EN
TR
FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS
Öz
In a recent article (Lugos Abarca, 2023) an equation was proposed that allows us to know the number of measures that a song has μ_mar from the musical variables of tempo Τ, song duration t and time signature β. Also, it was found that that by solving the equation μ_mar for the variable t yields a formula capable of expressing the duration in minutes of any rhythmic figure. Proceeding with this line of research, four axioms are presented whose purpose is to function as a basis for the construction of a set theory for rhythmic figures, during this process the consequences of the third axiom that establishes the non-commutativity in the sum of certain sets that have the same elements but with different order are studied, and whose most relevant consequence is to introduce the theorem that determines the existence of different types of empty sets.
Anahtar Kelimeler
Proje Numarası
1
Etik Beyan
An ethics committee was not required for this research, as it is a musical and mathematical article.
Kaynakça
- Burns, J. (2010). Rhythmic archetypes in instrumental music from Africa and the diaspora. Music Theory Online, 16(4).
- Camiruaga, J. (2000). Manual de Aprendizaje: Rítmica y métrica. Udelar. CSE.
- Cannas, S. & Andreatta, M. (2018). A generalized dual of the Tonnetz for seventh chords: mathematical, computational and compositional aspects. In Proceedings of Bridges 2018: Mathematics, Art, Music, Architecture, Education, Culture (pp. 301-308).
- Chahine, I., & Montiel, M. (2015). Teaching modeling in algebra and geometry using musical rhythms: Teachers’ perceptions on effectiveness. Journal of Mathematics Education, 8 (2), 126-138.
- Demaine, E. D., Gomez-Martin, F., Meijer, H., Rappaport, D., Taslakian, P., Toussaint, G. T., Winograd, T., & Wood, D. R. (2009). The distance geometry of music. Computational geometry, 42(5), 429-454.
- Ferreirós, J. (2000). ¿ Antinomia o trivialidad? La paradoja de Russell. Las matemáticas del siglo XX. Una mirada en 101 artículos, 59-64.
- Forte, A. (1974). Structure of atonal music. Yale University Press.
- Gómez-Martín, F. (2022). A review of Godfried Toussaint's the geometry of musical rhythm. Journal of Mathematics and Music, 16(2), 239-247.
Ayrıntılar
Birincil Dil
İngilizce
Konular
Müzik Teorileri, Müzik (Diğer)
Bölüm
Araştırma Makalesi
Yazarlar
Yayımlanma Tarihi
29 Aralık 2023
Gönderilme Tarihi
16 Eylül 2023
Kabul Tarihi
7 Kasım 2023
Yayımlandığı Sayı
Yıl 2023 Cilt: 8 Sayı: 2
APA
Lugos Abarca, J. A. (2023). FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS. Online Journal of Music Sciences, 8(2), 226-237. https://doi.org/10.31811/ojomus.1361656
AMA
1.Lugos Abarca JA. FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS. Online Journal of Music Sciences. 2023;8(2):226-237. doi:10.31811/ojomus.1361656
Chicago
Lugos Abarca, Josué Alexis. 2023. “FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS”. Online Journal of Music Sciences 8 (2): 226-37. https://doi.org/10.31811/ojomus.1361656.
EndNote
Lugos Abarca JA (01 Aralık 2023) FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS. Online Journal of Music Sciences 8 2 226–237.
IEEE
[1]J. A. Lugos Abarca, “FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS”, Online Journal of Music Sciences, c. 8, sy 2, ss. 226–237, Ara. 2023, doi: 10.31811/ojomus.1361656.
ISNAD
Lugos Abarca, Josué Alexis. “FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS”. Online Journal of Music Sciences 8/2 (01 Aralık 2023): 226-237. https://doi.org/10.31811/ojomus.1361656.
JAMA
1.Lugos Abarca JA. FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS. Online Journal of Music Sciences. 2023;8:226–237.
MLA
Lugos Abarca, Josué Alexis. “FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS”. Online Journal of Music Sciences, c. 8, sy 2, Aralık 2023, ss. 226-37, doi:10.31811/ojomus.1361656.
Vancouver
1.Josué Alexis Lugos Abarca. FOUR AXIOMS FOR A THEORY OF RHYTHMIC SETS AND THEIR IMPLICATIONS. Online Journal of Music Sciences. 01 Aralık 2023;8(2):226-37. doi:10.31811/ojomus.1361656
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