Joycean Rebirth in the “Abject” Womb
Öz
The land/woman metaphor has always been an effective tool to define Ireland and Irish nationalists aligned their feminized land with patriarchal discourse and created the iconic Mother Ireland in the image of the Virgin Mary. Known for his anti-Revivalist arguments, James Joyce reveals that the cult of Mother Ireland must be demolished to reach the essence of Irish identity hidden in the “abject” maternal body. Therefore, in his struggle against colonialism, Joyce turns his attention to women, believing that Irishness starts with the exploration of a woman’s body. Using Kristeva’s abjection theory to re-interpret Joyce’s position as the “abject” child of Irish literature, this paper aims to analyze the writer’s prominent women characters in Dubliners, A Portrait of the Artist as a Young Man and in Ulysses in parallel to his search for an identity as an Irish writer and his anti-colonial struggle against patriarchy.
Anahtar Kelimeler
Kaynakça
- 1. PRIMARY SOURCES: Joyce, J. (1993). Ulysses, Oxford UP, Oxford. (Original work published in 1922). ---. (2008). A Portrait of the Artist As a Young Man, Oxford UP, Oxford. (Original work published in 1916). ---. (2011). “Eveline”, Dubliners, Harper Collins, London. (Original work published in 1914). ---. (2011). “A Mother”, Dubliners, Harper Collins, London. (Original work published in 1914). 2. SECONDARY SOURCES: Cheng, V. (1995). Joyce, Race and Empire, Cambridge UP, New York. Deane, S. (1985). “Joyce and Nationalism”, Celtic Revivals, Faber and Faber, London. Henke, S. (2016). “Defusing the Patriarchal Can(n)on”, James Joyce and the Politics of Desire, Routledge, Oxon, 1-11. Johnson, J. (1993). “Introduction”, Ulysses, Oxford UP, Oxford. Jones, E. (1922). “The Island of Ireland: A Psycho-Analytical Contribution to Political Psychology”, Essays in Applied Psycho-analysis, The International Psycho- Analytical Press, London. Retrieved Dec. 15, 2015, from https://archive.org/stream/essyasinappliedp032402mbp/essyasinappliedp032402mbp_ djvu.txt. Kearney, R. (1984). Myth and Motherland, Field Day Pamplets, Derry. Kristeva, J. (1981). “Women’s Time”, Signs, 7/1, 13-35. Retrieved May 3, 2015, from https://www2.warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/modules/literaturetheoryandtime/ltt.kristeva.pdf. ---. (1982). Powers of Horror: An Essay on Abjection, (Trans: Leon S. Roudiez), Columbia UP, New York. (Original work published in 1980). ---. (1984). Revolution in Poetic Language, (Trans: Margaret Waller), Columbia UP, New York. (Original work published in 1974). ---. (1985). “Stabat Mater”, Poetics Today, 6/1-2, 133-52. Retrieved Feb. 3, 2016, from https://tajakramberger.files.wordpress.com/2013/11/kristeva-stabat-mater.pdf. Lacan, J. (1985). “God and the Jouissance of the Woman”, Feminine Sexuality: Jacques Lacan and the Ecole Freudienne, (Eds: Juliet Mitchell and Jacqueline Rose), W. W. Norton & Company, London. Lloyd, D. (1993). Anomalous States: Irish Writing and the Post-Colonial Moment, Duke UP, Durham. Nolan, E. (2002). James Joyce and Nationalism, Routledge, London. Quinn, K. A. (1995). “Re-visioning the Goddess: Drama, Women, and Empowerment”, Ritual Remembering: History, Myth and Politics in Anglo-Irish Drama, (Eds: C. C. Barfoot and Rias van den Doel), Rodopi, Amsterdam, 181-89. Walter, K. (2013). “From Aisling to Chora: Female Allegories of the Nation in Contemporary Irish Women’s Poetry”, Irish Studies Review, 21/3, 313-25. Retrieved Feb.12, 2015, from http://dx.doi.org/10.1080/09670882.2013.814423.
Ayrıntılar
Birincil Dil
İngilizce
Konular
Sanat ve Edebiyat
Bölüm
Araştırma Makalesi
Yazarlar
Yayımlanma Tarihi
25 Ekim 2018
Gönderilme Tarihi
10 Ekim 2017
Kabul Tarihi
22 Mart 2018
Yayımlandığı Sayı
Yıl 2018 Sayı: 33