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Vocalist or actor: which one is better prepared to perform in the musical theatre genre?

Yıl 2021, Cilt: 9 Sayı: 3, 3085 - 3104, 31.12.2021
https://doi.org/10.12975/rastmd.2021939

Öz

The present study aims to research and compare the process of the development of stage skills in music and theater college students and vocal-performance skills in future actors to identify the most effective model of vocational training of musical actors which appears to be up-to-date and in demand due to the development of the sphere of culture and entertainment, as well as increased competition among musical theatres and musical actors. The object under study is the process of the development of stage skills in students of musical and theater and acting colleges in the context of professional requirements for musical actors. The study compares the processes of professional realization and the development of stage skills in future musical theater actors and the training of actors in vocal performance to prepare them for creative work in the genre of musicals. The scientific novelty of the study lies in the identification of the specific characteristics of vocational training of future musical theatre actors, the identification of the specific characteristics of stage skills development in future musical actors, and the formulation of major professional requirements for training future actors for work in musical performances. The practical significance of the work is due to the fact that the study results can be used by teachers to improve the vocational training of musical actors, as well as by theater managers and producers in the selection of artists to participate in musicals.

Kaynakça

  • Aksenova, S.S., Kruglova, M.G., Ovsyannikova, V.A., Pereverzeva, M.V., Smirnov, A.V. (2020). Musical hermeneutics, semantics, and semiotics. Journal of Advanced Research in Dynamical and Control Systems, 12(3SI), 779-784.
  • Andrushchenko, E.Iu. (2011). Artist miuzikla kak model universalnogo sovremennogo ispolnitelia [Actor in a musical as a model of a universal modern performer]. In: A.V. Krylova (Compl.), Muzykant-ispolnitel v prostranstve mirovoi kultury: tvorchestvo, obrazovanie, upravlenie kareroi. Sbornik statei (pp. 183-193). Rostov-on-Don: Rostov State Conservatory named after S.V. Rachmaninov.
  • Antipova, A.V. (2019). Osobennosti vokalnoi tekhniki v miuzikle [Specifics of vocal technique in a musical]. In: S.M. Nizamutdinova (Ed.), Kultura i iskusstvo kak vazhneishaia chast edinogo obrazovatelnogo prostranstva stolichnogo megapolisa. Materials of the Fourth Scientific and Practical Conference of the Institute of Culture and Arts of the Moscow City University (pp. 194-200). Moscow: Perspektiva.
  • Babiakina, E.P., Babiakina, V.S. (2018). Moskovskii teatralnyi kolledzh: istoriia i perspektivy razvitiia [Moscow Theater College: history and prospects of development]. In: L.V. Buraya (Ed.), Regionalnoe obrazovanie i kultura: istoriia, sovremennost, perspektivy. Materials of the ХІХ Interregional Scientific and Practical Conference dedicated to the 65th anniversary of Belgorodchina (pp. 52-54). Belgorod: ROSASb.
  • Chaika, A.A., Iushchenko, N.S. (2020). Osnovnye printsipy raboty artista-vokalista v muzykalnom teatre [Basic principles of a vocalist’s work in a musical theater]. In: M.V. Pereverzeva (Ed.), Kultura, iskusstvo, obrazovanie v sovremennom mire: voprosy teorii i praktiki. Sbornik nauchnykh trudov (pp. 179-184). Magnitogorsk: CT “Buki-Vedi”.
  • Feist, G.J. (2019). An evolutionary model of artistic and musical creativity. In: C. Martindale, P. Locher, V. Petrov (Eds.), Evolutionary and neurocognitive approaches to aesthetics, creativity, and the arts (pp. 15-30). Amityville, NY: Baywood Publishing.
  • Hargreaves, M.J.A. (2003). The development of artistic and musical competence. In: I. Deliège, J. Sloboda (Eds.), Musical beginnings. Origins and development of musical competence (pp. 145-170). Oxford: Oxford University Press.
  • Klabukova, A.V. (2016). Nekotorye printsipialnye podkhody k razvitiiu stsenicheskogo masterstva vokalistov v vuzakh kultury [Some fundamental approaches to the development of vocalists’ stage skills in the universities of culture]. Bulletin of the Moscow State University of Culture and Arts, 5(73), 207-214.
  • Komarnitskaia, T.A. (2020). Osobennosti prepodavaniia muzykalnykh distsiplin studentam bakalavriata, obuchaiushchimsia po spetsialnosti “Artist teatra i kino” v Mezhdunarodnoi teatralnoi akademii (MIUR, Rim) [Specific features of teaching musical disciplines to undergraduate students in the “Theatre and Film Acting” specialty at the International Theater Academy (MIUR, Rome)]. In: R.G. Shitikova (Ed.), Muzykalnaia kultura glazami molodykh uchenykh. Sbornik nauchnykh trudov (pp. 217-220). Saint Petersburg: Asterion.
  • Kotomin, B.A. (2007). Metodika prepodavaniia teatralnykh distsiplin: Uchebnoe posobie dlia studentov po spetsialnosti “Sotsialno-kulturnaia deiatelnost i narodnoe khudozhestvennoe tvorchestvo”, spetsializatsii “Teatralnoe tvorchestvo” [Methodology of teaching theatrical disciplines: Textbook for students majoring in “Social and Cultural Activity and Folk Artistic Creativity”, specialization “Theatrical Creativity”]. Tambov: Tambov State Music and Pedagogical Institute named after S. V. Rachmaninov, 146 p.
  • Mindrin, S.V., Sukhanova, T.B. (2017). Spetsialnost “Akterskoe iskusstvo” v konservatorii i perspektivy razvitiia muzykalno-stsenicheskoi kultury Rossii [Specialty “Acting Art” in a conservatory and prospects for the development of music and stage culture in Russia]. Muzykalnoe obrazovanie i nauka, 1(6), 28-31.
  • Mond, O.-L. (2011). Usloviia i faktory vershinnykh dostizhenii ispolnitelei miuzikla [Conditions and factors of musical theatre performers’ top achievements]. In: Problems and prospects of the development of education. Materials of the International Scientific Conference (pp. 168-171). Perm: Merkurii.
  • Pereverzeva, M.V., Kats, M.L., Ovsyannikova, V.A., Aksenova, S.S., Yushchenko, N.S. (2020a). Technology and innovation in schoolchildren training: Development of musical and acting skills. Universal Journal of Educational Research, 8(7), 2766–2771.
  • Pereverzeva, M.V., Umerkaeva, S.S., Anufrieva, N.I., Kats, M.L., Kazakova, I.S. (2020b). Interdisciplinary approach to the mastering of the music of the 20th century. Journal of Advanced Research in Dynamical and Control Systems, 12(3SI), 772–778.
  • Poliakova, A.A. (2011). Rabota artista-vokalista v miuzikle [The work of a vocalist in a musical]. In: Iu.Iu. Andreeva, I.E. Rakhimbaeva (Eds.), Personality development by means of art. Proceedings of the VIII International Scientific-Practical Conference of Students, Bachelors, Masters, and Young Scientists (pp. 318-325). Saratov: Saratovskii istochnik.
  • Ponomareva, N.Iu. (2015). Formirovanie professionalnykh kachestv artista miuzikla na urokakh vokala [The formation of professional qualities of a musical theatre artist at the vocal lessons]. Trudy Sankt-Peterburgskogo gosudarstvennogo instituta kultury, 209, 105-109.
  • Starodubtsev, V.V. (2011). Metodika obucheniia masterstvu aktera i rezhissury opery [Methods of teaching acting and directing opera]. Dissertation summary. Russian Institute of Theatre Arts GITIS, Moscow, Russia, 21 p.
  • Usov, V.V. (2013). O sozdanii vokalno-stsenicheskogo obraza [On the creation of a vocal and scenic image]. Mir nauki, kultury, obrazovaniia, 3(40), 307-308.
  • Voznesenskaia, M.S. (2017). Sovremennyi otechestvennyi miuzikl: osobennosti raboty pevtsa-aktera nad roliu [Modern Russian musical: specific features of a vocalist-actor’s work on the part]. In: N.S. Bazhanov (Ed.), Ispolnitelskoe iskusstvo: istoriia, teoriia, metodologiia. Proceedings of the All-Russian Scientific and Practical Conference (pp. 94-102). Novosibirsk: Novosibirsk State Conservatoire named by M.I. Glinka.
  • Zimina, I.F., Novgorodtseva, S.S. (2019). Miuzikl kak sposob formirovaniia transprofessionalnykh kompetentsii u studentov iskusstv [Musical as a means of forming transprofessional competencies in art students]. In: E.F. Zeer, V.S. Tretiakova (Eds.), Transprofessionalizm kak prediktor sotsialno-professionalinoi mobilnosti molodezhi: Materials of the All-Russian conference (with international participation) (pp. 29-32). Yekaterinburg: Russian State Vocational Pedagogical University.

Vokalist mi yoksa oyuncu mu: Müzikal tiyatro türünde hangisi daha iyi performans göstermeye hazır?

Yıl 2021, Cilt: 9 Sayı: 3, 3085 - 3104, 31.12.2021
https://doi.org/10.12975/rastmd.2021939

Öz

Bu çalışma, müzik ve tiyatro koleji öğrencilerinde sahne becerilerinin gelişim sürecini ve geleceğin aktörlerinde vokal-performans becerilerinin gelişim sürecini araştırmayı ve karşılaştırmayı amaçlamaktadır. kültür ve eğlence alanındaki gelişmelerin yanı sıra müzikal tiyatrolar ve müzik aktörleri arasındaki artan rekabet nedeniyle tarih ve talep görüyor. İncelenen amaç, müzikal aktörler için profesyonel gereksinimler bağlamında müzikal ve tiyatro ve oyunculuk kolejleri öğrencilerinde sahne becerilerinin geliştirilmesi sürecidir. Çalışma, geleceğin müzikal tiyatro aktörlerinde profesyonel gerçekleştirme süreçleri ve sahne becerilerinin gelişimi ile aktörlerin müzikal türünde yaratıcı çalışmalara hazırlamak için vokal performans eğitimini karşılaştırmaktadır. Çalışmanın bilimsel yeniliği, geleceğin müzikal tiyatro oyuncularının mesleki eğitiminin belirli özelliklerinin belirlenmesinde, geleceğin müzikal aktörlerinde sahne becerilerinin gelişiminin belirli özelliklerinin belirlenmesinde ve geleceğin oyuncularını eğitmek için temel mesleki gereksinimlerin formüle edilmesinde yatmaktadır. müzik performanslarında çalışmak. Çalışmanın pratik önemi, çalışma sonuçlarının müzik aktörlerinin mesleki eğitimini geliştirmek için öğretmenler tarafından ve ayrıca müzikallere katılacak sanatçıların seçiminde tiyatro yöneticileri ve yapımcılar tarafından kullanılabilmesinden kaynaklanmaktadır.

Kaynakça

  • Aksenova, S.S., Kruglova, M.G., Ovsyannikova, V.A., Pereverzeva, M.V., Smirnov, A.V. (2020). Musical hermeneutics, semantics, and semiotics. Journal of Advanced Research in Dynamical and Control Systems, 12(3SI), 779-784.
  • Andrushchenko, E.Iu. (2011). Artist miuzikla kak model universalnogo sovremennogo ispolnitelia [Actor in a musical as a model of a universal modern performer]. In: A.V. Krylova (Compl.), Muzykant-ispolnitel v prostranstve mirovoi kultury: tvorchestvo, obrazovanie, upravlenie kareroi. Sbornik statei (pp. 183-193). Rostov-on-Don: Rostov State Conservatory named after S.V. Rachmaninov.
  • Antipova, A.V. (2019). Osobennosti vokalnoi tekhniki v miuzikle [Specifics of vocal technique in a musical]. In: S.M. Nizamutdinova (Ed.), Kultura i iskusstvo kak vazhneishaia chast edinogo obrazovatelnogo prostranstva stolichnogo megapolisa. Materials of the Fourth Scientific and Practical Conference of the Institute of Culture and Arts of the Moscow City University (pp. 194-200). Moscow: Perspektiva.
  • Babiakina, E.P., Babiakina, V.S. (2018). Moskovskii teatralnyi kolledzh: istoriia i perspektivy razvitiia [Moscow Theater College: history and prospects of development]. In: L.V. Buraya (Ed.), Regionalnoe obrazovanie i kultura: istoriia, sovremennost, perspektivy. Materials of the ХІХ Interregional Scientific and Practical Conference dedicated to the 65th anniversary of Belgorodchina (pp. 52-54). Belgorod: ROSASb.
  • Chaika, A.A., Iushchenko, N.S. (2020). Osnovnye printsipy raboty artista-vokalista v muzykalnom teatre [Basic principles of a vocalist’s work in a musical theater]. In: M.V. Pereverzeva (Ed.), Kultura, iskusstvo, obrazovanie v sovremennom mire: voprosy teorii i praktiki. Sbornik nauchnykh trudov (pp. 179-184). Magnitogorsk: CT “Buki-Vedi”.
  • Feist, G.J. (2019). An evolutionary model of artistic and musical creativity. In: C. Martindale, P. Locher, V. Petrov (Eds.), Evolutionary and neurocognitive approaches to aesthetics, creativity, and the arts (pp. 15-30). Amityville, NY: Baywood Publishing.
  • Hargreaves, M.J.A. (2003). The development of artistic and musical competence. In: I. Deliège, J. Sloboda (Eds.), Musical beginnings. Origins and development of musical competence (pp. 145-170). Oxford: Oxford University Press.
  • Klabukova, A.V. (2016). Nekotorye printsipialnye podkhody k razvitiiu stsenicheskogo masterstva vokalistov v vuzakh kultury [Some fundamental approaches to the development of vocalists’ stage skills in the universities of culture]. Bulletin of the Moscow State University of Culture and Arts, 5(73), 207-214.
  • Komarnitskaia, T.A. (2020). Osobennosti prepodavaniia muzykalnykh distsiplin studentam bakalavriata, obuchaiushchimsia po spetsialnosti “Artist teatra i kino” v Mezhdunarodnoi teatralnoi akademii (MIUR, Rim) [Specific features of teaching musical disciplines to undergraduate students in the “Theatre and Film Acting” specialty at the International Theater Academy (MIUR, Rome)]. In: R.G. Shitikova (Ed.), Muzykalnaia kultura glazami molodykh uchenykh. Sbornik nauchnykh trudov (pp. 217-220). Saint Petersburg: Asterion.
  • Kotomin, B.A. (2007). Metodika prepodavaniia teatralnykh distsiplin: Uchebnoe posobie dlia studentov po spetsialnosti “Sotsialno-kulturnaia deiatelnost i narodnoe khudozhestvennoe tvorchestvo”, spetsializatsii “Teatralnoe tvorchestvo” [Methodology of teaching theatrical disciplines: Textbook for students majoring in “Social and Cultural Activity and Folk Artistic Creativity”, specialization “Theatrical Creativity”]. Tambov: Tambov State Music and Pedagogical Institute named after S. V. Rachmaninov, 146 p.
  • Mindrin, S.V., Sukhanova, T.B. (2017). Spetsialnost “Akterskoe iskusstvo” v konservatorii i perspektivy razvitiia muzykalno-stsenicheskoi kultury Rossii [Specialty “Acting Art” in a conservatory and prospects for the development of music and stage culture in Russia]. Muzykalnoe obrazovanie i nauka, 1(6), 28-31.
  • Mond, O.-L. (2011). Usloviia i faktory vershinnykh dostizhenii ispolnitelei miuzikla [Conditions and factors of musical theatre performers’ top achievements]. In: Problems and prospects of the development of education. Materials of the International Scientific Conference (pp. 168-171). Perm: Merkurii.
  • Pereverzeva, M.V., Kats, M.L., Ovsyannikova, V.A., Aksenova, S.S., Yushchenko, N.S. (2020a). Technology and innovation in schoolchildren training: Development of musical and acting skills. Universal Journal of Educational Research, 8(7), 2766–2771.
  • Pereverzeva, M.V., Umerkaeva, S.S., Anufrieva, N.I., Kats, M.L., Kazakova, I.S. (2020b). Interdisciplinary approach to the mastering of the music of the 20th century. Journal of Advanced Research in Dynamical and Control Systems, 12(3SI), 772–778.
  • Poliakova, A.A. (2011). Rabota artista-vokalista v miuzikle [The work of a vocalist in a musical]. In: Iu.Iu. Andreeva, I.E. Rakhimbaeva (Eds.), Personality development by means of art. Proceedings of the VIII International Scientific-Practical Conference of Students, Bachelors, Masters, and Young Scientists (pp. 318-325). Saratov: Saratovskii istochnik.
  • Ponomareva, N.Iu. (2015). Formirovanie professionalnykh kachestv artista miuzikla na urokakh vokala [The formation of professional qualities of a musical theatre artist at the vocal lessons]. Trudy Sankt-Peterburgskogo gosudarstvennogo instituta kultury, 209, 105-109.
  • Starodubtsev, V.V. (2011). Metodika obucheniia masterstvu aktera i rezhissury opery [Methods of teaching acting and directing opera]. Dissertation summary. Russian Institute of Theatre Arts GITIS, Moscow, Russia, 21 p.
  • Usov, V.V. (2013). O sozdanii vokalno-stsenicheskogo obraza [On the creation of a vocal and scenic image]. Mir nauki, kultury, obrazovaniia, 3(40), 307-308.
  • Voznesenskaia, M.S. (2017). Sovremennyi otechestvennyi miuzikl: osobennosti raboty pevtsa-aktera nad roliu [Modern Russian musical: specific features of a vocalist-actor’s work on the part]. In: N.S. Bazhanov (Ed.), Ispolnitelskoe iskusstvo: istoriia, teoriia, metodologiia. Proceedings of the All-Russian Scientific and Practical Conference (pp. 94-102). Novosibirsk: Novosibirsk State Conservatoire named by M.I. Glinka.
  • Zimina, I.F., Novgorodtseva, S.S. (2019). Miuzikl kak sposob formirovaniia transprofessionalnykh kompetentsii u studentov iskusstv [Musical as a means of forming transprofessional competencies in art students]. In: E.F. Zeer, V.S. Tretiakova (Eds.), Transprofessionalizm kak prediktor sotsialno-professionalinoi mobilnosti molodezhi: Materials of the All-Russian conference (with international participation) (pp. 29-32). Yekaterinburg: Russian State Vocational Pedagogical University.
Toplam 20 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik
Bölüm İnterdisipliner Müzik Araştırmaları
Yazarlar

Marina Kruglova Bu kişi benim 0000-0001-6256-9380

Anna Shcherbakova 0000-0001-7371-7211

Aigul Gareeva Bu kişi benim 0000-0001-7019-6158

Alexander Vasilenko Bu kişi benim 0000-0003-3845-3585

Erken Görünüm Tarihi 31 Aralık 2021
Yayımlanma Tarihi 31 Aralık 2021
Yayımlandığı Sayı Yıl 2021 Cilt: 9 Sayı: 3

Kaynak Göster

APA Kruglova, M., Shcherbakova, A., Gareeva, A., Vasilenko, A. (2021). Vocalist or actor: which one is better prepared to perform in the musical theatre genre?. Rast Musicology Journal, 9(3), 3085-3104. https://doi.org/10.12975/rastmd.2021939

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