Araştırma Makalesi
BibTex RIS Kaynak Göster

The Persistence of Jameson's Postmodernism Analysis

Yıl 2024, Cilt: 11 Sayı: 2, 283 - 303, 08.01.2025

Öz

This study aims to highlight the elements of Fredric Jameson’s analysis of postmodernism that remain relevant today. Although the term and periodization of postmodernism may seem to have lost popularity in contemporary theory, many theorists agree that capitalism has undergone a radical transformation since the 1970s. With this final stage of capitalism, the cultural and economic spheres have overlapped, and every aspect of daily life has become commodified more than ever before. In this article, after explaining Jameson’s concept of postmodernism as a historical condition and a mode of production-subjectivity, I argue that the theory remains valid in all three areas that constitute the triptych under the headings of a. the waning of affect, b. immediacy, c. new depthlessness, and d. pastiche and nostalgia. Ultimately, I contend that the decline of postmodernism should be interpreted as a sign of its complete realization.

Kaynakça

  • Amin, A. (2011). Post-Fordism: A Reader. Malden: Wiley.
  • Andersen, J. (2015). Now You’ve Got the Shiveries: Affect, Intimacy, and the ASMR Whisper Community. Television & New Media, 16(8), 683–700. https://doi.org/10.1177/1527476414556184
  • Anderson, P. (1998). The Origins of Postmodernity. New York/London: Verso Books.
  • Antunes, R. (2012). The Meanings of Work: Essay on the Affirmation and Negation of Work. Leiden/Boston: Brill.
  • Barad, K. (2007). Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.
  • Barthes, R. (1968). Writing Degree Zero. New York: Farrar, Straus and Giroux.
  • Baspehlivan, U. (2024). Theorising the memescape: The spatial politics of Internet memes. Review of International Studies, 50(1), 35–57. https://doi.org/10.1017/S0260210523000049
  • Baumbach, N., Young, D. R., & Yue, G. (2016). Introduction. Social Text, 34(2), 1–20. https://doi.org/10.1215/01642472-3467942
  • Beller, J. (2016). Texas-(s)ized Postmodernism; Or, Capitalism without the Dialectic. Social Text, 34(2), 21–44. https://doi.org/10.1215/01642472-3467954
  • Best, S., & Marcus, S. (2009). Surface Reading: An Introduction. Representations, 108(1), 1–21. https://doi.org/10.1525/rep.2009.108.1.1
  • Bogost, I. (2012). Alien Phenomenology, Or, What It’s Like to be a Thing. Mineapolis: University of Minnesota Press.
  • Boym, S. (2008). The Future of Nostalgia. New York: Basic Books.
  • Canavan, G. (2019, December 6). Disney’s Endgame: How the Franchise Came to Rule Cinema | Frieze. https://www.frieze.com/article/disneys-endgame-how-franchise-came-rule-cinema
  • Clough, P. T., & Halley, J. (2007). The Affective Turn: Theorizing the Social. Duke University Press. https://books.google.com.tr/booksid=cufPrRiM43sC
  • Crais, B., Davis, V., & Welch, C. (2024a). A CONVERSATION WITH SIANNE NGAI AND JOSHUA CLOVER. Polygraph: An International Journal of Culture and Politics, 29. https://polygraphjournal.com/wp-content/uploads/2024/05/polygraph-29_sianne-ngai-and-joshua-clover.pdf
  • Crais, B., Davis, V., & Welch, C. (2024b). Introduction: Narrative and Crisis. Polygraph: An International Journal of Culture and Politics, 29, 1–12.
  • Dawkins, R. (1989). The Selfish Gene. Oxford: Oxford University Press.
  • Dyer-Witheford, N. (2015). Cyber-proletariat: Global Labour in the Digital Vortex. London: Pluto Press.
  • FAQs | Policies & Ticketing | Sphere. (n.d.). Retrieved August 8, 2024, from https://www.thesphere.com/faqs
  • Figlerowicz, M. (2024). It Me: The trouble with the memes. The Yale Review. https://yalereview.org/article/it-me
  • Fisher, M. (2014). Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Winchester/Washington: Zero Books.
  • Fisher, M., Ambrose, D., & Reynolds, S. (2018). K-punk: The Collected and Unpublished Writings of Mark Fisher. Watkins Media.
  • Habermas, J. (1988). Modernity an Incomplete Project. (3-16. pp.) Foster, H. (Ed.), in The Anti-aesthetic: Essays on Postmodern Culture. New York: New Press.
  • Franklin, S. (2015). Control: Digitality as Cultural Logic. Cambridge: MIT Press.
  • Grosz, E. (2004). The Nick of Time: Politics, Evolution, and the Untimely. Durham: Duke University Press.
  • Grumet, T. (n.d.). 12 best immersive experiences from different countries | CNN Underscored. Retrieved August 8, 2024, from https://www.cnn.com/cnn-underscored/travel/best-immersive-experiences-around-world
  • Han, B. C., & Filiz, K. (2018). Güzeli kurtarmak. (K. Filiz, Trans.). İstanbul: İnsan Yayınları.
  • Hari, J. (2022). Stolen Focus: Why You Can’t Pay Attention–and How to Think Deeply Again. New York: Crown.
  • Harman, G. (2018). Object-Oriented Ontology: A New Theory of Everything. London: Penguin Books Limited.
  • Hartley, G. (2003). The Abyss of Representation: Marxism and the Postmodern Sublime. Durham: Duke University Press.
  • Harvey, D. (1989). The Condition of Postmodernity: An Enquiry Into the Origins of Cultural Change. Oxford: Blackwell.
  • Hassan, I. H. (1987). The Postmodern Turn: Essays in Postmodern Theory and Culture. Columbus: Ohio State University Press.
  • Jameson, F. (1992). Postmodernism or the Cultural Logic of Late Capitalism. New York/London: Verso.
  • Jameson, F. (2000). Globalization and Political Strategy. New Left Review, 4, 49–68.
  • Jameson, F. (2007). Signatures of the Visible. New York/London: Routledge.
  • Jameson, F. (2015a). The Aesthetics of Singularity. New Left Review, 92, 101–132.
  • Jameson, F. (2015b). The Antinomies of Realism. New York/London: Verso Books.
  • Jameson, F. (2016a). Marxism and Form: 20th-Century Dialectical Theories of Literature. Princeton: Princeton University Press.
  • Jameson, F. (2016b). The Modernist Papers. New York/London: Verso Books.
  • Jameson, F. (2020). The Cultural Turn: Selected Writings on the Postmodern, 1983-1998. New York/London: Verso.
  • Jameson, F., & Buchanan, I. (2007). Jameson on Jameson: Conversations on Cultural Marxism. Durham: Duke University Press.
  • Kornbluh, A. (2023). Immediacy, or the style of too late capitalism. New York/London: Verso.
  • León, J. G. (2021). The Phenomenon of Nostalgia in Blade Runner (1982) and Blade Runner 2049 (2017) [Universidad de Jaén]. https://crea.ujaen.es/bitstream/10953.1/16723/1/Galn_Len_Jorge_TFG_EstudiosIngleses.pdf
  • Lukács, G. (1963). The Historical Novel. Boston: Beacon Press.
  • Lyotard, J. F. (1999). The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press.
  • Malm, A. (2018). The Progress of This Storm: Nature and Society in a Warming World. New York/London: Verso.
  • Marx, K. (1974). Economic and Philosophic Manuscripts of 1844. Moscow: Progress Publishers.
  • Mezzadra, S., & Neilson, B. (2013). Border as Method, or, the Multiplication of Labor. Durham: Duke University Press.
  • Morin, M.-E. (2021). An Ontology for Our Times. Angelaki, 26(3–4), 139–154. https://doi.org/10.1080/0969725X.2021.1938410
  • Mosco, V., & Fuchs, C. (2014). Marx geri döndü: Medya, meta ve sermaye birikimi. (F. Başaran Trans.). İstanbul: Notabene.
  • Noys, B. (2012). Persistence of the Negative. Edinburgh: Edinburgh University Press.
  • Özkent, Y. (2021). Postmodernizmi Netflix'ten Seyretmek: Metinlerarasılıktan Nostaljiye Stranger Things. Moment Journal. https://doi.org/10.17572/mj2020.2.314333
  • R. Galloway, A. (2013). The Poverty of Philosophy: Realism and Post-Fordism. Critical Inquiry, 39(2), 347–366. https://doi.org/10.1086/668529
  • Sarup, M. (1988). An Introductory Guide to Post-structuralism and Postmodernism. New York: Harvester Wheatsheaf.
  • Shifman, L. (2012). An anatomy of a YouTube meme. New Media & Society, 14(2), 187–203. https://doi.org/10.1177/1461444811412160
  • Spencer, D. (2016). The Architecture of Neoliberalism: How Contemporary Architecture Became an Instrument of Control and Compliance. London: Bloomsbury Publishing.
  • Srnicek, N. (2017). Platform Capitalism. Cambridge: Polity Press.
  • Stiegler, B. (2010). For a New Critique of Political Economy. Cambridge: Polity Press.
  • Teker, S., Teker, D., & Orman, I. (2022). Evolution of Digital Payment Systems and a Breakthrough. Journal of Economics, Management and Trade, 100–108. https://doi.org/10.9734/jemt/2022/v28i1030452
  • Townsend, C. (2023, January 14). Explaining corecore, TikTok’s newest aesthetic | Mashable. Mashable. https://mashable.com/article/explaining-corecore-tiktok
  • Trafton, A. (2020, February 20). Artificial intelligence yields new antibiotic. MIT News | Massachusetts Institute of Technology. https://news.mit.edu/2020/artificial-intelligence-identifies-new-antibiotic-0220
  • Weber, T. (2024). Inside the AI Competition That Decoded an Ancient Herculaneum Scroll | Scientific American. https://www.scientificamerican.com/article/inside-the-ai-competition-that-decoded-an-ancient-scroll-and-changed/
  • Williams, R. (1975). Television: Technology and Cultural Form. New York: Schocken Books.
  • Yalvaç, F., & Erçandarlı, Y. (2020). Geç Kapitalizmin İdeolojik Söylemi Olarak Yeni Materyalizm: Metalaşmış ‘Şeylerin’ Egemenliği. Mülkiye Dergisi, 44(2), 261–285.
  • Yılmaz, B. (2015). Postmodernizm Bağlamında Fredric Jameson’da Geç Kapitalizmin Kültürel Mantığı ve Video Kuramı. Sanat ve Tasarım Dergisi, 1(14). https://doi.org/10.18603/std.75974
  • Zeka, N. (1994). Postmodernizm: F. Jameson, J.-F. Lyotard, J. Habermas. (N. Zeka, Trans.). İstanbul: Kıyı Yayınları.

Jameson’ın Postmodernizm Analizinin İnadı

Yıl 2024, Cilt: 11 Sayı: 2, 283 - 303, 08.01.2025

Öz

Bu çalışma, Fredric Jameson’ın postmodernizm analizinin günümüzde güncelliğini koruyan unsurları öne çıkarma amacı taşımaktadır. Postmodernizm güncel teoride bir terim ve dönemselleştirme olarak popülerliğini kaybetmiş gibi görünse de pek çok teorisyen, kapitalizmin 1970’lerden itibaren radikal bir şekilde dönüştüğü konusunda hemfikirdir. Kapitalizmin bu son aşamasıyla birlikte, kültürel alan ile ekonomik alan birbirinin üzerine katlanmış ve gündelik hayatın her zerresi hiç olmadığı kadar metalaşmıştır. Bu makalede, Jameson’ın postmodernizm kavramını tarihsel bir durum ve üretim-öznellik tarzı olarak açıkladıktan sonra, a) duygulanımın sönümlenmesi, b) dolayımsızlık c) yeni derinliksizlik, d) pastiş ile nostalji başlıkları altında teorinin günümüzde triptiğin konusunu oluşturan her üç alanda da halen geçerli olduğunu iddia ediyorum. Makalede postmodernizmin gözden düşüşünün aslında onun tamamen kendini gerçekleştirmesinin bir belirtisi olarak algılanması gerektiğini savunuyorum.

Teşekkür

I am grateful to Dr. Öznur Karakaş for her valuable comments and criticisms.

Kaynakça

  • Amin, A. (2011). Post-Fordism: A Reader. Malden: Wiley.
  • Andersen, J. (2015). Now You’ve Got the Shiveries: Affect, Intimacy, and the ASMR Whisper Community. Television & New Media, 16(8), 683–700. https://doi.org/10.1177/1527476414556184
  • Anderson, P. (1998). The Origins of Postmodernity. New York/London: Verso Books.
  • Antunes, R. (2012). The Meanings of Work: Essay on the Affirmation and Negation of Work. Leiden/Boston: Brill.
  • Barad, K. (2007). Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.
  • Barthes, R. (1968). Writing Degree Zero. New York: Farrar, Straus and Giroux.
  • Baspehlivan, U. (2024). Theorising the memescape: The spatial politics of Internet memes. Review of International Studies, 50(1), 35–57. https://doi.org/10.1017/S0260210523000049
  • Baumbach, N., Young, D. R., & Yue, G. (2016). Introduction. Social Text, 34(2), 1–20. https://doi.org/10.1215/01642472-3467942
  • Beller, J. (2016). Texas-(s)ized Postmodernism; Or, Capitalism without the Dialectic. Social Text, 34(2), 21–44. https://doi.org/10.1215/01642472-3467954
  • Best, S., & Marcus, S. (2009). Surface Reading: An Introduction. Representations, 108(1), 1–21. https://doi.org/10.1525/rep.2009.108.1.1
  • Bogost, I. (2012). Alien Phenomenology, Or, What It’s Like to be a Thing. Mineapolis: University of Minnesota Press.
  • Boym, S. (2008). The Future of Nostalgia. New York: Basic Books.
  • Canavan, G. (2019, December 6). Disney’s Endgame: How the Franchise Came to Rule Cinema | Frieze. https://www.frieze.com/article/disneys-endgame-how-franchise-came-rule-cinema
  • Clough, P. T., & Halley, J. (2007). The Affective Turn: Theorizing the Social. Duke University Press. https://books.google.com.tr/booksid=cufPrRiM43sC
  • Crais, B., Davis, V., & Welch, C. (2024a). A CONVERSATION WITH SIANNE NGAI AND JOSHUA CLOVER. Polygraph: An International Journal of Culture and Politics, 29. https://polygraphjournal.com/wp-content/uploads/2024/05/polygraph-29_sianne-ngai-and-joshua-clover.pdf
  • Crais, B., Davis, V., & Welch, C. (2024b). Introduction: Narrative and Crisis. Polygraph: An International Journal of Culture and Politics, 29, 1–12.
  • Dawkins, R. (1989). The Selfish Gene. Oxford: Oxford University Press.
  • Dyer-Witheford, N. (2015). Cyber-proletariat: Global Labour in the Digital Vortex. London: Pluto Press.
  • FAQs | Policies & Ticketing | Sphere. (n.d.). Retrieved August 8, 2024, from https://www.thesphere.com/faqs
  • Figlerowicz, M. (2024). It Me: The trouble with the memes. The Yale Review. https://yalereview.org/article/it-me
  • Fisher, M. (2014). Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Winchester/Washington: Zero Books.
  • Fisher, M., Ambrose, D., & Reynolds, S. (2018). K-punk: The Collected and Unpublished Writings of Mark Fisher. Watkins Media.
  • Habermas, J. (1988). Modernity an Incomplete Project. (3-16. pp.) Foster, H. (Ed.), in The Anti-aesthetic: Essays on Postmodern Culture. New York: New Press.
  • Franklin, S. (2015). Control: Digitality as Cultural Logic. Cambridge: MIT Press.
  • Grosz, E. (2004). The Nick of Time: Politics, Evolution, and the Untimely. Durham: Duke University Press.
  • Grumet, T. (n.d.). 12 best immersive experiences from different countries | CNN Underscored. Retrieved August 8, 2024, from https://www.cnn.com/cnn-underscored/travel/best-immersive-experiences-around-world
  • Han, B. C., & Filiz, K. (2018). Güzeli kurtarmak. (K. Filiz, Trans.). İstanbul: İnsan Yayınları.
  • Hari, J. (2022). Stolen Focus: Why You Can’t Pay Attention–and How to Think Deeply Again. New York: Crown.
  • Harman, G. (2018). Object-Oriented Ontology: A New Theory of Everything. London: Penguin Books Limited.
  • Hartley, G. (2003). The Abyss of Representation: Marxism and the Postmodern Sublime. Durham: Duke University Press.
  • Harvey, D. (1989). The Condition of Postmodernity: An Enquiry Into the Origins of Cultural Change. Oxford: Blackwell.
  • Hassan, I. H. (1987). The Postmodern Turn: Essays in Postmodern Theory and Culture. Columbus: Ohio State University Press.
  • Jameson, F. (1992). Postmodernism or the Cultural Logic of Late Capitalism. New York/London: Verso.
  • Jameson, F. (2000). Globalization and Political Strategy. New Left Review, 4, 49–68.
  • Jameson, F. (2007). Signatures of the Visible. New York/London: Routledge.
  • Jameson, F. (2015a). The Aesthetics of Singularity. New Left Review, 92, 101–132.
  • Jameson, F. (2015b). The Antinomies of Realism. New York/London: Verso Books.
  • Jameson, F. (2016a). Marxism and Form: 20th-Century Dialectical Theories of Literature. Princeton: Princeton University Press.
  • Jameson, F. (2016b). The Modernist Papers. New York/London: Verso Books.
  • Jameson, F. (2020). The Cultural Turn: Selected Writings on the Postmodern, 1983-1998. New York/London: Verso.
  • Jameson, F., & Buchanan, I. (2007). Jameson on Jameson: Conversations on Cultural Marxism. Durham: Duke University Press.
  • Kornbluh, A. (2023). Immediacy, or the style of too late capitalism. New York/London: Verso.
  • León, J. G. (2021). The Phenomenon of Nostalgia in Blade Runner (1982) and Blade Runner 2049 (2017) [Universidad de Jaén]. https://crea.ujaen.es/bitstream/10953.1/16723/1/Galn_Len_Jorge_TFG_EstudiosIngleses.pdf
  • Lukács, G. (1963). The Historical Novel. Boston: Beacon Press.
  • Lyotard, J. F. (1999). The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press.
  • Malm, A. (2018). The Progress of This Storm: Nature and Society in a Warming World. New York/London: Verso.
  • Marx, K. (1974). Economic and Philosophic Manuscripts of 1844. Moscow: Progress Publishers.
  • Mezzadra, S., & Neilson, B. (2013). Border as Method, or, the Multiplication of Labor. Durham: Duke University Press.
  • Morin, M.-E. (2021). An Ontology for Our Times. Angelaki, 26(3–4), 139–154. https://doi.org/10.1080/0969725X.2021.1938410
  • Mosco, V., & Fuchs, C. (2014). Marx geri döndü: Medya, meta ve sermaye birikimi. (F. Başaran Trans.). İstanbul: Notabene.
  • Noys, B. (2012). Persistence of the Negative. Edinburgh: Edinburgh University Press.
  • Özkent, Y. (2021). Postmodernizmi Netflix'ten Seyretmek: Metinlerarasılıktan Nostaljiye Stranger Things. Moment Journal. https://doi.org/10.17572/mj2020.2.314333
  • R. Galloway, A. (2013). The Poverty of Philosophy: Realism and Post-Fordism. Critical Inquiry, 39(2), 347–366. https://doi.org/10.1086/668529
  • Sarup, M. (1988). An Introductory Guide to Post-structuralism and Postmodernism. New York: Harvester Wheatsheaf.
  • Shifman, L. (2012). An anatomy of a YouTube meme. New Media & Society, 14(2), 187–203. https://doi.org/10.1177/1461444811412160
  • Spencer, D. (2016). The Architecture of Neoliberalism: How Contemporary Architecture Became an Instrument of Control and Compliance. London: Bloomsbury Publishing.
  • Srnicek, N. (2017). Platform Capitalism. Cambridge: Polity Press.
  • Stiegler, B. (2010). For a New Critique of Political Economy. Cambridge: Polity Press.
  • Teker, S., Teker, D., & Orman, I. (2022). Evolution of Digital Payment Systems and a Breakthrough. Journal of Economics, Management and Trade, 100–108. https://doi.org/10.9734/jemt/2022/v28i1030452
  • Townsend, C. (2023, January 14). Explaining corecore, TikTok’s newest aesthetic | Mashable. Mashable. https://mashable.com/article/explaining-corecore-tiktok
  • Trafton, A. (2020, February 20). Artificial intelligence yields new antibiotic. MIT News | Massachusetts Institute of Technology. https://news.mit.edu/2020/artificial-intelligence-identifies-new-antibiotic-0220
  • Weber, T. (2024). Inside the AI Competition That Decoded an Ancient Herculaneum Scroll | Scientific American. https://www.scientificamerican.com/article/inside-the-ai-competition-that-decoded-an-ancient-scroll-and-changed/
  • Williams, R. (1975). Television: Technology and Cultural Form. New York: Schocken Books.
  • Yalvaç, F., & Erçandarlı, Y. (2020). Geç Kapitalizmin İdeolojik Söylemi Olarak Yeni Materyalizm: Metalaşmış ‘Şeylerin’ Egemenliği. Mülkiye Dergisi, 44(2), 261–285.
  • Yılmaz, B. (2015). Postmodernizm Bağlamında Fredric Jameson’da Geç Kapitalizmin Kültürel Mantığı ve Video Kuramı. Sanat ve Tasarım Dergisi, 1(14). https://doi.org/10.18603/std.75974
  • Zeka, N. (1994). Postmodernizm: F. Jameson, J.-F. Lyotard, J. Habermas. (N. Zeka, Trans.). İstanbul: Kıyı Yayınları.
Toplam 66 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İletişim Çalışmaları, İletişim Teknolojisi ve Dijital Medya Çalışmaları, İnternet, Yeni Medya
Bölüm Makaleler (Tema)
Yazarlar

Koray Kırmızısakal 0000-0001-9494-6590

Yayımlanma Tarihi 8 Ocak 2025
Gönderilme Tarihi 12 Eylül 2024
Kabul Tarihi 14 Kasım 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 11 Sayı: 2

Kaynak Göster

APA Kırmızısakal, K. (2025). The Persistence of Jameson’s Postmodernism Analysis. Moment Dergi, 11(2), 283-303. https://doi.org/10.17572/mj2024.2.283-303