Life-World: Continuing Dialogues with Alfred Schutz. (Martin Endress, George Psathas and Hisashi Nasu Edt.). The Netherlands: Springer.
  • Yum, S. (2016). The economic growth of creative industries in the Miami metropolitan area. Creative Industries Journal, 9 (2), 130-145.
  • Yüksel, P.; Yıldırım, S. (2015). Theoretical Frameworks, Methods, and Procedures for Conducting Phenomenological Studies in Educational Settings.Turkish Online Journal of Qualitative Inquiry, 6(1), 1-20.
  • Zelić, T. (2007). On the Phenomenology of the Life-World. Synthesis Philosophica, 46 (2), 413–426.
Toplam 79 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular İletişim ve Medya Çalışmaları
Bölüm Makaleler (Tema)
Yazarlar

Onur Dursun

Yayımlanma Tarihi 15 Aralık 2018
Gönderilme Tarihi 15 Aralık 2018
Kabul Tarihi 15 Aralık 2018
Yayımlandığı Sayı Yıl 2018

Kaynak Göster

APA Dursun, O. (2018). Yaratıcı Endüstrilerin Aşkınsal Alanda Görünümü: Yaratıcı Endüstrilerin Yaşam Dünyasının Sömürgeleştirilmesine Etkisi. Moment Dergi, 5(2), 144-173. https://doi.org/10.17572/mj2018.2.144173