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TV Dizilerinde Yargı, Gözetleme ve Kültürel Duyarsızlaştırma Üçgeni: "Black Mirror Örneği"

Yıl 2018, Cilt: 8 Sayı: 15, 1669 - 1695, 31.08.2018
https://doi.org/10.26466/opus.441690

Öz

Fikir yayma ve
hegemonya kurma sürecinde çeşitli yöntemler ve araçlar kullanılır. Bunlar
arasında kitle iletişim araçları en önemli taşıyıcılar olarak görülmektedir.
Günümüzde, gelişen teknoloji ile birlikte, kitle iletişim araçları ideal
ideolojinin taşıyıcıları olarak daha fazla önem kazanmıştır. Sinema
üreticileri, özellikle de televizyon dizilerinin insanları etkileme gücünün
farkında olanlar, ideolojik anlamda sinemayı kullanabilirler. Özellikle, her
bölümde ideolojik mesajlara sahip TV dizileri, adalet, gözetleme ve kültürel
duyarsızlaştırma gibi kavramları konu etmeye başlamıştır.Bu nedenle, bu çalışma
"Black Mirror" dizisinin “Beyaz Ayı” bölümünde gözetim, yargı ve
kültürel duyarsızlaşma üçgenindeki olayları tartışmıştır. Çalışma, kültür
duyarsızlaştırma bağlamında yargı ve gözetim arasındaki ilişkiyi incelemeyi
amaçlamıştır. Özellikle adalet ve gözetim ile ilgili konuların hakim olduğu
“Beyaz Ayı” bölümü ideolojik analiz yöntemiyle incelenmiştir. Sonuç olarak, bu
çalışma, teknolojinin, kültürel duyarsızlaştırma sorununa karşı bir izleme
aracı olduğunu ortaya koymuştur.

Kaynakça

  • Artuk, M., & Alsahin, M. (2015). Historical evolution of prison sentences and prisons. Marmara University Law School Journal of Legal Studies, 21 (2), 297-338.
  • Althusser, L. (1971). Lenin and philosophy (London: New Left Books, 1971).
  • Bickman, L. (1972). Social influence and diffusion of responsibility in an emergency. Journal of Experimental Social Psychology, 8, 438–445.
  • Bolat, N. (2016). The impact of imaging techniques on the high audience reach of feodal contemporaries in modern Turkey: TV serials. Middle Black Sea Journal of Communication Studies. 1(2): 69-86.
  • Calis, A. (2016). Analysis of the matrix I film By J. Baudrillards' Simulation and J. Huizingas' game theory. e-Journal of New Media, 1(1), 82-92.
  • Camus, A. (1956). The fall. France: Penguin Books.
  • Cameron, C. (2002). Judicial independence: How can you tell it when you see it? and, who cares?. SAGE Publications, Inc.
  • Ceber, T. (2017). Watching the audience; a study on the relationship between the work of art, the artist and the audience. Journal of the Fine Arts Institute (GSED), 38, 87-97.
  • Clark, R. D., & Word, L. E. (1974). Where is the apathetic bystander? Situational characteristics of the emergency. Journal of Personality and Social Psychology. 29, 279–287
  • Darley, J. M., & Latane, B. (1968). Bystander intervention in emergencies: Diffusion of responsibility. Journal of Personality and Social Psychology, 8, 377-383.
  • Debord, G. (1995). The society of the spectacle. New York: Zone Books.
  • Deleuze, G. & Guattari, F (1977). Anti-Oedipus. New York: Viking.
  • Devrani, A. (2017). The presentation of “The Other” in the media: Ethnic comedies. Gumushane University E-Journal of Faculty of Communication Volume: 5, September 2017.
  • Douglas, K. (1978). Ideology, Marxism, and advanced capitalism. Socialist Review, 42, 37-65.
  • Douglas, K. (1984). Herbert marcuse and the crisis of marxism. London and Berkeley: Macmillan and University of California Press.
  • FereJohn, J. (1973). Independent judges, dependent judiciary: Explaining judicial ındependence. U.S. 72 (1977); Wainwright v. Stone, 414 U.S. 21 (1973).
  • Forsyth, S. (1997). Marxism, film and theory: From the barricades to postmodernism. The Socalist Register.
  • Foucault, M. (1995). Discipline and punish, The birth of prison, (Translation from the French: Alan Sheridan), New York: Random House.
  • Gabler, N. (1998, 25, October). Molding our lives in the ımage of movies. Accessed on 10th of July 2018 from https://www.nytimes.com/1998/10/25/movies/molding-our-lives-in-the-image-of-movies.html
  • Garcia, S., Weaver, K. & Moskowitz, G. & Darley, J. (2002). Crowded minds: The implicit bystander effect. Journal of Personality and Social Psychology, 83(4), 843–853.
  • Garoupa, N. & Ginsburg, T. (2008). Guarding the Guardians: Judicial Councils and judicial independence. University of Chicago Public Law & Legal Theory Working Paper No. 250, 2008.
  • Hall, S. (1984). “Encoding/Decoding” in culture, media, language, London: CCS and Hutchinson published, 128-138.
  • Happer, C. & Philo G. (2013). The role of the media in the construction of public belief and social change. Journal of Social and Political Psychology, 1(1), 321–336, doi:10.5964/jspp.v1i1.96.
  • Healy, K. (2017). Public sociology in the age of social media. American Political Science Association, 15(3),771-780.
  • Hess, J. (1978). Film and ideology. Jump Cut: A Review of Contemporary Media, 1978, 2005, 14-16.
  • Iisten, I. (2014). The independence and impartiality of the judiciary. Gaziantep University Journal of Social Sciences, 13(2), 285-313.
  • Ilal, E. (1968). Magna Carta. Istanbul University, Journal of Faculty of Law, 1968, 34 (1-4), 210-242.
  • Jørnagensen, T. (2016, 31, May). Black Mirror: Technology, technostruggles, and anxieties [PDF file]. Accessed on 10th of July 2018 from: http://projekter.aau.dk/projekter/files/239556522/Black_Mirror_kladde.pdf
  • Karakoc, E. (2013). Government - ideology and media triangle in film: Review of the film wag the dog. Selcuk University Journal of Studies in Turcology,1(34), 279-297.
  • Mandel, R. (2008). Cosmopolitan anxieties: Turkish challenges to citizenship and belonging in Germany. Durham NC: Duke University Press.
  • Manning, R. & Leviene, M. & Collins, A. (2007). The Kitty Genovese murder and the social psychology of helping. American Psychological Association, 62(6), 555-562.
  • Marx, G. (2015). Survelliance studies. International Encyclopedia of the Social & Behavioral Sciences, Second Edition, 733–741.
  • Purdiy, S. (2015). Surveillance, knowledge and inequality: Understanding power through foucault and beyond. The Hilltop Review, 8(1), 3-13.
  • Reiss, J. H., (2001) From margin to center-the spaces of installation art. Cambridge: The MIT Press.
  • Rogers, E. (2002). The history of intercultural communication: The United States and Japan. Keio Communication Review, 24, 3-26.
  • Samovar, L. A.; Porter R.; Mcdaniel E. (2009). Communication between cultures. Boston: Cengage Learning.
  • Schmidt, R. (2009). Anatomy of the white bear suppression inventory (WBSI): A review of previous findings and a new approach. Journal of Personality Assessment, 91(4), 323–330.
  • Steinhoff, W. R. (1976) George Orwell and the origins of 1984. Ann Arbor: University of Michigan Press, 1976.
  • Sundar, N. (2010). Vigilantism, culpability and moral dilemmas. Critique of Anthropology, 30(1) 113–121.
  • Tajfel, H. (1974). Social identity and intergroup behaviour. Information (International Social Science Council), 13(2), 65-93.
  • Tekel, A. (2015). Aesthetic judgement and factors affecting aesthetic judgement. STD, 16, 149-157.
  • Trendacosta, K. (2016). There wasn't a twist in the original version of the 'white bear' episode of black mirror. Retrieved from https://io9.gizmodo.com/there-wasnt-a-twist-in-the-original-version-of-the-whit-1787985874
  • Tsfati, Y. & Cohen, J. (2013). The third - person eff ect, trust in media, and hostile media perceptions. The International Encyclopedia of Media Studies: Media Effects/Media Psychology, First Edition.
  • White Bear. (n.d.). In Wikipedia. Retrieved July 14, 2018, from http://black-mirror.wikia.com/wiki/White_Bear
  • Williams, M. L. (2016). Cyberhate on social media in the aftermath of woolwich: a case study in computational criminology and big data. The British Journal of Criminology, 56(2), 211–238.
  • Yatkın, A. & Ustakara, F. (2008). The inclination of the mass media on the civilian constitution and the main concerns of Turkey. e-Journal of New World Sciences Academy, 4(3), 230-248.
  • Ye, Q. (2012). The conversation between film and ideology (Bachelor’s thesis). Retrieved from Digitale Vetenskapliga Arkivet Database. (891124-P647)
  • Yumrukuz, O. (2016). Survivor programme in the frame of jean baud-rillard’s simulation theory. TRT Academy, Entertainment Industry. 1(1), 85-111.

Judgment, Surveillance and Cultural Desensitization Triangle in TV Series: The Case of Black Mirror

Yıl 2018, Cilt: 8 Sayı: 15, 1669 - 1695, 31.08.2018
https://doi.org/10.26466/opus.441690

Öz

Various methods and tools are used in the process of
spreading ideas and establishing hegemony. The mass media among these are seen
as the most important courses. Today, also along with the developing
technology, mass media have gained more importance as carriers of ideal
ideology. The producers of cinema, and especially those who are aware of the
power of the television series to influence people, can use cinema in an
ideological sense. In particular, TV series with ideological messages in each
episode have begun to deal with concepts such as justice, surveillance and
cultural desensitization.



Therefore, this study has discussed the events in
surveillance, judgment and cultural desensitization triangle in the “White
Bear” episode of the Black Mirror. The study aimed to examine the relationship
between judgment and surveillance within the context of cultural
desensitization. Particularly, the White Bear episode, which is dominated by
the issues regarding justice and surveillance, is analyzed through an ideological
analysis method. As for the conclusion the study has revealed that technology
has been a tracking device against the problem of cultural desensitization.

Kaynakça

  • Artuk, M., & Alsahin, M. (2015). Historical evolution of prison sentences and prisons. Marmara University Law School Journal of Legal Studies, 21 (2), 297-338.
  • Althusser, L. (1971). Lenin and philosophy (London: New Left Books, 1971).
  • Bickman, L. (1972). Social influence and diffusion of responsibility in an emergency. Journal of Experimental Social Psychology, 8, 438–445.
  • Bolat, N. (2016). The impact of imaging techniques on the high audience reach of feodal contemporaries in modern Turkey: TV serials. Middle Black Sea Journal of Communication Studies. 1(2): 69-86.
  • Calis, A. (2016). Analysis of the matrix I film By J. Baudrillards' Simulation and J. Huizingas' game theory. e-Journal of New Media, 1(1), 82-92.
  • Camus, A. (1956). The fall. France: Penguin Books.
  • Cameron, C. (2002). Judicial independence: How can you tell it when you see it? and, who cares?. SAGE Publications, Inc.
  • Ceber, T. (2017). Watching the audience; a study on the relationship between the work of art, the artist and the audience. Journal of the Fine Arts Institute (GSED), 38, 87-97.
  • Clark, R. D., & Word, L. E. (1974). Where is the apathetic bystander? Situational characteristics of the emergency. Journal of Personality and Social Psychology. 29, 279–287
  • Darley, J. M., & Latane, B. (1968). Bystander intervention in emergencies: Diffusion of responsibility. Journal of Personality and Social Psychology, 8, 377-383.
  • Debord, G. (1995). The society of the spectacle. New York: Zone Books.
  • Deleuze, G. & Guattari, F (1977). Anti-Oedipus. New York: Viking.
  • Devrani, A. (2017). The presentation of “The Other” in the media: Ethnic comedies. Gumushane University E-Journal of Faculty of Communication Volume: 5, September 2017.
  • Douglas, K. (1978). Ideology, Marxism, and advanced capitalism. Socialist Review, 42, 37-65.
  • Douglas, K. (1984). Herbert marcuse and the crisis of marxism. London and Berkeley: Macmillan and University of California Press.
  • FereJohn, J. (1973). Independent judges, dependent judiciary: Explaining judicial ındependence. U.S. 72 (1977); Wainwright v. Stone, 414 U.S. 21 (1973).
  • Forsyth, S. (1997). Marxism, film and theory: From the barricades to postmodernism. The Socalist Register.
  • Foucault, M. (1995). Discipline and punish, The birth of prison, (Translation from the French: Alan Sheridan), New York: Random House.
  • Gabler, N. (1998, 25, October). Molding our lives in the ımage of movies. Accessed on 10th of July 2018 from https://www.nytimes.com/1998/10/25/movies/molding-our-lives-in-the-image-of-movies.html
  • Garcia, S., Weaver, K. & Moskowitz, G. & Darley, J. (2002). Crowded minds: The implicit bystander effect. Journal of Personality and Social Psychology, 83(4), 843–853.
  • Garoupa, N. & Ginsburg, T. (2008). Guarding the Guardians: Judicial Councils and judicial independence. University of Chicago Public Law & Legal Theory Working Paper No. 250, 2008.
  • Hall, S. (1984). “Encoding/Decoding” in culture, media, language, London: CCS and Hutchinson published, 128-138.
  • Happer, C. & Philo G. (2013). The role of the media in the construction of public belief and social change. Journal of Social and Political Psychology, 1(1), 321–336, doi:10.5964/jspp.v1i1.96.
  • Healy, K. (2017). Public sociology in the age of social media. American Political Science Association, 15(3),771-780.
  • Hess, J. (1978). Film and ideology. Jump Cut: A Review of Contemporary Media, 1978, 2005, 14-16.
  • Iisten, I. (2014). The independence and impartiality of the judiciary. Gaziantep University Journal of Social Sciences, 13(2), 285-313.
  • Ilal, E. (1968). Magna Carta. Istanbul University, Journal of Faculty of Law, 1968, 34 (1-4), 210-242.
  • Jørnagensen, T. (2016, 31, May). Black Mirror: Technology, technostruggles, and anxieties [PDF file]. Accessed on 10th of July 2018 from: http://projekter.aau.dk/projekter/files/239556522/Black_Mirror_kladde.pdf
  • Karakoc, E. (2013). Government - ideology and media triangle in film: Review of the film wag the dog. Selcuk University Journal of Studies in Turcology,1(34), 279-297.
  • Mandel, R. (2008). Cosmopolitan anxieties: Turkish challenges to citizenship and belonging in Germany. Durham NC: Duke University Press.
  • Manning, R. & Leviene, M. & Collins, A. (2007). The Kitty Genovese murder and the social psychology of helping. American Psychological Association, 62(6), 555-562.
  • Marx, G. (2015). Survelliance studies. International Encyclopedia of the Social & Behavioral Sciences, Second Edition, 733–741.
  • Purdiy, S. (2015). Surveillance, knowledge and inequality: Understanding power through foucault and beyond. The Hilltop Review, 8(1), 3-13.
  • Reiss, J. H., (2001) From margin to center-the spaces of installation art. Cambridge: The MIT Press.
  • Rogers, E. (2002). The history of intercultural communication: The United States and Japan. Keio Communication Review, 24, 3-26.
  • Samovar, L. A.; Porter R.; Mcdaniel E. (2009). Communication between cultures. Boston: Cengage Learning.
  • Schmidt, R. (2009). Anatomy of the white bear suppression inventory (WBSI): A review of previous findings and a new approach. Journal of Personality Assessment, 91(4), 323–330.
  • Steinhoff, W. R. (1976) George Orwell and the origins of 1984. Ann Arbor: University of Michigan Press, 1976.
  • Sundar, N. (2010). Vigilantism, culpability and moral dilemmas. Critique of Anthropology, 30(1) 113–121.
  • Tajfel, H. (1974). Social identity and intergroup behaviour. Information (International Social Science Council), 13(2), 65-93.
  • Tekel, A. (2015). Aesthetic judgement and factors affecting aesthetic judgement. STD, 16, 149-157.
  • Trendacosta, K. (2016). There wasn't a twist in the original version of the 'white bear' episode of black mirror. Retrieved from https://io9.gizmodo.com/there-wasnt-a-twist-in-the-original-version-of-the-whit-1787985874
  • Tsfati, Y. & Cohen, J. (2013). The third - person eff ect, trust in media, and hostile media perceptions. The International Encyclopedia of Media Studies: Media Effects/Media Psychology, First Edition.
  • White Bear. (n.d.). In Wikipedia. Retrieved July 14, 2018, from http://black-mirror.wikia.com/wiki/White_Bear
  • Williams, M. L. (2016). Cyberhate on social media in the aftermath of woolwich: a case study in computational criminology and big data. The British Journal of Criminology, 56(2), 211–238.
  • Yatkın, A. & Ustakara, F. (2008). The inclination of the mass media on the civilian constitution and the main concerns of Turkey. e-Journal of New World Sciences Academy, 4(3), 230-248.
  • Ye, Q. (2012). The conversation between film and ideology (Bachelor’s thesis). Retrieved from Digitale Vetenskapliga Arkivet Database. (891124-P647)
  • Yumrukuz, O. (2016). Survivor programme in the frame of jean baud-rillard’s simulation theory. TRT Academy, Entertainment Industry. 1(1), 85-111.
Toplam 48 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Ekmel Geçer Bu kişi benim 0000-0003-3367-2236

Hüseyin Serbes 0000-0001-7913-6178

Yayımlanma Tarihi 31 Ağustos 2018
Kabul Tarihi 26 Temmuz 2018
Yayımlandığı Sayı Yıl 2018 Cilt: 8 Sayı: 15

Kaynak Göster

APA Geçer, E., & Serbes, H. (2018). Judgment, Surveillance and Cultural Desensitization Triangle in TV Series: The Case of Black Mirror. OPUS International Journal of Society Researches, 8(15), 1669-1695. https://doi.org/10.26466/opus.441690