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TRANSFORMATİON OF CREATİVİTY İN ARTİFİCİAL INTELLİGENCE SUPPORTED GRAPHİC DESİGN

Yıl 2024, Cilt: 12 Sayı: 2, 553 - 571, 31.12.2024
https://doi.org/10.52122/nisantasisbd.1480136

Öz

Today, artificial intelligence technologies reshape graphic design processes, offering designers more
opportunities in creativity and enabling them to produce high-quality designs quickly. The aim of the research is
to examine the effects of artificial intelligence on graphic design and to evaluate the effect of the creativity factor
that these technologies offer to designers. In this context, the study was conducted by adopting comparative
analysis, literature review and logical reasoning techniques, which are qualitative research methods, and was
limited within the scope of the literature and studies analyzed based on the data obtained and theoretical
frameworks. The findings show that the integration of artificial intelligence into graphic design processes
accelerates its evolution, and that it carries risks that may interfere with the original creative decisions of
designers by facilitating the transformation of creative visions into reality with the tools it offers to designers. The
results show that artificial intelligence provides speed and creativity in graphic design, but in some cases, it can
lead to similar designs, and It has shown that artificial intelligence will be more integrated into graphic design in
the future.

Kaynakça

  • Anantrasirichai, N., & Bull, D. (2022). Artificial intelligence in the creative industries: a review. Artificial Intelligence Review, 55(1), 589-656.
  • Al-Sawy, M. K. (2024). Potential Concerns and Challenges Threatening the Field of Graphic Design in the Era of Artificial Intelligence. International Design Journal, 14(1), 409-419.
  • Anonymous. (2011). Psycho Movie Poster Redesign – Bigger Picture Show 2011. Behance. https://www.behance.net/gallery/1532167/Psycho-Movie-Poster-Redesign-Bigger-Picture-Show-2011, Erişim Tarihi: 03.05.2024.
  • Azarenkov, V. I., & Svintsova, D. O. (2023). Analysis of trends in UI/UX interface development and their impact on future user experience. Поліграфічні, мультимедійні та web-технології: тези доп., 145.
  • Balcı, S. K. (2016, November). The impact of visual communication design on the consumption culture, from past to present. In Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference (pp. 133-138).
  • Bertão, R. A., & Joo, J. (2021). Artificial intelligence in UX/UI design: a survey on current adoption and [future] practices. Safe Harbors for Design Research, 1-10.
  • Bertão, R. A., Yeoun, M. H., & Joo, J. (2023). A blind spot in AI-powered logo makers: visual design principles. Visual Communication, 14703572231155593.
  • Batista, H. R., & Hagler, J. (2022). Humans and Machines: A Study of the Impacts of the Technological Advances in the Light of Generative Art Theory.
  • Bulut, M. H. (2020). Bloom’un Revize Edilmiş Taksonomisinin Müzik Öğretiminde Kullanımına Yönelik Önermeler. İnönü Üniversitesi Kültür Ve Sanat Dergisi, 6(2), 109-118. https://doi.org/10.22252/ijca.798005
  • Bulut, Ş. (2019). Yaratıcılık, Dahilik Ve Hayal Kırıklığı Kavramlarının Sanatçıların Üretimlerine Etkisinin İncelenmesi. İnönü Üniversitesi Kültür ve Sanat Dergisi, 5(1), 52-59.
  • Buryk, D. (2024). Trends Of Use Of Artificial Intelligence In Graphic Design. Věda a perspektivy, (2 (33)).
  • Choi, D., Hong, S., Park, J., Chung, J. J. Y., & Kim, J. (2023). CreativeConnect: Supporting Reference Recombination for Graphic Design Ideation with Generative AI. arXiv preprint arXiv:2312.11949.
  • Cleveland Museum of Art. (2020). Alois Senefelder (German, 1771-1834) - Art of the Lithograph, Printing Press. Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Alois_Senefelder_%28German,_1771-1834%29_-_Art_of_the_Lithograph,_Printing_Press_-_2006.194.16_-_Cleveland_Museum_of_Art.jpg, Erişim Tarihi: 03.05.2024.
  • Coelho, R. (2022). Flexible ID: to adapt is to resist. Design, visual communication and branding, 82-107.
  • Dehman, H. (2023). Graphic design, Already Intelligent? Current possibilities of generative AI applications in graphic design.
  • Du, Y., & Xu, D. (2022). Analysis of graphic design based on ai interaction technology. Journal of Environmental and Public Health, 2022.
  • Duggan, T. J. (2016). MASTER ing the Art of Music Integration. In Recontextualized (pp. 51-64). Brill.
  • Economou, I. (2005). Motopomo: The historical-theoretical background to contemporary graphic design practices (Doctoral dissertation, Nelson Mandela Metropolitan University).
  • Elgammal, A., Liu, B., Elhoseiny, M., & Mazzone, M. (2017). Can: Creative adversarial networks, generating" art" by learning about styles and deviating from style norms. arXiv preprint arXiv:1706.07068.

YAPAY ZEKÂ DESTEKLİ GRAFİK TASARIMDA YARATICILIĞIN DÖNÜŞÜMÜ

Yıl 2024, Cilt: 12 Sayı: 2, 553 - 571, 31.12.2024
https://doi.org/10.52122/nisantasisbd.1480136

Öz

Günümüzde yapay zekâ teknolojileri, grafik tasarım süreçlerini yeniden şekillendirerek, tasarımcılara yaratıcılıkta
daha fazla imkan sunmakta ve yüksek kaliteli tasarımları hızla üretmelerini sağlamaktadır. Araştırmanın amacı
yapay zekâ’nın grafik tasarıma olan etkilerini inceleyerek, bu teknolojilerin tasarımcılara sunduğu yaratıcılık
faktörünün etkisini değerlendirmektir. Bu kapsamda çalışma nitel araştırma yöntemlerinden karşılaştırmalı
analiz, literatür taraması ve mantıksal akıl yürütme teknikleri benimsenerek gerçekleştirilmiş olup, elde edilen
verilere ve teorik çerçevelere dayanarak analiz edilen literatür ve çalışmalar kapsamında sınırlandırılmıştır.
Bulgular, yapay zekâ’nın grafik tasarım süreçlerine entegrasyonunun, evrimini hızlandırdığını, tasarımcılara
sunduğu araçlarla yaratıcı vizyonların gerçeğe dönüşmesini kolaylaştırarak, tasarımcıların özgün yaratıcı
kararlarına müdahale edebilecek riskler taşıdığını Sonuçlar ise, yapay zekâ’nın grafik tasarımda hız ve yaratıcılık
sağladığı ancak, bazı durumlarda birbirine benzer tasarımlara yol açabildiği ve gelecekte yapay zekâ’nın grafik
tasarıma daha fazla entegre olacağını göstermiştir.

Kaynakça

  • Anantrasirichai, N., & Bull, D. (2022). Artificial intelligence in the creative industries: a review. Artificial Intelligence Review, 55(1), 589-656.
  • Al-Sawy, M. K. (2024). Potential Concerns and Challenges Threatening the Field of Graphic Design in the Era of Artificial Intelligence. International Design Journal, 14(1), 409-419.
  • Anonymous. (2011). Psycho Movie Poster Redesign – Bigger Picture Show 2011. Behance. https://www.behance.net/gallery/1532167/Psycho-Movie-Poster-Redesign-Bigger-Picture-Show-2011, Erişim Tarihi: 03.05.2024.
  • Azarenkov, V. I., & Svintsova, D. O. (2023). Analysis of trends in UI/UX interface development and their impact on future user experience. Поліграфічні, мультимедійні та web-технології: тези доп., 145.
  • Balcı, S. K. (2016, November). The impact of visual communication design on the consumption culture, from past to present. In Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference (pp. 133-138).
  • Bertão, R. A., & Joo, J. (2021). Artificial intelligence in UX/UI design: a survey on current adoption and [future] practices. Safe Harbors for Design Research, 1-10.
  • Bertão, R. A., Yeoun, M. H., & Joo, J. (2023). A blind spot in AI-powered logo makers: visual design principles. Visual Communication, 14703572231155593.
  • Batista, H. R., & Hagler, J. (2022). Humans and Machines: A Study of the Impacts of the Technological Advances in the Light of Generative Art Theory.
  • Bulut, M. H. (2020). Bloom’un Revize Edilmiş Taksonomisinin Müzik Öğretiminde Kullanımına Yönelik Önermeler. İnönü Üniversitesi Kültür Ve Sanat Dergisi, 6(2), 109-118. https://doi.org/10.22252/ijca.798005
  • Bulut, Ş. (2019). Yaratıcılık, Dahilik Ve Hayal Kırıklığı Kavramlarının Sanatçıların Üretimlerine Etkisinin İncelenmesi. İnönü Üniversitesi Kültür ve Sanat Dergisi, 5(1), 52-59.
  • Buryk, D. (2024). Trends Of Use Of Artificial Intelligence In Graphic Design. Věda a perspektivy, (2 (33)).
  • Choi, D., Hong, S., Park, J., Chung, J. J. Y., & Kim, J. (2023). CreativeConnect: Supporting Reference Recombination for Graphic Design Ideation with Generative AI. arXiv preprint arXiv:2312.11949.
  • Cleveland Museum of Art. (2020). Alois Senefelder (German, 1771-1834) - Art of the Lithograph, Printing Press. Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Alois_Senefelder_%28German,_1771-1834%29_-_Art_of_the_Lithograph,_Printing_Press_-_2006.194.16_-_Cleveland_Museum_of_Art.jpg, Erişim Tarihi: 03.05.2024.
  • Coelho, R. (2022). Flexible ID: to adapt is to resist. Design, visual communication and branding, 82-107.
  • Dehman, H. (2023). Graphic design, Already Intelligent? Current possibilities of generative AI applications in graphic design.
  • Du, Y., & Xu, D. (2022). Analysis of graphic design based on ai interaction technology. Journal of Environmental and Public Health, 2022.
  • Duggan, T. J. (2016). MASTER ing the Art of Music Integration. In Recontextualized (pp. 51-64). Brill.
  • Economou, I. (2005). Motopomo: The historical-theoretical background to contemporary graphic design practices (Doctoral dissertation, Nelson Mandela Metropolitan University).
  • Elgammal, A., Liu, B., Elhoseiny, M., & Mazzone, M. (2017). Can: Creative adversarial networks, generating" art" by learning about styles and deviating from style norms. arXiv preprint arXiv:1706.07068.
Toplam 19 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Bilgi Sistemleri (Diğer)
Bölüm Makaleler
Yazarlar

Şükran Bulut 0000-0001-8220-686X

Mehmet Akif Özdal 0000-0003-3148-8988

Yayımlanma Tarihi 31 Aralık 2024
Gönderilme Tarihi 7 Mayıs 2024
Kabul Tarihi 28 Ekim 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 12 Sayı: 2

Kaynak Göster

APA Bulut, Ş., & Özdal, M. A. (2024). YAPAY ZEKÂ DESTEKLİ GRAFİK TASARIMDA YARATICILIĞIN DÖNÜŞÜMÜ. Nişantaşı Üniversitesi Sosyal Bilimler Dergisi, 12(2), 553-571. https://doi.org/10.52122/nisantasisbd.1480136

Nişantaşı Üniversitesi kurumsal yayınıdır.