FAY WELDON’IN DARCY’NİN ÜTOPYASI’NDA BASKICI VE SÖMÜRÜCÜ ATAERKİL SÖYLEMİN YIKILMASI

Öz

Darcy’nin Ütopyası’nda (1990), Fay Weldon, kadınların ataerkil toplumun sosyo-ekonomik ve siyasi baskısından kurtulduğu ütopik bir dünya tasarlar. Yazar, erkek otoritesine karşı çıkar ve erkeklerin üstünlüğünü destekleyen ataerkil söylemi manipüle ederek ataerkil sistemdeki çelişkileri açığa vurur. Bu çalışma, Foucault ve ikinci dalga feministlerin fikirlerine atıfta bulunarak, ideoloji ve söylemin kadın-erkek arasındaki güç ilişkilerinin düzenlenmesi üzerindeki etkisini inceler. Weldon’ın erkeklerin üstünlüğünü doğallaştıran erkek ideolojisini yıktığını ve cinsiyetler arasındaki güç ilişkilerinin doğal olmadığını, ancak ideolojik olarak yapılandırıldığını savunduğunu göstermeyi amaçlar. Çalışma, yazarın kadınların baskılanmasının ve onların sömürülmesinin ideolojik olduğuna inandığı sonucuna varır.

Anahtar Kelimeler

• Fay Weldon
• Darcy’nin Ütopyası
• Kadınlar
• Ataerkillik
• Baskı
• Sömürü

SUBVERSION OF OPPRESSIVE AND MANIPULATIVE PATRIARCHAL DISCOURSE IN FAY WELDON’S DARCY’S UTOPIA

Öz

In Darcy’s Utopia (1990), Fay Weldon envisages a utopian world, in which women are emancipated from the socio-economic and political oppression of the patriarchal society. The writer challenges male authority, and reveals the contradictions in the patriarchal system through manipulating patriarchal discourse, which supports the supremacy of men. The present study examines the impact of ideology and discourse on the regulation of the power relations between men and women through referring to the ideas of Foucault, and the second-wave feminists. It aims to show that Weldon subverts male ideology which naturalizes the superiority of men, and argues that power relations are not natural but they are ideologically constructed. The study concludes that the author believes that the oppression of women and their exploitation are ideological.

Anahtar Kelimeler

• Fay Weldon
• Darcy’s Utopia
• Women
• Patriarchy
• Oppression
• Manipulation

Kaynakça

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