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The microtonal guitar: Türkiye’s Segovia moment

Yıl 2023, Cilt: 11 Sayı: 4, 589 - 602, 30.12.2023
https://doi.org/10.12975/rastmd.20231146

Öz

The use of microtones in guitar music is not an innovative phenomenon as it is thought. It has been used for different tuning systems and by composers working on non-12edo music throughout history. Although this concept is not as widespread as conventional guitar music, many experimental studies have been conducted to tune microtones more accurately. This article aims to present practical tools for the reader on methods to produce microtones on the guitar, especially Tolgahan Çoğulu’s adjustable microtonal guitar project, and the developments in microtonal guitar music in Türkiye since the project began in 2008 to 2021. The findings on this topic are shared from a guitar music specialist’s perspective. It aims to be helpful, especially for guitarists who are unfamiliar with microtonal music approaches in guitar music. The study consists of two parts. In the first part, the microtonal strategies in guitar music were compiled. Practical ways to achieve microtones on conventional guitars, non-12edo fixed fret layouts, fretlets concept, and movable fret guitars are examined individually, and their advantages and disadvantages are listed in terms of their usability. In the second part, the attainments of the Adjustable Microtonal Guitar Project were examined. By using the principles determined by Andres Segovia in the formation of modern guitar music in the 1920s as a model, the composers who composed for this instrument, the performers who used the instrument, the success in the presentation of the project in social media, the awards it won in international competitions, microtonal guitar competitions and festivals, academic and pedagogical studies were researched. The findings show that the adjustable microtonal guitar gives precise results in tuning compared to the other strategies mentioned. Even though it causes difficulties in changing the frets between different pieces in terms of time, it is the most suitable result for using microtones on the guitar, as it makes it possible to perform all kinds of work. In the project’s short history, the Adjustable Microtonal Guitar project crossed national borders and created its ecosystem with the innovative efforts of the inventor.

Teşekkür

Special thanks to Prof. Dr. Tolgahan Çoğulu, Robert Lopez-Hanshaw, Duygu Taşdelen, and Prof. Serla Balkarlı for their generous support.

Kaynakça

  • Çoğulu, T. (2010, October 31). Microtonal guitar (adjustable) - Tolgahan Çoğulu - Part 1 - Makam music. YouTube. https:// www.youtube.com/watch?v=MYK_ PF9WTRE
  • Çoğulu, T. (2018a, April 13). Story and winners of microtonal guitar competitions. YouTube. https://www. youtube.com/watch?v=AZ7azkyllQE
  • Çoğulu, T. (2018b, October 25). Tolgahan Çoğulu mikrotonal gitar müziği seminer/ dinleti Bölüm 1. YouTube. https://www. youtube.com/watch?v=P_vfiiNEi_c
  • Çoğulu, T. (2019). Techniques to obtain microtones on the classical guitar and concise history of the microtonal guitar. Mikrotöne: Small Is Beautiful.
  • Çoğulu, T. (2020, May 17). Microtonal guitar festival - Documentary. YouTube. https://www.youtube.com/watch?v=- KwINnmARms
  • Çoğulu, T and Eroğlu S. (2016, February 26) Kara toprak - microtonal guitar duo. YouTube. https://www.youtube.com/ watch?v=vvSHpxwxVkM
  • Lindley, M. (2017, June 17). What is a microtone? - mikroton / Koma ne demek? YouTube. htps://www.youtube. com/watch?v=CDr6refSgg0f
  • Lopez-Hanshaw (in preparation). Compromise frettings for microtonal fretted instruments.
  • Mendizabal, A. (2014). Whither the Segovia Legacy? – Classical guitar review. Classical Guitar Review – The Online Resource for Classical Guitarists. Retrieved January 29, 2021, from http://www.classicalguitarreview.com/ whither-the-segovia-legacy/2176/
  • Moyano, R. (2010, November 3). 06 - Kara toprak - Aşik Veysel. YouTube [Pablo Madussi]. https://www.youtube. com/watch?v=kbALdNDhKYE
  • Schneider, J. (2015). The contemporary guitar(pp.141–210).Rowman&Littlefield. Chapter 7.
  • Yeprem, S. (2008, May 8). Türk Müziği Gitar Çalışmaları [Conference Presentation]. http://www.safayeprem. com/wp-content/uploads/2013/07/ turkiyede-gitar-muzigi-calismalari.pdf
  • Ünlenen, E. (2021, January 27). Personal interview with Tolgahan Çoğulu on January 27 2021.
  • Ünlenen, E. (2021, January 8). Gitarın ustaları [Radio Program]. Borusan Klasik.
  • Ünlenen, E. (2023). A close look at the fretboard of the Adjustable Microtonal Guitar [Photograph].
  • Web Sites web 1. [Photograph]. https:// tolgahancogulu.com/wp-content/ uploads/2019/07/foto2.jpg

The microtonal guitar: Türkiye’s Segovia moment

Yıl 2023, Cilt: 11 Sayı: 4, 589 - 602, 30.12.2023
https://doi.org/10.12975/rastmd.20231146

Öz

The use of microtones in guitar music is not an innovative phenomenon as it is thought. It has been used for different tuning systems and by composers working on non-12edo music throughout history. Although this concept is not as widespread as conventional guitar music, many experimental studies have been conducted to tune microtones more accurately. This article aims to present practical tools for the reader on methods to produce microtones on the guitar, especially Tolgahan Çoğulu’s adjustable microtonal guitar project, and the developments in microtonal guitar music in Türkiye since the project began in 2008 to 2021. The findings on this topic are shared from a guitar music specialist’s perspective. It aims to be helpful, especially for guitarists who are unfamiliar with microtonal music approaches in guitar music. The study consists of two parts. In the first part, the microtonal strategies in guitar music were compiled. Practical ways to achieve microtones on conventional guitars, non-12edo fixed fret layouts, fretlets concept, and movable fret guitars are examined individually, and their advantages and disadvantages are listed in terms of their usability. In the second part, the attainments of the Adjustable Microtonal Guitar Project were examined. By using the principles determined by Andres Segovia in the formation of modern guitar music in the 1920s as a model, the composers who composed for this instrument, the performers who used the instrument, the success in the presentation of the project in social media, the awards it won in international competitions, microtonal guitar competitions and festivals, academic and pedagogical studies were researched. The findings show that the adjustable microtonal guitar gives precise results in tuning compared to the other strategies mentioned. Even though it causes difficulties in changing the frets between different pieces in terms of time, it is the most suitable result for using microtones on the guitar, as it makes it possible to perform all kinds of work. In the project’s short history, the Adjustable Microtonal Guitar project crossed national borders and created its ecosystem with the innovative efforts of the inventor.

Kaynakça

  • Çoğulu, T. (2010, October 31). Microtonal guitar (adjustable) - Tolgahan Çoğulu - Part 1 - Makam music. YouTube. https:// www.youtube.com/watch?v=MYK_ PF9WTRE
  • Çoğulu, T. (2018a, April 13). Story and winners of microtonal guitar competitions. YouTube. https://www. youtube.com/watch?v=AZ7azkyllQE
  • Çoğulu, T. (2018b, October 25). Tolgahan Çoğulu mikrotonal gitar müziği seminer/ dinleti Bölüm 1. YouTube. https://www. youtube.com/watch?v=P_vfiiNEi_c
  • Çoğulu, T. (2019). Techniques to obtain microtones on the classical guitar and concise history of the microtonal guitar. Mikrotöne: Small Is Beautiful.
  • Çoğulu, T. (2020, May 17). Microtonal guitar festival - Documentary. YouTube. https://www.youtube.com/watch?v=- KwINnmARms
  • Çoğulu, T and Eroğlu S. (2016, February 26) Kara toprak - microtonal guitar duo. YouTube. https://www.youtube.com/ watch?v=vvSHpxwxVkM
  • Lindley, M. (2017, June 17). What is a microtone? - mikroton / Koma ne demek? YouTube. htps://www.youtube. com/watch?v=CDr6refSgg0f
  • Lopez-Hanshaw (in preparation). Compromise frettings for microtonal fretted instruments.
  • Mendizabal, A. (2014). Whither the Segovia Legacy? – Classical guitar review. Classical Guitar Review – The Online Resource for Classical Guitarists. Retrieved January 29, 2021, from http://www.classicalguitarreview.com/ whither-the-segovia-legacy/2176/
  • Moyano, R. (2010, November 3). 06 - Kara toprak - Aşik Veysel. YouTube [Pablo Madussi]. https://www.youtube. com/watch?v=kbALdNDhKYE
  • Schneider, J. (2015). The contemporary guitar(pp.141–210).Rowman&Littlefield. Chapter 7.
  • Yeprem, S. (2008, May 8). Türk Müziği Gitar Çalışmaları [Conference Presentation]. http://www.safayeprem. com/wp-content/uploads/2013/07/ turkiyede-gitar-muzigi-calismalari.pdf
  • Ünlenen, E. (2021, January 27). Personal interview with Tolgahan Çoğulu on January 27 2021.
  • Ünlenen, E. (2021, January 8). Gitarın ustaları [Radio Program]. Borusan Klasik.
  • Ünlenen, E. (2023). A close look at the fretboard of the Adjustable Microtonal Guitar [Photograph].
  • Web Sites web 1. [Photograph]. https:// tolgahancogulu.com/wp-content/ uploads/2019/07/foto2.jpg
Toplam 16 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Klasik Batı Müziğinde Yorumculuk
Bölüm Orijinal araştırma
Yazarlar

Emre Ünlenen 0000-0002-9680-2248

Yayımlanma Tarihi 30 Aralık 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 11 Sayı: 4

Kaynak Göster

APA Ünlenen, E. (2023). The microtonal guitar: Türkiye’s Segovia moment. Rast Müzikoloji Dergisi, 11(4), 589-602. https://doi.org/10.12975/rastmd.20231146

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