Düzeltme: ORIENTALIST IMAGERY AND GAZE IN THE FILMS IL BAGNO TURCO, ZENNE DANCER, AND AUF DER ANDEREN SEITE

Yıl 2022, Cilt: 9 Sayı: 2 - Gündelik Milliyetçilik, 613 - 613, 31.12.2022

Sanem Peker Dağlı , Zeynep Özarslan

Bu makalenin ilk hali 27 Haziran 2022 tarihinde yayımlandı. https://dergipark.org.tr/tr/pub/moment/issue/70570/1059358

Düzeltme Notu

1. The order of the authors on the article cover and in the headers of the pages has been corrected. 2. Footnote added to page 92: "This article was derived from Sanem Peker Dağlı's MA dissertation titled “Orientalist Imagery in the Films Il Bagno Turco, Zenne Dancer, and Auf Der Anderen Seite” presented to the Graduate Program in Humanities and Social Sciences, Institute of Social Sciences, Yildiz Technical University, Turkey in 2019."

Öz

Orientalism still provides a rich literature to explore the representations of the Orient from a Western perspective as well as the manifest and latent power relations designating the Orientalist imagery. Following Edward Said’s theorization of Orientalism, this paper examines Orientalist imagery, iconography, and gaze from a sexual difference perspective in Turkey’s cinema on the trajectory of the films Il Bagno Turco aka Hamam, Zenne Dancer aka Zenne, and Auf Der Anderen Seite aka Yaşamın Kıyısında. The paper discusses the representations of the West(ern) and East(ern) characters, cities, spaces and culture and Orientalist gaze in the selected films from a sexual difference perspective. Semiotic film analysis is implemented as the methodology, deploying Roland Barthes’s conceptualizations on semiotics as a supporting component. The analysis reveals that the visual and narrative structures of the selected films are ornated with both manifest and latent Orientalist elements, the leading of which are romanticism and homoeroticism of the Oriental.

Anahtar Kelimeler

Contemporary approaches to Orientalism, latent Orientalism, homoeroticism of the Oriental, semiotic film analysis, Turkey’s cinema

Düzeltme: HAMAM, ZENNE, VE YAŞAMIN KIYISINDA FİLMLERİNDE ORYANTALİST İMGELEM VE BAKIŞ

Bu makalenin ilk hali 27 Haziran 2022 tarihinde yayımlandı. https://dergipark.org.tr/tr/pub/moment/issue/70570/1059358

Düzeltme Notu

1. Makale kapağındaki ve sayfa üst kısımlarındaki yazar sıralaması düzeltildi. 2. Sayfa 92'ye dipnot eklendi: "This article was derived from Sanem Peker Dağlı's MA dissertation titled “Orientalist Imagery in the Films Il Bagno Turco, Zenne Dancer, and Auf Der Anderen Seite” presented to the Graduate Program in Humanities and Social Sciences, Institute of Social Sciences, Yildiz Technical University, Turkey in 2019."

Öz

Oryantalizm, Batı perspektifinden Doğu’nun temsillerini ve de Oryantalist imgelemi belirleyen açık ve örtük iktidar ilişkilerini ortaya çıkarmak için zengin bir literatür sunar. Edward Said’in Oryantalizm kuramsallaştırmasını temel alan bu çalışma, Hamam (Il Bagno Turco), Zenne (Zenne Dancer), ve Yaşamın Kıyısında (Auf Der Anderen Seite) filmleri yörüngesinde Türkiye Sineması’nda, cinsel farklılık perspektifinden Oryantalist imgelem, ikonografi ve bakışı inceler. Seçilen filmlerdeki Batı(lı) ve Doğu(lu) karakterler, kentler, uzamlar ve kültür temsilleri ve de oryantalist bakış, cinsel farklılık perspektifinden tartışılır. Roland Barthes’ın göstergebilim kavramsallaştırmalarını destekleyici bir bileşen olarak alan bu çalışmada, filmler göstergebilimsel yöntemle analiz edilir. Film analizleri, seçilen filmlerin görsel ve anlatı yapılarının, belirgin olarak Doğulunun romantizmi ve homoerotizmini de kapsayarak hem örtük hem de açık Oryantalist öğelerle bezendiğini göstermektedir.

Anahtar Kelimeler

Oryantalizme çağdaş yaklaşımlar, örtük Oryantalizm, göstergebilimsel film analizi, Türkiye sineması, Doğu’nun homoerotizmi

Kaynakça

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