Araştırma Makalesi
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Apollon Smintheus’un Kutsal Fareleri

Yıl 2026, Cilt: 4 Sayı: 7 , 129 - 159 , 31.03.2026
https://doi.org/10.56170/propontica.1869504
https://izlik.org/JA64RH74XU

Öz

Apollon, şair Homeros tarafından ‘smintheus’ adıyla ilk kez çağrılmış ve salgınlarla düşmanlardan intikam alan bir tanrı olarak anılmıştır. Bu düşünce Antik Çağ boyunca devam etmiştir. Fareler her zaman Apollon Smintheus ile ilişkilendirilmiş ve tanrının kutsal hayvanı olarak görülmüşlerdir. Antik kaynaklara göre fareler, Smintheion’da (Apollon Smintheus kült alanı) özel korumaya alınmış ve beslenmişlerdir. Özellikle Apollon Smintheus altarı etrafında özgürce koşuşturan beyaz fareler, kutsal kabul edilmiş ve koruma altına alınmışlardır. Apollon’un Troas bölgesinde ve Gülpınar’daki kutsal alanında Smintheus (Farelerin Apollonu) olarak anılması ve tapınılması yine antik metinlere göre çiftçilerin ürünlerini zararlı tarla farelerinden korumasından kaynaklandığı ifade edilmiştir. Apollon, smintheus sıfatıyla Troas coğrafyası merkez olmak üzere Ege’nin doğu sahilleri ve adalarında da tapınım gördüğü anlaşılmaktadır. Fareler ile hem kralları, yöneticileri ve rahipleri cezalandırmış hem de adına kurbanlar kesildikten ve tapınaklar inşa edildikten sonra kendisine bu jestleri yapanları ödüllendirmek amacıyla zararlı fareleri öldürerek insanların ürünlerini kurtardığı ifade edilmiştir. Bu yüzden tanrının fareleri kutsal kabul edilmiş ve tanrıya tarımın ağırlıklı olduğu coğrafyalarda Apollon Smintheus olarak tapınılmıştır. Smintheion’da son dönemde yapılan araştırmalarda ise farenin değil kuzgunun Apollon Smintheus’un kutsal hayvanı olduğu anlaşılmaktadır. Çünkü Smintheion Roma döneminde ağırlıklı olarak bir kehanet merkezidir.

Etik Beyan

Çalışmanın tüm süreçlerinin araştırma ve yayın etiğine uygun olduğunu, etik kurallara ve bilimsel atıf gösterme ilkelerine uyduğumu beyan ederim. Çalışmanın başlığı: The Sacred Mice of Apollo Smintheus Yazarın Adı ve Soyadı: Davut Kaplan Tarih: 21.01.2026

Kaynakça

  • Anderson 1993, Anderson, G., The Second Sophistic: A Cultural Phenomenon in the Roman Empire, Routledge, London and New York.
  • Barker 2021, Barker, S., “Painting the Plague, 1250-1630”, Plague Image and Imagination from Medieval to Modern Times (Ed. C. Lynteris), Springer 2021, 37-68.
  • Bernheim – Zener 1978, Bernheim – Zener, F., The Sminthian Apollo and the Epidemic among the Achaeans at Troy.Transactions of the American Philological Association, 108, 11-14.
  • Bliquez 1977, Bliquez, Lawrance, J., Frogs and Mice and Athens. Transactions of the American Philological Association, 107, 11-25.
  • Brisco 1998, Brisco, T. V., Holman Bible Atlas, Nashville.
  • Bryce 2004, Bryce, T., Life and Society in the Hittite World, Oxford.
  • Burkert 1985, Burkert, W., Greek Religion, Malden.
  • Christiansen 2006, Christiansen, B.,Die Ritualtradition der Ambazzi. Eine philologische Bearbeitung und entstehungsgeschichtliche Analyse der Ritualtexte CTH 391, CTH 429 und CTH 463. Studien zu den Boğazköy- Texten 48, Wiesbaden.
  • Collins 1994, Collins, B. J., The Hittites and Their World. Atlanta.
  • De Ficoroni 1745, de Ficoroni. F., Le memorie ritrovate nel territorio della prima, e seconda citta di Labico e i loro giusti sitti, Rome.
  • Dunbabin 1999, Dunbabin, Katherine M. D., Mosaics of the Greek and Roman World, Cambridge University Press, Cambridge.
  • Elderkin 1937, Elderkin, G. W., “Sosus and Aristophanes”, Classical Philology, Vol. 32, No. 1 1937, 74-75.
  • Ermolaeva 2015, Ermolaeva, Elena L., “Ancient Greek Parody “Convivium Atticum” and Mosaics in the Style “Asarotos oikos” (“unswept room/floor”)”, Actual Problems of Theory and History of Art, Vol. 5, 2015, 69-76.
  • Fathy 2017, Fathy, E., “The asàrotos òikos Mosaic as an Elite Status Symbol” Potestas, 10, 5–30.
  • Fathy 2020, Fathy, E., “From Earthly to Divine: The Transition of the asàrotos òikos Motif into Late Antiquity and Early Christian Art”, Humanitas 75, 2020, 93-120.
  • Fathy 2022, Fathy, E., “In the Guise of the Popular: the Deceptive Image of the asàrotos òikos Mosaics”, Eikón Imago 11, 2022, 31-46.
  • Fontenrose 1959, Fontenrose, Joseph E., Python: A Study of Delphic Myth and Its Origins, Berkeley.
  • Fowler 1892, Fowler, W. Warde., Field-Voles and the Apolline Worship. The Classical Review, 6.9, 413.
  • Frazer 1912, Frazer, J. G., The Godlen Bough V. Spirits of the Corn and of the Wild, Vol II. London.
  • Frisch 1974, Frisch, P., “Zwei Athleteninschriften aus der Troas”, ZPE 13, 1974, 38-39.
  • Hassel – Künzl 1980, Hassel, F.J., - Künzl, E., “Ein römisches Arztgrab des 3. Jahrhunderts n. Chr. aus Kleinasien: Einschließlich einesvorläufigen Verzeichnisses von Arztgräbern mit Beigaben aus dem Imperium Romanum (1.Jahrhundert v. Chr. bis 3. Jahrhundert n. Chr.)”, Medizinhistorisches Journal, 15.4, 403-421.
  • Hays 2014, Hays, Christopher B., Hidden Riches, A Sourcebook for the Comparative Study of the Hebrew Bible and Ancient Near East. Kentucky.
  • Kaplan 2018, Kaplan, D., Roman Bahts and Related Structures, Çanakkale.
  • Kaplan 2023, Kaplan, D., Bir Zamanlar Fare Vardı, Hastalıklar, Salgınlar ve Veba. Arkeoloji ve Sanat Dergisi, 172, 109-134.
  • Kaufmann-Heinimann 1998, Kaufmann-Heinimann, A., Götter und Lararien aus Augusta Raurica. Herstellung, Fundzusammenhänge und sakrale Funktion figürlicher Bronzen in einer römischen Stadt, Augst: Römermuseum Augst. Keeler 1932, Keeler, Clyde E., “In Quest of Apollo’s Sacred White Mice”, The Scientific
  • Monthly , 1932, Vol. 34.1 (Jan., 1932), 48-53.
  • Kiernan 2014, Kiernan, P., The Bronze Mice of Apollo Smintheus. American Journal of Archaeology, 118/4, 601-626.
  • Künzl 1983, Künzl, E., Medizinische Instrumente aus Spulkralfunden der Römischen Kaiserzeit, Bonn.
  • Künzl – Koeppel 2002, Künzl, E., - Koeppel, G., Souvenirs und Devotionalien: Zeugnisse des geschäftlichen, religiösen und kulturellen Tour-ismus im antiken Römerreich. Mainz: Philipp von Zabern.
  • Lang 1893, Lang, A., Custom and Myth. London.
  • Larson 2007, Larson, J., Ancient Greek Cults: A Guide, New York.
  • Lee 1962, Lee, D. J. N., Homeric λυκάβας and others. Glotta 40, 168-182.
  • Llewellyn-Jones 2018, Lwellyn-Johns, L., The Culture of Animals in Antiquity: A Sourcebook with Commentaries. New York.
  • McDonald 1940, McDonald, W. A., “Archaeology and St. Paul’s Journeys in Greek Lands”, Biblical Archaeologist 3, no. 2, 18-20.
  • Minervini 1850, Minervini, G., Monumenti antichi inediti posseduti da Raffaele Barone negoziante di antichitá con brevi dilucidazi-one, Naples.
  • Müller 1847, Müller, C. O., Ancient Art and Its Remains; Or A Manual of the Archaeology of Art. London.
  • Özdemir 2022, Özdemir, A., Kalkolitik Gülpınar Mimarisi ve Mekansal Kullanımı. İstanbul.
  • Özgünel 2001, Özgünel, C., Smintheion, Troas’ta Kutsal Bir Alan, Ankara.
  • Özhan 2004, Özhan, T., Yazılı Kaynaklar Işığında Troas Bölgesi, Yüksek Lisans Tezi, Ankara.
  • Özhan 2015, Özhan, T., “Five Fragmentary Inscriptions from Assos”, GEPHYRA 12, 2015, 179-189.
  • Özkan 1999, Özkan, B., “Rodent Fauna of Imbros and Tenedos (Mammalia:Rodentia)”, Turkish Journal of Zoology, 23.5. 133-147.
  • Paoli 1771, Paoli, P. A., Della religione de’gentili per riguardo ad alcuni animali e specialmente a’topi: dissertazione indirizzata ad illustrare un’antica statua ed a servire per la migliore intelligenza di alcuni passi della storia profana della corrispondenza loro colla storia sacra, Napoli.
  • Parvis 1945, Parvis, M. M., “Archaeology and St. Paul’s Journeys in Greek Lands. IV, Ephesus”, Biblical Archaeologist 8, no. 3, 73.
  • Pleket 2014a, Pleket, H. W., “Inscriptions as Evidence for Greek Sport”, A Companion to Sport and Spectacle in Greek and Roman Antiquity (Ed. P. Christesen – D. G. Kyle), Malden, MA/Oxford/Chichester, 98-111.
  • Pleket 2014b, Pleket, H. W., “Sport in Hellenistic and Roman Asia Minor”, A Companion to Sport and Spectacle in Greek and Roman Antiquity (Ed. P. Christesen – D. G. Kyle), Malden, MA/Oxford/Chichester, 364-375.
  • Renard 1956, Renard, M., “Pline l’Ancien et le motif de l’asarôtos oikos”, Hommages à Max Niedermann, Collection Latomus Vol. XXIII, revue d’études latines, Bruxelles (Berchem), 307-314.
  • Ribi 2001, Ribi, Emil A., “Asárotos òikos-von der Kunst, die sich verbirgt”, En Zona Archeologica: Festschrift für Hans Peter Isler zum 60. Geburtstag (Ed. S. Buzzi, D. Käch, E. Kistler vd.), Bonn. 361-369.
  • Rutherford 2001, Rutherford, I., Pindar’s Paeans: A Reading of the Fragments with a Survey of the Genre, Oxford.
  • Seaman 2020, Selaman, K., Rhetoric and Innovation in Hellenistic Art, Oxford.
  • Singer 2017, Singer, G. G., Beyond Amarna: The “Hand of Nergal” and the Plague in the Levant. Ugarit-Forschungen 48, 223-247.
  • Smith 1901, Smith, A. H., A Catalogue of Sculpture in the Department of Greek and Roman Antiquities British Museum, Volume III, London.
  • Taşlıklıoğlu 1963 Taşlıklıoğlu, Z., Anadolu’da Apollon Kültü ile İlgili Kaynaklar, İstanbul.
  • Uzel 2000, Uzel, İ., Anadoluda Bulunan Antik Tıp Aletleri, Ankara.
  • Ünal 2003, Ünal, A., Hititler Devrinde Anadolu II, İstanbul.
  • Wainwright 1959, Wainwright, G. A., Some Early Philistine History. Vetus Testamentum, 9.1, 73-84.
  • Wainwright 1963, Wainwright, G. A., A Teucrian at Salamis in Cyprus. The Journal of Hellenic Studies, 83. 146-151.
  • Wallace – Williams 1998, Wallace, R., – Williams, W., The Three Worlds of Paul of Tarsus, New York.
  • Watkins 1995, Watkins, C., How to Kill a Dragon: Aspects of Indo-European Poetics, Oxford.
  • West 1992, West, Martin L., Ancient Greek Music. Oxford.
  • Whiston 1824, Whiston, W., The Genuine Works of Flavius Josephus: Containing six books of the Antiquities of the Jews, Vol. II; New York.
  • Whitmarsh 2005, Whitmarsh, T., The Second Sophistic, Oxford, 2005.
  • Wroth 1882, Wroth, W., “Asklepios and the Coins of Pergamon”, The Numismatic Chronicle and Journal of the Numismatic Society, 2, 1-51.
  • Zanker 1978, Zanker, P., “Zur Funktion und Bedeutung griechischer Skulptur in der Römerzeit”, Le classicisme à Rome, Entretiens 25, Geneva. 283-306.
  • Zanker 1990, Zanker, P., The Power of Images in the Age of Augustus, University of Michigan Press, Ann Arbor.

The Sacred Mice of Apollo Smintheus

Yıl 2026, Cilt: 4 Sayı: 7 , 129 - 159 , 31.03.2026
https://doi.org/10.56170/propontica.1869504
https://izlik.org/JA64RH74XU

Öz

Apollo was first referred to as “smintheus” by the poet Homer and was known as a god who took revenge on enemies through epidemics. This belief persisted throughout the Ancient Times. Mice have always been associated with Apollo Smintheus and were seen as the god's sacred animals. According to ancient sources, mice were specially protected and fed at Smintheion (the cult site of Apollo Smintheus). White mice, in particular, which ran freely around the altar of Apollo Smintheus, were considered sacred and protected. The worship of Apollo as Smintheus (Apollo of the Mice) in the Troad region and at his saanctuary in Gülpınar is also attributed, according to ancient texts, to his protection of farmers' crops from harmful field mice. Apollo, under the epithet Smintheus, appears to have been worshipped primarily in the Troad region, as well as along the eastern shores of the Aegean Sea and its islands. It is said that he punished kings, rulers, and priests with mice, but then rewarded those who made these gestures to him by killing the harmful mice and saving people's crops after sacrifices were made and temples were built in his name. For this reason, mice were considered sacred to the god, and he was worshipped as Apollo Smintheus in regions where agriculture was predominant. However, recent research in Smintheion suggests that it was the raven, not the mouse, that was the sacred animal of Apollo Smintheus. This is because Smintheion was primarily an oracle center during the Roman period.

Kaynakça

  • Anderson 1993, Anderson, G., The Second Sophistic: A Cultural Phenomenon in the Roman Empire, Routledge, London and New York.
  • Barker 2021, Barker, S., “Painting the Plague, 1250-1630”, Plague Image and Imagination from Medieval to Modern Times (Ed. C. Lynteris), Springer 2021, 37-68.
  • Bernheim – Zener 1978, Bernheim – Zener, F., The Sminthian Apollo and the Epidemic among the Achaeans at Troy.Transactions of the American Philological Association, 108, 11-14.
  • Bliquez 1977, Bliquez, Lawrance, J., Frogs and Mice and Athens. Transactions of the American Philological Association, 107, 11-25.
  • Brisco 1998, Brisco, T. V., Holman Bible Atlas, Nashville.
  • Bryce 2004, Bryce, T., Life and Society in the Hittite World, Oxford.
  • Burkert 1985, Burkert, W., Greek Religion, Malden.
  • Christiansen 2006, Christiansen, B.,Die Ritualtradition der Ambazzi. Eine philologische Bearbeitung und entstehungsgeschichtliche Analyse der Ritualtexte CTH 391, CTH 429 und CTH 463. Studien zu den Boğazköy- Texten 48, Wiesbaden.
  • Collins 1994, Collins, B. J., The Hittites and Their World. Atlanta.
  • De Ficoroni 1745, de Ficoroni. F., Le memorie ritrovate nel territorio della prima, e seconda citta di Labico e i loro giusti sitti, Rome.
  • Dunbabin 1999, Dunbabin, Katherine M. D., Mosaics of the Greek and Roman World, Cambridge University Press, Cambridge.
  • Elderkin 1937, Elderkin, G. W., “Sosus and Aristophanes”, Classical Philology, Vol. 32, No. 1 1937, 74-75.
  • Ermolaeva 2015, Ermolaeva, Elena L., “Ancient Greek Parody “Convivium Atticum” and Mosaics in the Style “Asarotos oikos” (“unswept room/floor”)”, Actual Problems of Theory and History of Art, Vol. 5, 2015, 69-76.
  • Fathy 2017, Fathy, E., “The asàrotos òikos Mosaic as an Elite Status Symbol” Potestas, 10, 5–30.
  • Fathy 2020, Fathy, E., “From Earthly to Divine: The Transition of the asàrotos òikos Motif into Late Antiquity and Early Christian Art”, Humanitas 75, 2020, 93-120.
  • Fathy 2022, Fathy, E., “In the Guise of the Popular: the Deceptive Image of the asàrotos òikos Mosaics”, Eikón Imago 11, 2022, 31-46.
  • Fontenrose 1959, Fontenrose, Joseph E., Python: A Study of Delphic Myth and Its Origins, Berkeley.
  • Fowler 1892, Fowler, W. Warde., Field-Voles and the Apolline Worship. The Classical Review, 6.9, 413.
  • Frazer 1912, Frazer, J. G., The Godlen Bough V. Spirits of the Corn and of the Wild, Vol II. London.
  • Frisch 1974, Frisch, P., “Zwei Athleteninschriften aus der Troas”, ZPE 13, 1974, 38-39.
  • Hassel – Künzl 1980, Hassel, F.J., - Künzl, E., “Ein römisches Arztgrab des 3. Jahrhunderts n. Chr. aus Kleinasien: Einschließlich einesvorläufigen Verzeichnisses von Arztgräbern mit Beigaben aus dem Imperium Romanum (1.Jahrhundert v. Chr. bis 3. Jahrhundert n. Chr.)”, Medizinhistorisches Journal, 15.4, 403-421.
  • Hays 2014, Hays, Christopher B., Hidden Riches, A Sourcebook for the Comparative Study of the Hebrew Bible and Ancient Near East. Kentucky.
  • Kaplan 2018, Kaplan, D., Roman Bahts and Related Structures, Çanakkale.
  • Kaplan 2023, Kaplan, D., Bir Zamanlar Fare Vardı, Hastalıklar, Salgınlar ve Veba. Arkeoloji ve Sanat Dergisi, 172, 109-134.
  • Kaufmann-Heinimann 1998, Kaufmann-Heinimann, A., Götter und Lararien aus Augusta Raurica. Herstellung, Fundzusammenhänge und sakrale Funktion figürlicher Bronzen in einer römischen Stadt, Augst: Römermuseum Augst. Keeler 1932, Keeler, Clyde E., “In Quest of Apollo’s Sacred White Mice”, The Scientific
  • Monthly , 1932, Vol. 34.1 (Jan., 1932), 48-53.
  • Kiernan 2014, Kiernan, P., The Bronze Mice of Apollo Smintheus. American Journal of Archaeology, 118/4, 601-626.
  • Künzl 1983, Künzl, E., Medizinische Instrumente aus Spulkralfunden der Römischen Kaiserzeit, Bonn.
  • Künzl – Koeppel 2002, Künzl, E., - Koeppel, G., Souvenirs und Devotionalien: Zeugnisse des geschäftlichen, religiösen und kulturellen Tour-ismus im antiken Römerreich. Mainz: Philipp von Zabern.
  • Lang 1893, Lang, A., Custom and Myth. London.
  • Larson 2007, Larson, J., Ancient Greek Cults: A Guide, New York.
  • Lee 1962, Lee, D. J. N., Homeric λυκάβας and others. Glotta 40, 168-182.
  • Llewellyn-Jones 2018, Lwellyn-Johns, L., The Culture of Animals in Antiquity: A Sourcebook with Commentaries. New York.
  • McDonald 1940, McDonald, W. A., “Archaeology and St. Paul’s Journeys in Greek Lands”, Biblical Archaeologist 3, no. 2, 18-20.
  • Minervini 1850, Minervini, G., Monumenti antichi inediti posseduti da Raffaele Barone negoziante di antichitá con brevi dilucidazi-one, Naples.
  • Müller 1847, Müller, C. O., Ancient Art and Its Remains; Or A Manual of the Archaeology of Art. London.
  • Özdemir 2022, Özdemir, A., Kalkolitik Gülpınar Mimarisi ve Mekansal Kullanımı. İstanbul.
  • Özgünel 2001, Özgünel, C., Smintheion, Troas’ta Kutsal Bir Alan, Ankara.
  • Özhan 2004, Özhan, T., Yazılı Kaynaklar Işığında Troas Bölgesi, Yüksek Lisans Tezi, Ankara.
  • Özhan 2015, Özhan, T., “Five Fragmentary Inscriptions from Assos”, GEPHYRA 12, 2015, 179-189.
  • Özkan 1999, Özkan, B., “Rodent Fauna of Imbros and Tenedos (Mammalia:Rodentia)”, Turkish Journal of Zoology, 23.5. 133-147.
  • Paoli 1771, Paoli, P. A., Della religione de’gentili per riguardo ad alcuni animali e specialmente a’topi: dissertazione indirizzata ad illustrare un’antica statua ed a servire per la migliore intelligenza di alcuni passi della storia profana della corrispondenza loro colla storia sacra, Napoli.
  • Parvis 1945, Parvis, M. M., “Archaeology and St. Paul’s Journeys in Greek Lands. IV, Ephesus”, Biblical Archaeologist 8, no. 3, 73.
  • Pleket 2014a, Pleket, H. W., “Inscriptions as Evidence for Greek Sport”, A Companion to Sport and Spectacle in Greek and Roman Antiquity (Ed. P. Christesen – D. G. Kyle), Malden, MA/Oxford/Chichester, 98-111.
  • Pleket 2014b, Pleket, H. W., “Sport in Hellenistic and Roman Asia Minor”, A Companion to Sport and Spectacle in Greek and Roman Antiquity (Ed. P. Christesen – D. G. Kyle), Malden, MA/Oxford/Chichester, 364-375.
  • Renard 1956, Renard, M., “Pline l’Ancien et le motif de l’asarôtos oikos”, Hommages à Max Niedermann, Collection Latomus Vol. XXIII, revue d’études latines, Bruxelles (Berchem), 307-314.
  • Ribi 2001, Ribi, Emil A., “Asárotos òikos-von der Kunst, die sich verbirgt”, En Zona Archeologica: Festschrift für Hans Peter Isler zum 60. Geburtstag (Ed. S. Buzzi, D. Käch, E. Kistler vd.), Bonn. 361-369.
  • Rutherford 2001, Rutherford, I., Pindar’s Paeans: A Reading of the Fragments with a Survey of the Genre, Oxford.
  • Seaman 2020, Selaman, K., Rhetoric and Innovation in Hellenistic Art, Oxford.
  • Singer 2017, Singer, G. G., Beyond Amarna: The “Hand of Nergal” and the Plague in the Levant. Ugarit-Forschungen 48, 223-247.
  • Smith 1901, Smith, A. H., A Catalogue of Sculpture in the Department of Greek and Roman Antiquities British Museum, Volume III, London.
  • Taşlıklıoğlu 1963 Taşlıklıoğlu, Z., Anadolu’da Apollon Kültü ile İlgili Kaynaklar, İstanbul.
  • Uzel 2000, Uzel, İ., Anadoluda Bulunan Antik Tıp Aletleri, Ankara.
  • Ünal 2003, Ünal, A., Hititler Devrinde Anadolu II, İstanbul.
  • Wainwright 1959, Wainwright, G. A., Some Early Philistine History. Vetus Testamentum, 9.1, 73-84.
  • Wainwright 1963, Wainwright, G. A., A Teucrian at Salamis in Cyprus. The Journal of Hellenic Studies, 83. 146-151.
  • Wallace – Williams 1998, Wallace, R., – Williams, W., The Three Worlds of Paul of Tarsus, New York.
  • Watkins 1995, Watkins, C., How to Kill a Dragon: Aspects of Indo-European Poetics, Oxford.
  • West 1992, West, Martin L., Ancient Greek Music. Oxford.
  • Whiston 1824, Whiston, W., The Genuine Works of Flavius Josephus: Containing six books of the Antiquities of the Jews, Vol. II; New York.
  • Whitmarsh 2005, Whitmarsh, T., The Second Sophistic, Oxford, 2005.
  • Wroth 1882, Wroth, W., “Asklepios and the Coins of Pergamon”, The Numismatic Chronicle and Journal of the Numismatic Society, 2, 1-51.
  • Zanker 1978, Zanker, P., “Zur Funktion und Bedeutung griechischer Skulptur in der Römerzeit”, Le classicisme à Rome, Entretiens 25, Geneva. 283-306.
  • Zanker 1990, Zanker, P., The Power of Images in the Age of Augustus, University of Michigan Press, Ann Arbor.
Toplam 64 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Klasik Dönem Arkeolojisi
Bölüm Araştırma Makalesi
Yazarlar

Davut Kaplan 0000-0002-5690-1639

Gönderilme Tarihi 22 Ocak 2026
Kabul Tarihi 26 Mart 2026
Yayımlanma Tarihi 31 Mart 2026
DOI https://doi.org/10.56170/propontica.1869504
IZ https://izlik.org/JA64RH74XU
Yayımlandığı Sayı Yıl 2026 Cilt: 4 Sayı: 7

Kaynak Göster

APA Kaplan, D. (2026). The Sacred Mice of Apollo Smintheus. PROPONTICA, 4(7), 129-159. https://doi.org/10.56170/propontica.1869504
AMA 1.Kaplan D. The Sacred Mice of Apollo Smintheus. PROPONTICA. 2026;4(7):129-159. doi:10.56170/propontica.1869504
Chicago Kaplan, Davut. 2026. “The Sacred Mice of Apollo Smintheus”. PROPONTICA 4 (7): 129-59. https://doi.org/10.56170/propontica.1869504.
EndNote Kaplan D (01 Mart 2026) The Sacred Mice of Apollo Smintheus. PROPONTICA 4 7 129–159.
IEEE [1]D. Kaplan, “The Sacred Mice of Apollo Smintheus”, PROPONTICA, c. 4, sy 7, ss. 129–159, Mar. 2026, doi: 10.56170/propontica.1869504.
ISNAD Kaplan, Davut. “The Sacred Mice of Apollo Smintheus”. PROPONTICA 4/7 (01 Mart 2026): 129-159. https://doi.org/10.56170/propontica.1869504.
JAMA 1.Kaplan D. The Sacred Mice of Apollo Smintheus. PROPONTICA. 2026;4:129–159.
MLA Kaplan, Davut. “The Sacred Mice of Apollo Smintheus”. PROPONTICA, c. 4, sy 7, Mart 2026, ss. 129-5, doi:10.56170/propontica.1869504.
Vancouver 1.Davut Kaplan. The Sacred Mice of Apollo Smintheus. PROPONTICA. 01 Mart 2026;4(7):129-5. doi:10.56170/propontica.1869504


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