Öz
The trickster figure is a common cultural feature globally. A not-so-pious Muslim cleric, with foolish deeds and clever sayings, Nasreddin (Nasreddin Hoca in Turkish, Molla Nasreddin in Farsi, and Joha in Arabic) has been the most popular folk character and trickster figure in the Middle East for centuries. Molla Nasreddin: The Making of a Modern Trickster (1906-1911) investigates how a cartoon journal in South Caucasus, Molla Nasreddin, reproduced the trickster figure as a medium of social criticism, and how it reimagined “both the name and the persona of the trickster for modern political satire” to “disseminate a progressive discourse on power, religion, class, and gender”.
Anahtar Kelimeler
Öz
The trickster figure is a common cultural feature globally. A not-so-pious Muslim cleric, with foolish deeds and clever sayings, Nasreddin (Nasreddin Hoca in Turkish, Molla Nasreddin in Farsi, and Joha in Arabic) has been the most popular folk character and trickster figure in the Middle East for centuries. Molla Nasreddin: The Making of a Modern Trickster (1906-1911) investigates how a cartoon journal in South Caucasus, Molla Nasreddin, reproduced the trickster figure as a medium of social criticism, and how it reimagined “both the name and the persona of the trickster for modern political satire” to “disseminate a progressive discourse on power, religion, class, and gender”.
Anahtar Kelimeler
Ayrıntılar
| Birincil Dil | Türkçe |
|---|---|
| Bölüm | Kitap İncelemesi |
| Yazarlar | |
| Yayımlanma Tarihi | 31 Aralık 2022 |
| DOI | https://doi.org/10.18589/oa.1225469 |
| IZ | https://izlik.org/JA93GR55DP |
| Yayımlandığı Sayı | Yıl 2022 Sayı: 60 |