Araştırma Makalesi
BibTex RIS Kaynak Göster

Performativity in Game: The Case of “Yüzen Oda” in Ankara Jam Sessions

Yıl 2021, Sayı: 20, 19 - 34, 07.12.2021

Öz

Yüzen Oda, a musical collective formed by a gathering of musicians with common tendencies and intentions, is a game builder agent that leads jam sessions in venues that include Noxus, Alerta, and Haymatlos Mekân in Ankara, Turkey. Yüzen Oda, continuing the jam sessions in Haymatlos Mekân since 2018, organizes a process whereby non-collective/guest musicians can participate as they wish without limiting themselves to a certain music genre or style. Yüzen Oda plays a pioneering role in determining the jam session etiquette, which includes sociomusical aesthetic values that are effective in the functioning of the jam session and influence the participant as soon as they are involved. This paper uses Butler’s and Hajer’s approaches to examine how performativity works in jam sessions, which are conceived as a Bourdieusian game, from an ethnomusicological perspective. With the ethnographic fieldwork carried out in this context, the performative functioning of the game is revealed through the data obtained from agents such as collective member musicians, guest musicians, audience members, and the venue manager.

Kaynakça

  • Allan, Keith and Burridge, Kate. 1991. Euphemism & Dysphemism: Language Used as Shield and Weapon. Oxford and New York: Oxford University Press.
  • Bailey, Derek. 1993. Improvisation: Its Nature and Practice in Music. USA: De Capo Press.
  • Bourdieu, Pierre. 1990a. In Other Words: Essays Towards a Reflexive Sociology. Matthew Adamson, Trans. Stanford, California: Stanford University Press.
  • Bourdieu, Pierre. 1990b. The Logic of Practice. Richard Nice, Trans. Stanford, California: Stanford University Press.
  • Bourdieu, Pierre. 1991. Language and Symbolic Power. Gino Raymond and Matthew Adamson, Trans. Cambridge, Massachusetts: Harvard University Press.
  • Bourdieu, Pierre. 1993. Sociology in Question. Richard Nice, Trans. London, Thousand Oaks, and New Delhi: Sage Publications.
  • Bourdieu, Pierre. 2000. Pascalian Meditations. Richard Nice, Trans. Stanford, California: Stanford University Press.
  • Bourdieu, Pierre. 2018. Bilimin Toplumsal Kullanımları: Bilimsel Alanın Klinik Bir Sosyolojisi İçin [The Social Uses of Science: For a Clinical Sociology of the Scientific Field]. Levent Ünsaldı, Trans. Ankara: Heretik Yayınları.
  • Bourdieu, Pierre and Wacquant, Loïc. 1992. An Invitation to Reflexive Sociology. Cambridge: The University of Chicago Press.
  • Butler, Judith. 1997. Excitable Speech: A Politics of the Performative. New York and London: Routledge.
  • Butler, Judith. 2010. Gender Trouble: Feminism and the Subversion of Identity. New York and London: Routledge.
  • Cameron, William Bruce. 1954. “Sociological Notes on the Jam Session”. Oxford University Press, 33(2), 177-182.
  • Feige, Daniel Martin. 2016. Caz Felsefesi [Philosophy of Jazz]. Necati Aça, Trans. Ankara: Dost Kitabevi.
  • Fogel, Curtis. 2007. Presenting the Naked Self: The Accumulation of Performative Capital in the Female Strip Trade. In Gender Forum, 17, 3-28.
  • Hajer, Maarten A. 2009. Authoritative Governance: Policy-making in the Age of Mediatization. Oxford and New York: Oxford University Press.
  • Hajer, Maarten and Uitermark, Justus. 2008. Performing Authority: Discursive Politics After the Assassination of Theo van Gogh. Public Administration, 86(1), 5-19.
  • Hartley, Andrew James. 2008. “Character, Agency and the Familiar Actor”. Paul Yachnin and Jessica Slights, eds., Shakespeare and Character: Theory, History, Performance, and Theatrical Persons. pp. 158-176. London: Palgrave Macmillan.
  • Kisliuk, Michelle. 1988. “A Special Kind of Courtesy”: Action at a Bluegrass Festival Jam Session. The MIT Press, 32(3), 141-155.
  • Merriam, Alan P. 1964. The Anthropology of Music. Illinois: Northwestern University Press.
  • Monson, Ingrid. 1996. Saying Something: Jazz Improvisation and Interaction. Chicago and London: The University of Chicago Press.
  • Nelson, Lawrence D. 2011. “The Social and Musical Construction of the Jam Session in Jazz”. Unpublished PhD Thesis. University of Kentucky.
  • Pedro, Josep. 2014. Jam Sessions in Madrid’s Blues Scene: Musical Experience in Hybrid Performance Models. Journal of the International Association for the Study of Popular Music, 4(1), 73-86.
  • Simmel, Georg. 1971. On Individuality and Social Forms. Chicago and London: The University of Chicago Press.
  • Turino, Thomas. 2008. Music as Social Life: The Politics of Participation. Chicago and London: The University of Chicago Press.
  • Aşkın, Oğul. 2019, 10 June. Personal communication.
  • Atalay, Eylem. 2019, 9 June. Personal communication.
  • Hacıbaloğlu, Canberk. 2020, 15 January. Personal communication.
  • Karacan, Doğuhan Eren. 2019, 9 June. Personal communication.
  • Koçlar, Can. 2019, 10 June. Personal communication.
  • Taştan, Emre. 2020, 22 January. Personal communication.
  • Taylan, Banu. 2019, 9 June. Personal communication.
  • Uzun, Ali Deniz. 2019, 11 June. Personal communication.
Yıl 2021, Sayı: 20, 19 - 34, 07.12.2021

Öz

Kaynakça

  • Allan, Keith and Burridge, Kate. 1991. Euphemism & Dysphemism: Language Used as Shield and Weapon. Oxford and New York: Oxford University Press.
  • Bailey, Derek. 1993. Improvisation: Its Nature and Practice in Music. USA: De Capo Press.
  • Bourdieu, Pierre. 1990a. In Other Words: Essays Towards a Reflexive Sociology. Matthew Adamson, Trans. Stanford, California: Stanford University Press.
  • Bourdieu, Pierre. 1990b. The Logic of Practice. Richard Nice, Trans. Stanford, California: Stanford University Press.
  • Bourdieu, Pierre. 1991. Language and Symbolic Power. Gino Raymond and Matthew Adamson, Trans. Cambridge, Massachusetts: Harvard University Press.
  • Bourdieu, Pierre. 1993. Sociology in Question. Richard Nice, Trans. London, Thousand Oaks, and New Delhi: Sage Publications.
  • Bourdieu, Pierre. 2000. Pascalian Meditations. Richard Nice, Trans. Stanford, California: Stanford University Press.
  • Bourdieu, Pierre. 2018. Bilimin Toplumsal Kullanımları: Bilimsel Alanın Klinik Bir Sosyolojisi İçin [The Social Uses of Science: For a Clinical Sociology of the Scientific Field]. Levent Ünsaldı, Trans. Ankara: Heretik Yayınları.
  • Bourdieu, Pierre and Wacquant, Loïc. 1992. An Invitation to Reflexive Sociology. Cambridge: The University of Chicago Press.
  • Butler, Judith. 1997. Excitable Speech: A Politics of the Performative. New York and London: Routledge.
  • Butler, Judith. 2010. Gender Trouble: Feminism and the Subversion of Identity. New York and London: Routledge.
  • Cameron, William Bruce. 1954. “Sociological Notes on the Jam Session”. Oxford University Press, 33(2), 177-182.
  • Feige, Daniel Martin. 2016. Caz Felsefesi [Philosophy of Jazz]. Necati Aça, Trans. Ankara: Dost Kitabevi.
  • Fogel, Curtis. 2007. Presenting the Naked Self: The Accumulation of Performative Capital in the Female Strip Trade. In Gender Forum, 17, 3-28.
  • Hajer, Maarten A. 2009. Authoritative Governance: Policy-making in the Age of Mediatization. Oxford and New York: Oxford University Press.
  • Hajer, Maarten and Uitermark, Justus. 2008. Performing Authority: Discursive Politics After the Assassination of Theo van Gogh. Public Administration, 86(1), 5-19.
  • Hartley, Andrew James. 2008. “Character, Agency and the Familiar Actor”. Paul Yachnin and Jessica Slights, eds., Shakespeare and Character: Theory, History, Performance, and Theatrical Persons. pp. 158-176. London: Palgrave Macmillan.
  • Kisliuk, Michelle. 1988. “A Special Kind of Courtesy”: Action at a Bluegrass Festival Jam Session. The MIT Press, 32(3), 141-155.
  • Merriam, Alan P. 1964. The Anthropology of Music. Illinois: Northwestern University Press.
  • Monson, Ingrid. 1996. Saying Something: Jazz Improvisation and Interaction. Chicago and London: The University of Chicago Press.
  • Nelson, Lawrence D. 2011. “The Social and Musical Construction of the Jam Session in Jazz”. Unpublished PhD Thesis. University of Kentucky.
  • Pedro, Josep. 2014. Jam Sessions in Madrid’s Blues Scene: Musical Experience in Hybrid Performance Models. Journal of the International Association for the Study of Popular Music, 4(1), 73-86.
  • Simmel, Georg. 1971. On Individuality and Social Forms. Chicago and London: The University of Chicago Press.
  • Turino, Thomas. 2008. Music as Social Life: The Politics of Participation. Chicago and London: The University of Chicago Press.
  • Aşkın, Oğul. 2019, 10 June. Personal communication.
  • Atalay, Eylem. 2019, 9 June. Personal communication.
  • Hacıbaloğlu, Canberk. 2020, 15 January. Personal communication.
  • Karacan, Doğuhan Eren. 2019, 9 June. Personal communication.
  • Koçlar, Can. 2019, 10 June. Personal communication.
  • Taştan, Emre. 2020, 22 January. Personal communication.
  • Taylan, Banu. 2019, 9 June. Personal communication.
  • Uzun, Ali Deniz. 2019, 11 June. Personal communication.
Toplam 32 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik
Bölüm Araştırma Makaleleri
Yazarlar

Selim Tan 0000-0002-1343-9157

Yayımlanma Tarihi 7 Aralık 2021
Gönderilme Tarihi 4 Nisan 2021
Yayımlandığı Sayı Yıl 2021 Sayı: 20

Kaynak Göster

APA Tan, S. (2021). Performativity in Game: The Case of “Yüzen Oda” in Ankara Jam Sessions. Porte Akademik Müzik Ve Dans Araştırmaları Dergisi(20), 19-34. https://doi.org/10.59446/porteakademik.1033769
AMA Tan S. Performativity in Game: The Case of “Yüzen Oda” in Ankara Jam Sessions. Porte Akademik Müzik ve Dans Araştırmaları Dergisi. Aralık 2021;(20):19-34. doi:10.59446/porteakademik.1033769
Chicago Tan, Selim. “Performativity in Game: The Case of ‘Yüzen Oda’ in Ankara Jam Sessions”. Porte Akademik Müzik Ve Dans Araştırmaları Dergisi, sy. 20 (Aralık 2021): 19-34. https://doi.org/10.59446/porteakademik.1033769.
EndNote Tan S (01 Aralık 2021) Performativity in Game: The Case of “Yüzen Oda” in Ankara Jam Sessions. Porte Akademik Müzik ve Dans Araştırmaları Dergisi 20 19–34.
IEEE S. Tan, “Performativity in Game: The Case of ‘Yüzen Oda’ in Ankara Jam Sessions”, Porte Akademik Müzik ve Dans Araştırmaları Dergisi, sy. 20, ss. 19–34, Aralık 2021, doi: 10.59446/porteakademik.1033769.
ISNAD Tan, Selim. “Performativity in Game: The Case of ‘Yüzen Oda’ in Ankara Jam Sessions”. Porte Akademik Müzik ve Dans Araştırmaları Dergisi 20 (Aralık 2021), 19-34. https://doi.org/10.59446/porteakademik.1033769.
JAMA Tan S. Performativity in Game: The Case of “Yüzen Oda” in Ankara Jam Sessions. Porte Akademik Müzik ve Dans Araştırmaları Dergisi. 2021;:19–34.
MLA Tan, Selim. “Performativity in Game: The Case of ‘Yüzen Oda’ in Ankara Jam Sessions”. Porte Akademik Müzik Ve Dans Araştırmaları Dergisi, sy. 20, 2021, ss. 19-34, doi:10.59446/porteakademik.1033769.
Vancouver Tan S. Performativity in Game: The Case of “Yüzen Oda” in Ankara Jam Sessions. Porte Akademik Müzik ve Dans Araştırmaları Dergisi. 2021(20):19-34.