Araştırma Makalesi
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Chela Sandoval’ın Sosyal Adalet Perspektifi Üzerinden Üç Renk: Beyaz’da “Aşk”

Yıl 2024, Sayı: 29, 1 - 15, 31.05.2024
https://doi.org/10.56074/msgsusbd.1453092

Öz

Bu çalışma ABD'li üçüncü dünya feministi Chela Sandoval tarafından geliştirilen ezilenlerin metodolojisi ışığında, öznenin sabit bir varlık olmadığını, aksine güç ilişkileri ve toplumsal dinamikler tarafından şekillendirilen akışkan ve karmaşık bir sürecin sonucu olduğunu öne sürmektedir. Sandoval baskıya karşı mücadelede ve toplumsal değişim yaratmada direnişin önemini vurgular. Ayrıca, aşkın ifade edilebileceği ve deneyimlenebileceği çoklu yolları tanımayı ve bunlara değer vermeyi içeren bir “aşk politikası” anlayışını irdeler. Sandoval'ın çalışmaları, postmodern dünyanın kaotik yapısını kavrama ve bununla başa çıkma konusunda değerli bir çerçeve sunar. Bu bağlamda, makale Sandoval'ın görüşleri doğrultusunda Kieslowski'nin kült üçlemesinin ikinci filmi Beyazı analiz etmektedir. Çalışma boyunca tartışıldığı üzere Üç Renk: Beyaz, aşkın öznelerin özerkliklerini yeniden kazanmaları ve güçlenmeleri için nasıl bir katalizör olarak işlev gördüğünü ortaya koymaktadır.

Kaynakça

  • Ahmed, S. (2004). The cultural politics of emotion. Edinburgh University Press.
  • Baker, U. (2024). Ulus Baker seminerler dizisi: Spinoza ve Foucault’da iktidar eleştirisi. https://www.youtube.com/watch?v=dOOEM4hmd7g&ab_channel=PANDORA-FELSEFE.
  • Blackburn, S. (2004). Lust: the seven deadly sins. Oxford University Press.
  • Bornstein-Gómez, M. (2010). Gloria Anzaldúa: borders of knowledge and (re) signification. Confluencia, 26 (1), 46-55.
  • Carlisle, C. (2020). Spinoza’s ethics. Princeton University Press.
  • Comte-Sponville, A. (2014). Le sexe ni la mort. Le Livre De Poche.
  • Giralt, R. (2015). Socio-cultural invisibility and belonging: latin american migrants in the north of england. Emotion, Space and Society (15), 3-10.
  • Griffin, J. (2016). Colors of life interest filmmaker.In R. Bernard and S. Woodward (Ed.), Krzysztof Kieslowski Interviews (pp. 146-148). University Press of Mississippi.
  • Gülşen, P. (2021). Renkler: tarih-kültür-sanat-psikoloji. Destek.
  • Harvey, D. (2014). Postmodernliğin durumu (S.Savran, trans.). Metis .
  • Hoofd, M. I. (2004). Dialogues between Paul Virilio and Chela Sandoval: towards a better understanding of uses and abuses of new technologies. Genders, (39), https://www.colorado.edu/gendersarchive1998-2013/2004/02/01/dialogues-between-paul-virilio-and-chela-sandovaltowards-better-understanding-uses-and
  • Illouz, E. (2011). Soğuk yakınlıklar. (Ç. Aksoy, trans.). İletişim.
  • Illouz, E. (2012). Why love hurts: a sociological explanation. Polity Press.
  • Jameson, F. (1991). Postmodernism, or the cultural logic of late capitalism. Duke University Press.
  • Jeanniere, A. (2000). Modernite nedir? (N. Tutal, trans.), M. Küçük (ed.). In Modernite versus postmodernite (pp. 95-107). Vadi.
  • Marcos, S. ve Waller M. (2006). Farklılık ve diyalog: feminizmler küreselleşmeye meydan okuyor.(A. Fethi, trans.). Chiviyazıları.
  • Massumi, B. (2015). Politics of affect. Polity Press.
  • Moya, P., M., L. (2002). Learning from experience: minority identities, multicultural struggles. University of California Press.
  • Ralph, D. and Staeheli, A. (2011). Home and migration: mobilities, belongings and identities. Geography Compass, 5 (7), 517–530.
  • Restivo, P. S. (1977, July-December). An evolutionary sociology of love. International Journal of Sociology of the Family, (7), 233-245.
  • Sandoval, C. (1991). U.S. third world feminism: the theory and method of oppositional consciousness in the postmodern world. In Genders: Journal of Social Theory, Representation, Race, Gender, Sex (pp. 1-24) . University of Texas Press.
  • Sandoval, C. (1999). New sciences: Cyborg feminism and the methodology of the oppressed in cybersexualities. In J, Wolmark, ed., A reader on feminist theory, cyborgs and cyberspace. Edinburg University Press.
  • Sandoval, C. (2000). Methodology of the oppressed. University of Minnesota Press.
  • Scott, J. C. (2008). Domination and the arts of resistance: hidden transcripts. Yale University Press.
  • Solomon, R. (2016). Duygulara sadakat: hislerimiz gerçekte bize ne anlatıyor? (F. Çoban, trans.). Nika.
  • Tapia, C., R. (2001). What’s love got to do with It?: Consciousness, politics and knowledge production in Chela Sandoval’s methodology of the oppressed. American Quarterly, 53 (4), 733-743.
  • Woodward, K. (1997). Identity and difference. Sage Publications.

“Love” in Three Colors: White from Chela Sandoval’s Perspective on Social Justice

Yıl 2024, Sayı: 29, 1 - 15, 31.05.2024
https://doi.org/10.56074/msgsusbd.1453092

Öz

In the light of the methodology of the oppressed as developed by U.S. third world feminist Chela Sandoval, this study posits that the subject is not a fixed entity, but rather the result of a fluid and complex process shaped by power relations and social dynamics. Sandoval emphasizes the importance of resistance as a means of challenging oppressive systems and creating social change. She also explores an understanding for the politics of love, which involves recognizing and valuing the multiple ways in which love can be expressed and experienced. Sandoval's work provides a valuable framework for understanding and navigating the complexities of the postmodern world. In this context, the article analyzes White, the second film of Kieslowski's cult trilogy Three Colors based on Sandoval's views. As discussed throughout the study, Three Colors: White reveals how love functions as a catalyst for subjects to regain their autonomy and empowerment.

Kaynakça

  • Ahmed, S. (2004). The cultural politics of emotion. Edinburgh University Press.
  • Baker, U. (2024). Ulus Baker seminerler dizisi: Spinoza ve Foucault’da iktidar eleştirisi. https://www.youtube.com/watch?v=dOOEM4hmd7g&ab_channel=PANDORA-FELSEFE.
  • Blackburn, S. (2004). Lust: the seven deadly sins. Oxford University Press.
  • Bornstein-Gómez, M. (2010). Gloria Anzaldúa: borders of knowledge and (re) signification. Confluencia, 26 (1), 46-55.
  • Carlisle, C. (2020). Spinoza’s ethics. Princeton University Press.
  • Comte-Sponville, A. (2014). Le sexe ni la mort. Le Livre De Poche.
  • Giralt, R. (2015). Socio-cultural invisibility and belonging: latin american migrants in the north of england. Emotion, Space and Society (15), 3-10.
  • Griffin, J. (2016). Colors of life interest filmmaker.In R. Bernard and S. Woodward (Ed.), Krzysztof Kieslowski Interviews (pp. 146-148). University Press of Mississippi.
  • Gülşen, P. (2021). Renkler: tarih-kültür-sanat-psikoloji. Destek.
  • Harvey, D. (2014). Postmodernliğin durumu (S.Savran, trans.). Metis .
  • Hoofd, M. I. (2004). Dialogues between Paul Virilio and Chela Sandoval: towards a better understanding of uses and abuses of new technologies. Genders, (39), https://www.colorado.edu/gendersarchive1998-2013/2004/02/01/dialogues-between-paul-virilio-and-chela-sandovaltowards-better-understanding-uses-and
  • Illouz, E. (2011). Soğuk yakınlıklar. (Ç. Aksoy, trans.). İletişim.
  • Illouz, E. (2012). Why love hurts: a sociological explanation. Polity Press.
  • Jameson, F. (1991). Postmodernism, or the cultural logic of late capitalism. Duke University Press.
  • Jeanniere, A. (2000). Modernite nedir? (N. Tutal, trans.), M. Küçük (ed.). In Modernite versus postmodernite (pp. 95-107). Vadi.
  • Marcos, S. ve Waller M. (2006). Farklılık ve diyalog: feminizmler küreselleşmeye meydan okuyor.(A. Fethi, trans.). Chiviyazıları.
  • Massumi, B. (2015). Politics of affect. Polity Press.
  • Moya, P., M., L. (2002). Learning from experience: minority identities, multicultural struggles. University of California Press.
  • Ralph, D. and Staeheli, A. (2011). Home and migration: mobilities, belongings and identities. Geography Compass, 5 (7), 517–530.
  • Restivo, P. S. (1977, July-December). An evolutionary sociology of love. International Journal of Sociology of the Family, (7), 233-245.
  • Sandoval, C. (1991). U.S. third world feminism: the theory and method of oppositional consciousness in the postmodern world. In Genders: Journal of Social Theory, Representation, Race, Gender, Sex (pp. 1-24) . University of Texas Press.
  • Sandoval, C. (1999). New sciences: Cyborg feminism and the methodology of the oppressed in cybersexualities. In J, Wolmark, ed., A reader on feminist theory, cyborgs and cyberspace. Edinburg University Press.
  • Sandoval, C. (2000). Methodology of the oppressed. University of Minnesota Press.
  • Scott, J. C. (2008). Domination and the arts of resistance: hidden transcripts. Yale University Press.
  • Solomon, R. (2016). Duygulara sadakat: hislerimiz gerçekte bize ne anlatıyor? (F. Çoban, trans.). Nika.
  • Tapia, C., R. (2001). What’s love got to do with It?: Consciousness, politics and knowledge production in Chela Sandoval’s methodology of the oppressed. American Quarterly, 53 (4), 733-743.
  • Woodward, K. (1997). Identity and difference. Sage Publications.
Toplam 27 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sosyoloji (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Merve Genç 0000-0001-6662-8093

Nurcan Pınar Eke 0000-0002-2412-947X

Erken Görünüm Tarihi 29 Mayıs 2024
Yayımlanma Tarihi 31 Mayıs 2024
Gönderilme Tarihi 14 Mart 2024
Kabul Tarihi 8 Mayıs 2024
Yayımlandığı Sayı Yıl 2024 Sayı: 29

Kaynak Göster

APA Genç, M., & Eke, N. P. (2024). “Love” in Three Colors: White from Chela Sandoval’s Perspective on Social Justice. MSGSÜ Sosyal Bilimler(29), 1-15. https://doi.org/10.56074/msgsusbd.1453092