Araştırma Makalesi
BibTex RIS Kaynak Göster

Eğitimin değişen paradigmalarında müzik öğretmeninin rolü

Yıl 2026, Cilt: 11 Sayı: 1, 100 - 115, 02.02.2026

Öz

Bu makale, değişen eğitim paradigması bağlamında müzik öğretmeninin rolünü incelemektedir. Son yıllarda eğitim, geleneksel, öğretmen merkezli öğretimden, öğrenci ihtiyaçlarını, özerkliğini ve yaratıcılığını vurgulayan öğrenci merkezli bir ortama doğru kaymıştır. Çalışmanın amacı, bu değişime yanıt olarak müzik öğretmeninin rolünün nasıl tanımlandığını ve dönüştürüldüğünü araştırmaktır. Nicel bir araştırma tasarımı kullanılmıştır. Veriler, müzik öğretmenlerine uygulanan yapılandırılmış bir anket aracılığıyla toplanmış olup, eğitim perspektiflerine, öğretim yöntemlerine ve stratejilerine, yol gösterici ilkelerine ve öğrencilerin eğitim sürecindeki rollerine ilişkin algılarına odaklanmıştır. Öğretmenlerin rol algılarındaki ve öğretim uygulamalarındaki kalıpları ve eğilimleri belirlemek için tanımlayıcı ve çıkarımsal istatistiksel analizler yapılmıştır. Sonuçlar, müzik öğretmenlerinin geleneksel ve yenilikçi yöntemleri birleştiren karma pedagojik yaklaşımları giderek daha fazla benimsediğini göstermektedir. Bu çalışmanın ana verileri Çinli öğretmenlerle yapılan bir anketten gelmektedir. Öğretmenler, bilgi aktarıcılarından öğrenme süreçlerinin kolaylaştırıcılarına, danışmanlara, değerlendiricilere ve dijital öğrenme eğitmenlerine kadar çeşitli roller üstlenmektedir. Bazı öğretmen merkezli uygulamalar devam etse de, bulgular aktif öğrenci katılımına, iş birliğine, bağımsız öğrenmeye ve teknolojinin müzik eğitimine entegrasyonuna giderek daha fazla önem verildiğini göstermektedir. Analiz ayrıca, bilgi aktarımı ve rekabete dayalı modellerden kişiselleştirilmiş, eşitlikçi ve öğrenci merkezli yaklaşımlara kadar uzanan çeşitli eğitim felsefelerini ortaya koymaktadır. Bu bulgular, müzik öğretmenlerinin yenilik ve geleneğin bir arada bulunduğu, daha dengeli, yaratıcı ve kapsayıcı bir müzik eğitim sistemi için koşullar yaratan bir geçiş aşamasında olduklarını göstermektedir.

Proje Numarası

Not applicable

Kaynakça

  • ALLEA - All European Academies. (2017). The European Code of Conduct for Research Integrity. https://allea.org/code-of-conduct
  • Bennett, C. (2019). The influence of teachers’ educational philosophies on instructional practices. Journal of Educational Research, 112(2), 145-159.
  • Brown, T. H. (2005). Beyond constructivism: Exploring future learning paradigms. Education Today, (2), 14-30.
  • Cook-Sather, A., & Abbot, S. (2020). The productive potential of pedagogical disagreements in classroom-focused student-staff partnerships. Higher Education Research & Development, 39(7), 1396-1409. https://doi.org/10.1080/07294360.2020.1735315
  • Creswell, J. W., & Creswell, J. D. (2018). Research Design: Qualitative, quantitative, and mixed methods approaches (5th ed.). SAGE Publications.
  • Darling-Hammond, L. (2000). Teacher quality and student achievement: A review of state policy evidence. Education Policy Analysis Archives, 8(1), 1-44. https://doi.org/10.14507/epaa.v8n1.2000
  • Djurdjanović, M., & Stošić, I. (2017). Preschool teachers and their levels of interest in developing musical competencies. Visual Arts and Music, 3(1), 15-27.
  • Edmondson, W. J., & House, J. (2000). Einführung in die Sprachlehrforschung (2nd ed.). Francke.
  • Fraenkel, J. R., Wallen, N. E., & Hyun, H. H. (2012). How to desIgn and evaluate research In educatIon (8th ed.). Mc Graw HIll.
  • Gaunt, H., & Treacy, D. (2020). Ensemble practices in the arts: A reflective matrix to enhance teamwork and collaborative learning in higher education. Arts and Humanities in Higher Education 19(4), 419-444. http://doi.org/10.1177/1474022219885791
  • Ghozali, I. (2020). Professional competency of teachers in learning music at elementary schools in Pontianak. Harmonia: Journal of Arts Research and Education, 20(1) 84-94. https://doi.org/10.15294/harmonia.v20i1.24932
  • Goodyear, P., Salmon, G., Spector, J. M., Steeples, C., & Tickner, S. (2001). Competencies for online teaching: A special report. Educational Technology, Research and Development, 49(1), 65-72. https://doi.org/10.1007/BF02504508
  • Grasha A. F. (1996). Teaching with styles: A practical guide to enhance learning by understanding learning and teaching styles. Alliance Publisher.
  • Harden, R. M., & Crosby, J. R. (2000). AMEE Guide No 20: The good teacher is more than a lecturer: The twelve roles of the teacher. Medical Teacher, 22(4), 334-347. https://doi.org/10.1080/014215900409429
  • Hargreaves, A. (2000). Mixed emotions: Teachers’ perceptions of their interactions with students and colleagues. Journal of Teaching and Teacher Education, 16(8), 809-820. https://doi.org/10.1016/S0742-051X(00)00028-7
  • Jorgensen, E. R. (2008). Questions for music education research. Music Education Research, 10(3), 331-346.
  • Kaboody, M. A. (2013). Second language motivation; the role of teachers in learners’ motivation. Journal of Academic and Applied Studies, 3(4), 45-54.
  • Kampa, R. K. (2021). Teaching through a pandemic: classes of Khallikote University go on air and online. Library Philosophy and Practice, 1-13.
  • Karkina, S., Mena, J., Valeeva, R., Yarmakeev, I., Dyganova, E., & Bhullar, M. (2023). Fostering future music teachers’ professional skills: Developing a signature pedagogy using e-learning. Frontiers in Education, 8, 1-16. https://doi.org/10.3389/feduc.2023.1162748
  • Keiler, L. S. (2018). Teachers’ roles and identities in student-centered classrooms. International Journal of STEM Education, 5(34), 2-20. https://doi.org/10.1186/s40594-018-0131-6
  • Kekang, H. (2004). Modern educational technology and the design and development of high-quality online courses. China Audio-visual Education, (6), 5-11.
  • Kuhn, T. S. (1962). The structure of scientific revolutions. University of Chicago Press.
  • Lambert, L. (2015). Teacher collaboration: Building professional communities. International Journal of Educational Reform, 24(2), 125-137.
  • McPherson, G., & Welch, G. F. (Eds.). (2018). Creativities, technologies, and media in music learning and teaching: an oxford handbook of music education (Vol. 5). Oxford University Press.
  • Merrick, B., & Joseph, D. (2023). ICT and music technology during COVID-19: Australian music educator perspectives. Research Studies in Music Education, 45(1), 189-210. https://doi.org/10.1177/1321103X221092927
  • Mertens, D. M. (2014) Research and evaluation in education and psychology: Integrating diversity with quantitative, qualitative, and mixed methods. Sage Publications.
  • Miao, L. (2022). Research on the transformation of the role of college music teachers under the hybrid teaching model. Popular Literature and Art, (13), 136-138.
  • Morris, T. H. (2019). Self-directed learning: A fundamental competency in a rapidly changing world. International Review of Education, 65, 633-653. https://doi.org/10.1007/s11159-019-09793-2
  • Murchú, D. Ó. (2005). New teacher and student roles in the technology-supported, language classroom. International journal of instructional technology and distance learning, 2(2), 5-9.
  • Naert, F. (2015). MOOCs, SPOCs, DOCCs and other bugs. https://ssrn.com/abstract=2595174
  • Nie, J. (2023). Research on the transformation of teacher role and the quality assurance strategy of hybrid and online teaching. Advances in Educational Technology and Psychology, 7(16), 7-12. http://dx.doi.org/10.23977/aetp.2023.071602
  • Salmon, G. (2013). E-tivities: The key to active online learning (2nd ed.). Routledge. https://doi.org/10.4324/9780203074640
  • Singh, J., Steele1, K., & Singh, L. (2021). Combining the best of online and face-to-face learning: hybrid and blended learning approach for COVID-19, post vaccine, & post-pandemic world. Journal of Educational Technology Systems, 50(2), 140-171. https://doi.org/10.1177/00472395211047865
  • Sizova, O. A., Medvedeva, T. Y., Shevchenko, N. A., Kazantseva, G. A., & Karpukova, A. A. (2018). Possibilities for using information systems in the professional training of music teacher. Astra Salvensis, 779-786.
  • Wang, A. (2015). Facilitating participation: Teacher roles in a multiuser virtual learning environment. Language Learning and Technology, 19(2), 156-176. https://doi.org/10.64152/10125/44422
  • Wang, C. C. (2023). Exploring integration mechanism of music instructional design and education informatization. EAI Endorsed Transactions on Scalable Information Systems, 6(10), 1-11. https://doi.org/10.4108/eetsis.3945
  • Weiner, B. (2018). Human motivation: A social psychological perspective (4th ed.). Academic Press.
  • Yang, W. X. (2019). Transformation of the relationship between teachers and learners in the new curriculum music classroom. Parents, 34, 154-157.
  • Žydžiūnaitė, V. (2008). Tyrimo dizainas: struktūra ir strategijos (Research design: structure and strategies). Technologija.

The role of the music teacher in the changing paradigm of education

Yıl 2026, Cilt: 11 Sayı: 1, 100 - 115, 02.02.2026

Öz

This article examines the role of the music teacher within the context of a changing educational paradigm. In recent decades, education has shifted from traditional, teacher-dominated instruction toward a learner-centered environment that emphasizes student needs, autonomy, and creativity. The aim of the study was to investigate how the role of the music teacher is defined and transformed in response to this shift. A quantitative research design was employed. Data were collected through a structured questionnaire administered to music teachers, focusing on their educational perspectives, teaching methods and strategies, guiding principles, and perceptions of students’ roles in the educational process. Descriptive and inferential statistical analyses were conducted to identify patterns and trends in teachers’ role perceptions and instructional practices. The results indicate that music teachers increasingly adopt mixed pedagogical approaches, combining traditional and innovative methods. The main data for this study comes from a survey of Chinese teachers. Teachers assume multiple roles, ranging from knowledge transmitters to facilitators of learning processes, advisors, evaluators, and digital learning instructors. Although some teacher-centred practices persist, the findings show a growing emphasis on active student participation, collaboration, independent learning, and the integration of technology into music education. The analysis also reveals a diversity of educational philosophies, ranging from knowledge transmission and competition-based models to personalized, equitable, and student-centred approaches. These findings suggest that music teachers are navigating a transitional phase in which innovation and tradition coexist, creating conditions for a more balanced, creative, and inclusive music education system.

Proje Numarası

Not applicable

Kaynakça

  • ALLEA - All European Academies. (2017). The European Code of Conduct for Research Integrity. https://allea.org/code-of-conduct
  • Bennett, C. (2019). The influence of teachers’ educational philosophies on instructional practices. Journal of Educational Research, 112(2), 145-159.
  • Brown, T. H. (2005). Beyond constructivism: Exploring future learning paradigms. Education Today, (2), 14-30.
  • Cook-Sather, A., & Abbot, S. (2020). The productive potential of pedagogical disagreements in classroom-focused student-staff partnerships. Higher Education Research & Development, 39(7), 1396-1409. https://doi.org/10.1080/07294360.2020.1735315
  • Creswell, J. W., & Creswell, J. D. (2018). Research Design: Qualitative, quantitative, and mixed methods approaches (5th ed.). SAGE Publications.
  • Darling-Hammond, L. (2000). Teacher quality and student achievement: A review of state policy evidence. Education Policy Analysis Archives, 8(1), 1-44. https://doi.org/10.14507/epaa.v8n1.2000
  • Djurdjanović, M., & Stošić, I. (2017). Preschool teachers and their levels of interest in developing musical competencies. Visual Arts and Music, 3(1), 15-27.
  • Edmondson, W. J., & House, J. (2000). Einführung in die Sprachlehrforschung (2nd ed.). Francke.
  • Fraenkel, J. R., Wallen, N. E., & Hyun, H. H. (2012). How to desIgn and evaluate research In educatIon (8th ed.). Mc Graw HIll.
  • Gaunt, H., & Treacy, D. (2020). Ensemble practices in the arts: A reflective matrix to enhance teamwork and collaborative learning in higher education. Arts and Humanities in Higher Education 19(4), 419-444. http://doi.org/10.1177/1474022219885791
  • Ghozali, I. (2020). Professional competency of teachers in learning music at elementary schools in Pontianak. Harmonia: Journal of Arts Research and Education, 20(1) 84-94. https://doi.org/10.15294/harmonia.v20i1.24932
  • Goodyear, P., Salmon, G., Spector, J. M., Steeples, C., & Tickner, S. (2001). Competencies for online teaching: A special report. Educational Technology, Research and Development, 49(1), 65-72. https://doi.org/10.1007/BF02504508
  • Grasha A. F. (1996). Teaching with styles: A practical guide to enhance learning by understanding learning and teaching styles. Alliance Publisher.
  • Harden, R. M., & Crosby, J. R. (2000). AMEE Guide No 20: The good teacher is more than a lecturer: The twelve roles of the teacher. Medical Teacher, 22(4), 334-347. https://doi.org/10.1080/014215900409429
  • Hargreaves, A. (2000). Mixed emotions: Teachers’ perceptions of their interactions with students and colleagues. Journal of Teaching and Teacher Education, 16(8), 809-820. https://doi.org/10.1016/S0742-051X(00)00028-7
  • Jorgensen, E. R. (2008). Questions for music education research. Music Education Research, 10(3), 331-346.
  • Kaboody, M. A. (2013). Second language motivation; the role of teachers in learners’ motivation. Journal of Academic and Applied Studies, 3(4), 45-54.
  • Kampa, R. K. (2021). Teaching through a pandemic: classes of Khallikote University go on air and online. Library Philosophy and Practice, 1-13.
  • Karkina, S., Mena, J., Valeeva, R., Yarmakeev, I., Dyganova, E., & Bhullar, M. (2023). Fostering future music teachers’ professional skills: Developing a signature pedagogy using e-learning. Frontiers in Education, 8, 1-16. https://doi.org/10.3389/feduc.2023.1162748
  • Keiler, L. S. (2018). Teachers’ roles and identities in student-centered classrooms. International Journal of STEM Education, 5(34), 2-20. https://doi.org/10.1186/s40594-018-0131-6
  • Kekang, H. (2004). Modern educational technology and the design and development of high-quality online courses. China Audio-visual Education, (6), 5-11.
  • Kuhn, T. S. (1962). The structure of scientific revolutions. University of Chicago Press.
  • Lambert, L. (2015). Teacher collaboration: Building professional communities. International Journal of Educational Reform, 24(2), 125-137.
  • McPherson, G., & Welch, G. F. (Eds.). (2018). Creativities, technologies, and media in music learning and teaching: an oxford handbook of music education (Vol. 5). Oxford University Press.
  • Merrick, B., & Joseph, D. (2023). ICT and music technology during COVID-19: Australian music educator perspectives. Research Studies in Music Education, 45(1), 189-210. https://doi.org/10.1177/1321103X221092927
  • Mertens, D. M. (2014) Research and evaluation in education and psychology: Integrating diversity with quantitative, qualitative, and mixed methods. Sage Publications.
  • Miao, L. (2022). Research on the transformation of the role of college music teachers under the hybrid teaching model. Popular Literature and Art, (13), 136-138.
  • Morris, T. H. (2019). Self-directed learning: A fundamental competency in a rapidly changing world. International Review of Education, 65, 633-653. https://doi.org/10.1007/s11159-019-09793-2
  • Murchú, D. Ó. (2005). New teacher and student roles in the technology-supported, language classroom. International journal of instructional technology and distance learning, 2(2), 5-9.
  • Naert, F. (2015). MOOCs, SPOCs, DOCCs and other bugs. https://ssrn.com/abstract=2595174
  • Nie, J. (2023). Research on the transformation of teacher role and the quality assurance strategy of hybrid and online teaching. Advances in Educational Technology and Psychology, 7(16), 7-12. http://dx.doi.org/10.23977/aetp.2023.071602
  • Salmon, G. (2013). E-tivities: The key to active online learning (2nd ed.). Routledge. https://doi.org/10.4324/9780203074640
  • Singh, J., Steele1, K., & Singh, L. (2021). Combining the best of online and face-to-face learning: hybrid and blended learning approach for COVID-19, post vaccine, & post-pandemic world. Journal of Educational Technology Systems, 50(2), 140-171. https://doi.org/10.1177/00472395211047865
  • Sizova, O. A., Medvedeva, T. Y., Shevchenko, N. A., Kazantseva, G. A., & Karpukova, A. A. (2018). Possibilities for using information systems in the professional training of music teacher. Astra Salvensis, 779-786.
  • Wang, A. (2015). Facilitating participation: Teacher roles in a multiuser virtual learning environment. Language Learning and Technology, 19(2), 156-176. https://doi.org/10.64152/10125/44422
  • Wang, C. C. (2023). Exploring integration mechanism of music instructional design and education informatization. EAI Endorsed Transactions on Scalable Information Systems, 6(10), 1-11. https://doi.org/10.4108/eetsis.3945
  • Weiner, B. (2018). Human motivation: A social psychological perspective (4th ed.). Academic Press.
  • Yang, W. X. (2019). Transformation of the relationship between teachers and learners in the new curriculum music classroom. Parents, 34, 154-157.
  • Žydžiūnaitė, V. (2008). Tyrimo dizainas: struktūra ir strategijos (Research design: structure and strategies). Technologija.
Toplam 39 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik Eğitimi
Bölüm Araştırma Makalesi
Yazarlar

Jolanta Abramauskiene 0000-0003-1645-4958

Haoyue Sun 0000-0000-0000-0000

Proje Numarası Not applicable
Gönderilme Tarihi 8 Eylül 2025
Kabul Tarihi 23 Ocak 2026
Yayımlanma Tarihi 2 Şubat 2026
Yayımlandığı Sayı Yıl 2026 Cilt: 11 Sayı: 1

Kaynak Göster

APA Abramauskiene, J., & Sun, H. (2026). The role of the music teacher in the changing paradigm of education. Online Journal of Music Sciences, 11(1), 100-115. https://doi.org/10.31811/ojomus.1779790