Araştırma Makalesi
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The English Ghost: Unearthing Culture and Heritage Through Ghostlore

Yıl 2026, Sayı: 10 , 115 - 135 , 22.04.2026
https://doi.org/10.64957/nesir.1934488
https://izlik.org/JA42BN44YM

Öz

This article examines Peter Ackroyd’s The English Ghost (2010) as a significant cultural archive gathering ghost stories that emerged over a broad time span, from the Anglo-Saxon period to the present day. Ackroyd compiles this collection by synthesizing accounts from diverse origins, ranging from newspapers, memoirs, and letters to ghost story collections and folk histories. Ackroyd’s collection serves as a rich repository of ghostlore, often treated as a folkloric discipline dedicated to the study of spectral phenomena. By presenting various manifestations and haunted locales across different eras, the collection reveals the underlying cultural facets and the evolving heritage of the English supernatural tradition. The article draws on a methodology of close reading and folklore studies, specifically the theories of William Bascom and Richard Bauman, to examine how ghost narratives function in the construction of national identity and collective memory. Moving beyond their value as entertainment, the article analyzes how the narratives in Ackroyd’s collection function as mirrors of English culture and heritage. This study specifically explores three recurring themes in the narratives: the persistent intrusion of the past into the present, the dichotomy between rational thought and supernatural occurrences, and collective fears regarding mortality and the afterlife. Ultimately, the article contends that this collection of ghost stories provides a comprehensive understanding of how a nation’s enduring fascination with the spectral embodies its cultural identity and reinforces its connection to an ancestral past.

Destekleyen Kurum

This study was conducted without any financial support.

Teşekkür

In this study, artificial intelligence-supported tools were used to a limited extent within the acceptable boundaries defined in Nesir: Journal of Literary Studies’ Artificial Intelligence Use Policy; all content has been reviewed and approved in its final form by the author.

Kaynakça

  • Ackroyd, Peter. The English Ghost: Spectres Through Time. Vintage Books, 2010.
  • Albayrak, Gökhan. “Interiority in a Middle English Romance: The Quest into the Mindscape in Sir Gawain and the Green Knight.” Uluslararası Toplumsal Bilimler Dergisi 8, no. 4 (2024): 198–215. https://izlik.org/JA33SC98TC
  • Ayres, Brenda. “Victorian Ghosts: Too Rebellious to Stay Dead.” In The Routledge Handbook of Victorian Rebels, edited by Brenda Ayres, 376–389. Routledge, 2025.
  • Bal, Reyyan. “Duplicitous Detection in Peter Ackroyd’s Dan Leno and the Limehouse Golem.” Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 37 (2019): 221–230. https://izlik.org/JA72KD54TD
  • Bascom, William. “Four Functions of Folklore.” The Journal of American Folklore 67, no. 266 (1954): 333–349.
  • Bauman, Richard. “Folklore and the Forces of Modernity.” Folklore Forum 16, no. 2 (1983): 153–158.
  • ———. “Folklore.” In Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook, edited by Richard Bauman, 29–40. Oxford University Press, 1992.
  • Bennett, Gillian. “Folklore Studies and the English Rural Myth.” Rural History 4, no. 1 (1993): 77–91.
  • Briggs, Katherine Mary, and Ruth L. Tongue. Folktales of England. University of Chicago Press, 1965.
  • Davies, Owen. The Haunted: A Social History of Ghosts. Palgrave Macmillan, 2007.
  • Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning and the New International. Translated by Peggy Kamuf. New York: Routledge, 1994.
  • Dorson, Richard M. The British Folklorists: A History. University of Chicago Press, 1968.
  • Handley, Sasha. Visions of an Unseen World: Ghost Beliefs and Ghost Stories in Eighteenth-Century England. Pickering & Chatto, 2007.
  • Hildebrandt, Maik. “Medieval Ghosts: The Stories of the Monk of Byland.” In Ghosts – or the (Nearly) Invisible: Spectral Phenomena in Literature and the Media, edited by Maria Fleischhack and Elmar Schenkel, 13–24. Peter Lang, 2016.
  • Langford, Paul. Englishness Identified: Manners and Character, 1650–1850. Oxford University Press, 2000.
  • Mandler, Peter. The English National Character: The History of an Idea from Edmund Burke to Tony Blair. Yale University Press, 2006.
  • Markey, Anne. “The Discovery of Irish Folklore.” New Hibernia Review / Iris Éireannach Nua 10, no. 4 (2006): 21–43. https://www.jstor.org/stable/20558106
  • Meaney, Audrey. “Anglo-Saxon Pagan and Early Christian Attitudes to the Dead.” In The Cross Goes North: Processes of Conversion in Northern Europe, AD 300–1300, edited by Martin Carver, 229–242. York Medieval Press, 2002.
  • Samuel, Raphael. The Theatre of Memory: Past and Present in Contemporary Culture. Verso, 1994.
  • Simpson, Jacqueline, and Steve Roud. “Folklore.” In A Dictionary of English Folklore, 130–131. Oxford University Press, 2000.
  • ———. “Folklore Society.” In A Dictionary of English Folklore, 128. Oxford University Press, 2000.
  • Stevenson, Lionel. “The Rationale of Victorian Fiction.” Nineteenth-Century Fiction 27, no. 4 (1973): 391–404.
  • Wright, Patrick. On Living in an Old Country: The National Past in Contemporary Britain. Verso, 1985

İngiliz Hayalet: Hayalet Kültürü Aracılığıyla Kültür ve Mirasın İzini Sürmek

Yıl 2026, Sayı: 10 , 115 - 135 , 22.04.2026
https://doi.org/10.64957/nesir.1934488
https://izlik.org/JA42BN44YM

Öz

Bu makale, Peter Ackroyd’un İngiliz Hayalet (2010) adlı eserini, Anglo-Sakson dönemden günümüze kadar uzanan geniş bir zaman diliminde ortaya çıkmış hayalet anlatılarını bir araya getiren önemli bir kültürel arşiv olarak incelemektedir. Ackroyd, bu derlemeyi oluştururken gazetelerden anılara, mektuplardan hayalet öykülerine çeşitli kaynaklardan faydalanmıştır. Ackroyd’un bu derlemesi, hayaletlere dair anlatıların incelenmesine adanmış bir halk bilimi dalı olarak kabul edilen hayalet kültürü (ghostlore) alanına zengin bir katkı sunar. Farklı dönemlere ait çeşitli hayalet tezahürlerini içeren İngiliz Hayalet, İngiliz kültürü ve mirasına dair önemli fikirler verir. Bu bağlamda, makale hayalet anlatılarının kültürel ve ulusal kimlik ile kolektif belleğin inşasında nasıl işlev gördüğünü incelemek amacıyla, yakın okuma ve halkbilimi çalışmalarına, özellikle William Bascom ve Richard Bauman’ın kuramlarına dayanan bir yöntem kullanmaktadır. Çalışma söz konusu anlatıların sadece birer eğlence aracı olmanın ötesine geçtiğini ileri sürer ve Ackroyd’un derlemesindeki hikâyeleri İngiliz kültürü ve mirasının birer aynası olarak ele alır. Çalışma, anlatılarda tekerrür eden üç temaya odaklanmaktadır: geçmişin günümüze sürekli müdahalesi, rasyonel düşünce ile doğaüstü olaylar arasındaki ikilem ve ölüm ile ölümden sonraki hayata dair kolektif korkular. Sonuç olarak, makale bu hayalet hikâyeleri derlemesinin, bir ulusun kültürel kimliğini nasıl somutlaştırdığını ve geçmişle olan bağını nasıl güçlendirdiğini kapsamlı bir şekilde anlamamızı sağladığını ileri sürmektedir.

Kaynakça

  • Ackroyd, Peter. The English Ghost: Spectres Through Time. Vintage Books, 2010.
  • Albayrak, Gökhan. “Interiority in a Middle English Romance: The Quest into the Mindscape in Sir Gawain and the Green Knight.” Uluslararası Toplumsal Bilimler Dergisi 8, no. 4 (2024): 198–215. https://izlik.org/JA33SC98TC
  • Ayres, Brenda. “Victorian Ghosts: Too Rebellious to Stay Dead.” In The Routledge Handbook of Victorian Rebels, edited by Brenda Ayres, 376–389. Routledge, 2025.
  • Bal, Reyyan. “Duplicitous Detection in Peter Ackroyd’s Dan Leno and the Limehouse Golem.” Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 37 (2019): 221–230. https://izlik.org/JA72KD54TD
  • Bascom, William. “Four Functions of Folklore.” The Journal of American Folklore 67, no. 266 (1954): 333–349.
  • Bauman, Richard. “Folklore and the Forces of Modernity.” Folklore Forum 16, no. 2 (1983): 153–158.
  • ———. “Folklore.” In Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook, edited by Richard Bauman, 29–40. Oxford University Press, 1992.
  • Bennett, Gillian. “Folklore Studies and the English Rural Myth.” Rural History 4, no. 1 (1993): 77–91.
  • Briggs, Katherine Mary, and Ruth L. Tongue. Folktales of England. University of Chicago Press, 1965.
  • Davies, Owen. The Haunted: A Social History of Ghosts. Palgrave Macmillan, 2007.
  • Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning and the New International. Translated by Peggy Kamuf. New York: Routledge, 1994.
  • Dorson, Richard M. The British Folklorists: A History. University of Chicago Press, 1968.
  • Handley, Sasha. Visions of an Unseen World: Ghost Beliefs and Ghost Stories in Eighteenth-Century England. Pickering & Chatto, 2007.
  • Hildebrandt, Maik. “Medieval Ghosts: The Stories of the Monk of Byland.” In Ghosts – or the (Nearly) Invisible: Spectral Phenomena in Literature and the Media, edited by Maria Fleischhack and Elmar Schenkel, 13–24. Peter Lang, 2016.
  • Langford, Paul. Englishness Identified: Manners and Character, 1650–1850. Oxford University Press, 2000.
  • Mandler, Peter. The English National Character: The History of an Idea from Edmund Burke to Tony Blair. Yale University Press, 2006.
  • Markey, Anne. “The Discovery of Irish Folklore.” New Hibernia Review / Iris Éireannach Nua 10, no. 4 (2006): 21–43. https://www.jstor.org/stable/20558106
  • Meaney, Audrey. “Anglo-Saxon Pagan and Early Christian Attitudes to the Dead.” In The Cross Goes North: Processes of Conversion in Northern Europe, AD 300–1300, edited by Martin Carver, 229–242. York Medieval Press, 2002.
  • Samuel, Raphael. The Theatre of Memory: Past and Present in Contemporary Culture. Verso, 1994.
  • Simpson, Jacqueline, and Steve Roud. “Folklore.” In A Dictionary of English Folklore, 130–131. Oxford University Press, 2000.
  • ———. “Folklore Society.” In A Dictionary of English Folklore, 128. Oxford University Press, 2000.
  • Stevenson, Lionel. “The Rationale of Victorian Fiction.” Nineteenth-Century Fiction 27, no. 4 (1973): 391–404.
  • Wright, Patrick. On Living in an Old Country: The National Past in Contemporary Britain. Verso, 1985
Toplam 23 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Dünya Dilleri, Edebiyatı ve Kültürü (Diğer), Karşılaştırmalı ve Ulusötesi Edebiyat, Edebi Çalışmalar (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Seda Coşar-Çelik 0000-0002-0984-1071

Gönderilme Tarihi 20 Ocak 2026
Kabul Tarihi 15 Mart 2026
Yayımlanma Tarihi 22 Nisan 2026
DOI https://doi.org/10.64957/nesir.1934488
IZ https://izlik.org/JA42BN44YM
Yayımlandığı Sayı Yıl 2026 Sayı: 10

Kaynak Göster

Chicago Coşar-Çelik, Seda. 2026. “The English Ghost: Unearthing Culture and Heritage Through Ghostlore”. Nesir: Edebiyat Araştırmaları Dergisi, sy 10: 115-35. https://doi.org/10.64957/nesir.1934488.

Yazarlar, yayımlanmak üzere Nesir: Edebiyat Araştırmaları Dergisi’ne gönderdikleri eserlerin tüm yayın haklarını saklı tutmakla birlikte, eserlerini Creative Commons Atıf 4.0 Uluslararası Lisansı (CC BY 4.0) kapsamında paylaşmayı kabul ederler. Bu lisans uyarınca, başkaları eseri uygun atıf yapmak koşuluyla paylaşabilir, çoğaltabilir, dağıtabilir ve yeniden kullanabilir. Ancak yazarların adı, çalışmanın başlığı ve derginin adı her kullanımda açıkça belirtilmelidir. Nesir, yazarların telif haklarını ellerinde tutmalarına izin verir; yalnızca eserin ilk yayım hakkına sahiptir.