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Öz

 Ian   Christie’s   article   called   “Landscape   and   'Location':   Reading   Filmic   Space  Historically  in  Before  the  Rain”,  uses  different  art  mediums  in  order  to  suggest  an  alternative  reading  of  Manchevski’s  movie  that  is  titled  Before  the  Rain  by  inspiring  from   Kenneth   Clark’s   book,   Landscape   into   Art.   Christie   mentions   especially   the  realistic  reform  in  landscape  painting  by  using  the  chapters  of  Clark’s  book  that  are  entitled  “The  Landscape  of  Symbols”  and  “The  Landscape  of  Fact”.  In  this  research,  it  is  tried  to  be  explained  Clark’s  landscape  painting  theory  and  then  it  is  discussed  the  approach  of  the  film  about  the  space.  It  has  been  argued  that,  just  as  Clark’s  explanations   about   builded   and   then   self-­‐builded   landscape,   in   this   film   space   is  designed  and  self-­‐designed.  

Anahtar Kelimeler

•  Landscape  painting,  symbols,  fact,  filmic  space.    

Yağmurdan Önce Filminde Manzara Resminin İlkelerini Aramak

Öz

Ian Christie’nin “Landscape and 'Location': Reading Filmic Space Historically in Before the Rain” (“Manzara ve ‘Mevki’: Yağmurdan Önce’nin Filmsel Mekânını Tarihsel Olarak Okuma”) başlıklı makalesi, Manchevski’nin Yağmurdan Önce (Before the Rain / Pred Dozhdot) filmine, Kenneth Clark’ın Landscape into Art isimli çalışmasından yararlanarak alternatif bir okuma önerisi getirir. Christie özellikle, Clark’ın kitabındaki “The Landscape of Symbols” and “The Landscape of Fact” isimli bölümlere atıfta bulunarak manzara resmindeki gerçekçi kırılmadan bahseder. Bu araştırmada, Clark’ın manzara resmi kuramları açıklanmaya çalışılmış, ardından bu kuramlarla bağı kurularak filmin mekânsal yaklaşımı hakkında tartışılmıştır. Tıpkı Clark’ın kurulan ve ardından kendini kuran manzara resmi açıklamaları gibi, filmde de önce kurulan/kurgulanan, daha sonra kendini kuran bir mekân olduğu iddia edilmiştir. Anahtar kelimeler: manzara resmi, semboller, gerçek, filmsel mekân ABSTRACT Ian Christie’s article called “Landscape and 'Location': Reading Filmic Space Historically in Before the Rain”, uses different art mediums in order to suggest an alternative reading of Manchevski’s movie that is titled Before the Rain by inspiring from Kenneth Clark’s book, Landscape into Art. Christie mentions especially the realistic reform in landscape painting by using the chapters of Clark’s book that are entitled “The Landscape of Symbols” and “The Landscape of Fact”. In this research, it is tried to be explained Clark’s landscape painting theory and then it is discussed the approach of the film about the space. It has been argued that, just as Clark’s explanations about builded and then self-builded landscape, in this film space is designed and self-designed. Key words: landscape painting, symbols, fact, filmic space  

Anahtar Kelimeler

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