Araştırma Makalesi
BibTex RIS Kaynak Göster

Carson McCullers'ın Küskün Kahvenin Türküsü adlı eserinde engelliliğin ele alınışı

Yıl 2021, Sayı: 25, 1055 - 1063, 21.12.2021
https://doi.org/10.29000/rumelide.1036616

Öz

Bu çalışma, Carson McCullers’ın Küskün Kahvenin Türküsü (1951) adlı nuvelini Engellilik Çalışmaları açısından incelemektedir. McCullers engelli bedeni, kambur bir cüce ve toplum dışı biri olan Kuzen Lymon gibi engelli/ucube bir karakteri işleyerek ‘öteki/uç’ olarak sorunsallaştırır; Lymon fesat, konuşkan ve hilekârdır. İnsanların engellilere karşı önyargılı olduğu gotik/grotesk Amerikan güneyini mekan olarak kullanıp engelli kişilerin karakterlerinin incelenmesi üzerine sorular sorar. Başta, Lymon acınası/acınan biridir, sevilmeyi ve toplumsal anlamda kabul görmeyi arzular. Daha sonra, kişiliğini öne çıkarır, kırılganlığından faydalanır, çok boyutlu ve çıkarcı karakterini ortaya koyar. Miss Amelia’nın ilgisini avantaj olarak kullanır. Örnek alınacak biri değildir, dahası kötü bir güç kaynağı ve grotesk bir kişidir. Amelia’nın düşmanı olan ve çok önceden evden kovmuş olduğu kocası hatırına Amelia’yı terkeder. Onun güvenini boşa çıkarır ve yapayalnız bırakır. Civardaki herkesi şaşkına uğratır çünkü Amelia ona en çok yardıma muhtaç olduğu zamanında yardım etmiştir. McCullers güneyli bakış açısını benimsemiş gibi gözükerek engellilere karşı olan önyargı ve basmakalıp inanışları önce yapıbozuma uğratır, sonra yeniden yapılandırır. Engellilik ve engelli olmama durumuna dair kavramlar ve algılar arasındaki çizgiyi bulanıklaştırır.

Kaynakça

  • Adams, Rachel (1999). " ‘A Mixture of Delicious and Freak’: The Queer Fiction of Carson McCullers” American Literature. Vol. 71, No. 3 (September) pp. 551-583 https://www.jstor.org/stable/2902739 (28 March 2021).
  • Bayer-Berenbaum, Linda (1982). The Gothic Imagination: Expansion in Gothic Literature and Art. Toronto: Associated UP.
  • Clark, Charlene Kerne (1975). “Pathos With a Chuckle: The Tragicomic Vision In The Novels Of Carson McCullers” Studies in American Humor. (January) Vol. 1, No. 3 pp. 161-166 https://www.jstor.org/stable/42573058 (28 March 2021).
  • Crow, Charles L. (2009). History of the Gothic: American Gothic. Cardiff: University of Wales Press.
  • Davis, Lennard J. (1999). “Crips Strike Back: The Rise of Disability Studies”. American Literary History. (Autumn) Vol. 11, No. 3 pp. 500-512 https://www.jstor.org/stable/490130 (28 March 2021). Davis, Lennard J. (2002). Bending Over Backwards. New York: New York University Press.
  • Garland-Thomson, Rosemarie (2017). Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia UP.
  • Gleeson-White, Sarah (2003). “A Peculiarly Southern Form of Ugliness: Eudora Welty, Carson McCullers, and Flannery O'Connor”. The Southern Literary Journal. Vol. 36, No. 1 (Fall), pp. 46-57 https://www.jstor.org/stable/20078381. (28 March 2021).
  • “Glossary of the Gothic: Deformity”. https://epublications.marquette.edu/gothic_deformity/ Marquette University (30 May 2021).
  • Gross, Louis S. (1989). Redefining the American Gothic: From Wieland to Day of the Dead. Ann Arbor: UMI Research Press.
  • McCullers, Carson (1943). The Ballad of the Sad Café. https://repositorio.ufsc.br/bitstream/handle/123456789/163729/The%20Ballad%20of%20the%20Sad%20Caf%C3%A9%20-%20Carson%20McCullers.pdf?sequence=1 (30 May 2021).
  • Millar, Darren (2009). “The Utopian Function of Affect in Carson McCullers's The Member of the Wedding and The Ballad of the Sad Café”. The Southern Literary Journal. Vol. 41, No. 2 (Spring), pp. 87-105 http://www.jstor.com/stable/40593308. (28 March 2021).
  • Millichap, Joseph R. (1973). “Carson McCullers' Literary Ballad”. The Georgia Review. Vol. 27, No. 3 (Fall), pp. 329-339 https://www.jstor.org/stable/41398235. (8 June 2021).
  • Minich, Julie Avril (2016). “ Enabling Whom? Critical Disability Studies Now” Lateral: Journal of the Cultural Studies Association. Issue 5.1 (Spring) https://csalateral.org/issue/5-1/forum-alt-humanities-critical-disability-studies-now-minich/ (3 June 2021).
  • Northen,Michael (2021) https://wordgathering.syr.edu/past_issues/issue24/essays/northen.html (9 March 2021).
  • Pernick, Martin S. (1996). The Black Stork. New York: Oxford University Press.
  • Quicke, John (1985). Disability in Modern Children’s Fiction. Cambridge, MA: Brookline Books.
  • Stiker, Henri-Jacques (1999). A History of Disability. (trans. by William Sayers) Ann Arbor: The University of Michigan Press.
  • Titchkosky, Tanya (2000). “Disability Studies: The Old and the New”. The Canadian Journal of Sociology / Cahiers Canadiens de Sociologie. Spring, Vol. 25, No. 2 pp. 197-224 https://www.jstor.org/stable/3341823 28 March 2021. (28 March 2021).

Evaluation of disability in Carson McCullers' The Ballad of the Sad Café

Yıl 2021, Sayı: 25, 1055 - 1063, 21.12.2021
https://doi.org/10.29000/rumelide.1036616

Öz

This study enquires into Carson McCullers' The Ballad of the Sad Café (1951) in terms of Disability Studies. McCullers problematizes the disabled body as ‘the other/marginalized’ by introducing a disabled/freak character, Cousin Lymon, who is a hunchbacked dwarf and an outcast; he is mischievous, talkative and intriguer. Thus, she opens questions about the characterization of disabled people employing a setting of the gothic/grotesque American south where people are prejudiced against the disabled. At the beginning, Lymon is pitiful/pitied, desires to be liked and socially accepted. Later, he asserts his personality, benefits from his vulnerability and proves his multi-dimensional and manipulative character. He takes advantage of Miss Amelia’s attraction to him. He is not a role model, moreover, he is an evil force and a grotesque figure. He abandons her for the sake of her enemy, her husband, whom she dismissed from her house long before. He invalidates her reliance on him and leaves her alone. He sets everybody in the neighborhood aback, because she had helped him in his most needy time. In this way, McCullers de/reconstructs the prejudice and stereotyping against disabled people, seeming to confirm the southern point of view. She blurs the line between the concepts and perceptions of disability and non-disability.

Kaynakça

  • Adams, Rachel (1999). " ‘A Mixture of Delicious and Freak’: The Queer Fiction of Carson McCullers” American Literature. Vol. 71, No. 3 (September) pp. 551-583 https://www.jstor.org/stable/2902739 (28 March 2021).
  • Bayer-Berenbaum, Linda (1982). The Gothic Imagination: Expansion in Gothic Literature and Art. Toronto: Associated UP.
  • Clark, Charlene Kerne (1975). “Pathos With a Chuckle: The Tragicomic Vision In The Novels Of Carson McCullers” Studies in American Humor. (January) Vol. 1, No. 3 pp. 161-166 https://www.jstor.org/stable/42573058 (28 March 2021).
  • Crow, Charles L. (2009). History of the Gothic: American Gothic. Cardiff: University of Wales Press.
  • Davis, Lennard J. (1999). “Crips Strike Back: The Rise of Disability Studies”. American Literary History. (Autumn) Vol. 11, No. 3 pp. 500-512 https://www.jstor.org/stable/490130 (28 March 2021). Davis, Lennard J. (2002). Bending Over Backwards. New York: New York University Press.
  • Garland-Thomson, Rosemarie (2017). Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia UP.
  • Gleeson-White, Sarah (2003). “A Peculiarly Southern Form of Ugliness: Eudora Welty, Carson McCullers, and Flannery O'Connor”. The Southern Literary Journal. Vol. 36, No. 1 (Fall), pp. 46-57 https://www.jstor.org/stable/20078381. (28 March 2021).
  • “Glossary of the Gothic: Deformity”. https://epublications.marquette.edu/gothic_deformity/ Marquette University (30 May 2021).
  • Gross, Louis S. (1989). Redefining the American Gothic: From Wieland to Day of the Dead. Ann Arbor: UMI Research Press.
  • McCullers, Carson (1943). The Ballad of the Sad Café. https://repositorio.ufsc.br/bitstream/handle/123456789/163729/The%20Ballad%20of%20the%20Sad%20Caf%C3%A9%20-%20Carson%20McCullers.pdf?sequence=1 (30 May 2021).
  • Millar, Darren (2009). “The Utopian Function of Affect in Carson McCullers's The Member of the Wedding and The Ballad of the Sad Café”. The Southern Literary Journal. Vol. 41, No. 2 (Spring), pp. 87-105 http://www.jstor.com/stable/40593308. (28 March 2021).
  • Millichap, Joseph R. (1973). “Carson McCullers' Literary Ballad”. The Georgia Review. Vol. 27, No. 3 (Fall), pp. 329-339 https://www.jstor.org/stable/41398235. (8 June 2021).
  • Minich, Julie Avril (2016). “ Enabling Whom? Critical Disability Studies Now” Lateral: Journal of the Cultural Studies Association. Issue 5.1 (Spring) https://csalateral.org/issue/5-1/forum-alt-humanities-critical-disability-studies-now-minich/ (3 June 2021).
  • Northen,Michael (2021) https://wordgathering.syr.edu/past_issues/issue24/essays/northen.html (9 March 2021).
  • Pernick, Martin S. (1996). The Black Stork. New York: Oxford University Press.
  • Quicke, John (1985). Disability in Modern Children’s Fiction. Cambridge, MA: Brookline Books.
  • Stiker, Henri-Jacques (1999). A History of Disability. (trans. by William Sayers) Ann Arbor: The University of Michigan Press.
  • Titchkosky, Tanya (2000). “Disability Studies: The Old and the New”. The Canadian Journal of Sociology / Cahiers Canadiens de Sociologie. Spring, Vol. 25, No. 2 pp. 197-224 https://www.jstor.org/stable/3341823 28 March 2021. (28 March 2021).
Toplam 18 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Dilbilim
Bölüm Dünya dilleri, kültürleri ve edebiyatları
Yazarlar

F. Gül Koçsoy Bu kişi benim 0000-0002-7813-8961

Yayımlanma Tarihi 21 Aralık 2021
Yayımlandığı Sayı Yıl 2021 Sayı: 25

Kaynak Göster

APA Koçsoy, F. G. (2021). Evaluation of disability in Carson McCullers’ The Ballad of the Sad Café. RumeliDE Dil Ve Edebiyat Araştırmaları Dergisi(25), 1055-1063. https://doi.org/10.29000/rumelide.1036616