This article offers a critical exploration of Anna Kavan’s Ice which includes a literary representation of trauma and its correlation with the concept of post-apocalypse. Establishing a preliminary dialogue between post-apocalyptic and trauma narratives, it investigates the individual and post-apocalyptic trauma both separately and holistically through a single text. The abandonment trauma and the traumatic glacial apocalypse create an interrelated discourse of post-apocalyptic trauma that encompasses changes on the protagonist of the novel and collectivities. Following Hobbesian discussion of social contract together with Golding’s Lord of the Flies, apocalyptic trauma and its symptoms are traced as disturbing demonstration of humanity’s primitive urges in the absence of social, religious, political, and moral orders. The analysis of the protagonist’s unrelenting quest and obsessive psychology through Lacanian concept objet a allows the discussion to diversify to address the individual trauma. Instead of casting Kavan’s novel as purely trauma narrative or post-apocalyptic account, this article reads her novel in a focused attentiveness to analyse different types of trauma and their merge with each other.
Al-Zamili, A. (2015). Instinct or society: A Rouseauist analysis of corruption in William Golding’s Lord of the Flies. International Letters of Social and Humanistic Sciences, 58, 155-158. Access address: https://www.ssoar.info/ssoar/bitstream/handle/document/56960/ssoar-ilshs-2015-58-al-zamili-Instinct_or_society_a_Rouseauist.pdf;jsessionid=473B103DE5E6D2C4E4513A697A0728DA?sequence=1
Balaev, M. (2008). Trends in literary trauma theory. Mosaic: A Journal for the Interdisciplinary Study of Literature, 41(2), 149- 166. Access address: https://www.jstor.org/stable/44029500
Balaev, M. (2014). Contemporary approaches in literary trauma theory. New York: Palgrave Macmillan.
Berger, J. (1999). After the end: representations of post-apocalypse. Minneapolis: University of Minnesota.
Brison, S. J. (2002). Aftermath: violence and the remaking of a self. Princeton: Princeton University Press.
Buell, L. (2001). Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond. United States of America: The Belknap Press of Harvard University Press.
Caruth, C. (Ed.). (1995). Trauma: explorations in memory. Baltimore: The Johns Hopkins University Press.
Collins, J. J. (Ed.). (2014). The oxford handbook of apocalyptic literature. New York: Oxford University Press.
Fodorova, A. (2004). Lost and found: the fear and thrill of loss. Psychodynamic Practice, 10(1), 107-118. http://dx.doi.org/10.1080/14753630310001650294
Front, S. (2021). Post-apocalyptic stress disorder in the Leftovers. Studia Anglica Posnaniensia, 56(1), 251–274. https://doi.org/10.2478/stap-2021-0028
Giri, P. (2019). William Golding’s Lord of the Flies: A study of evil in man. A Peer Reviewed Journal of Interdisciplinary Studies, 5(1), 52-58. https://doi.org/10.3126/batuk.v5i1.27924
Hawlin, S. (1995). The savages in the forest: Decolonising William Golding. Critical Survey, 7(2), 125–135. Access address: https://www.jstor.org/stable/41555906
Hove, H. V. (2017). Exploring the realm of the unconscious in Anna Kavan’s Sleep Has His House. Women: A Cultural Review, 28(4), 358-374. http://dx.doi.org/10.1080/09574042.2017.1388584
Kavan, A. (2006). Ice. London: Peter Owen Publishers.
LaCapra, D. (2014). Writing history, writing trauma. Baltimore: John Hopkins University Press.
Orpana, S. A. (2019). The prism of petrol: Drive, desire and the energy unconscious in Anna Kavan’s Ice. Inscriptions, 2(1), 1-11. https://doi.org/10.59391/inscriptions.v2i1.27
Sacks, O. (2012). Hallucinations. United States of America: Alfred A. Knopf.
Schreiber, E. J. (1997). Imagined Edens and Lacan’s lost object: The wilderness and subjectivity in Faulkner’s ‘Go Down, Moses’. The Mississippi Quarterly, 50(3), 477–492. Access address: https://www.jstor.org/stable/26476259
Shostak, D. (2009). In the country of missing persons: Paul Auster’s narrative of trauma. Studies in the Novel, 41(1), 66–87. http://dx.doi.org/10.1353/sdn.0.0053
Sweeney, C. (2020). Cadaverised girls: The writing of Anna Kavan. Textual Practice, 34(4), 647- 668. https://doi.org/10.1080/0950236X.2018.1515111
Walker, V. (2012). The fiction of Anna Kavan (1901- 1968) (Unpublished doctoral dissertation). Queen Mary University of London, London.
Walker, V. (2017). An introduction to Anna Kavan: New readings. Women: A Cultural Review, 28(4), 285-294. https://doi.org/10.1080/09574042.2017.1388579
Watkins, S. (2020). Contemporary women’s post-apocalyptic fiction. London: Palgrave Macmillan.
Whitehead, A. (2004). Trauma fiction. Edinburg: Edinburg University Press Ltd.
Örtüşen Travmalar: Anna Kavan’ın Buz Romanındaki Kıyamet Sonrası Dünyada Travmayı Yeniden Ele Almak
Bu makale, travmanın edebi temsilini ve kıyamet sonrası kavramıyla ilişkisini ele alan Anna Kavan’ın Buz adlı romanının eleştirel bir incelemesini sunmaktadır. Kıyamet sonrası ve travma anlatıları arasında bir ön diyalog kurarak bireysel ve kıyamet sonrası travmayı tek bir metin üzerinden hem ayrı ayrı hem de bütünsel olarak incelemektedir. Terk edilme travması ve travmatik buzul kıyameti, romanın baş kahramanında ve topluluklarda değişikliklere sebep olan kıyamet sonrası travmaya dair birbiriyle ilişkili bir söylem yaratmaktadır. Golding’in Sineklerin Tanrısı adlı romanı ile birlikte Hobbes’un toplumsal sözleşmesi üzerine gerçekleştirilen tartışmanın akabinde, kıyamet travması ve semptomları, sosyal, dini, politik ve ahlaki düzenin yokluğunda insanlığın ilkel dürtülerinin rahatsız edici bir göstergesi olarak ele alınmaktadır. Kahramanın amansız arayışının ve takıntılı psikolojisinin Lacan’ın nesne a kavramı üzerinden analizi, tartışmanın bireysel travmayı ele almasına izin vererek çeşitlenmesine olanak tanır. Bu makale, Kavan’ın romanını salt travma anlatısı ya da kıyamet sonrası anlatım olarak ele almak yerine, romanı farklı travma türlerini ve bu travmaların birbirleriyle iç içe geçişlerini analiz etmeye odaklanmış bir dikkatle okumaktadır.
Al-Zamili, A. (2015). Instinct or society: A Rouseauist analysis of corruption in William Golding’s Lord of the Flies. International Letters of Social and Humanistic Sciences, 58, 155-158. Access address: https://www.ssoar.info/ssoar/bitstream/handle/document/56960/ssoar-ilshs-2015-58-al-zamili-Instinct_or_society_a_Rouseauist.pdf;jsessionid=473B103DE5E6D2C4E4513A697A0728DA?sequence=1
Balaev, M. (2008). Trends in literary trauma theory. Mosaic: A Journal for the Interdisciplinary Study of Literature, 41(2), 149- 166. Access address: https://www.jstor.org/stable/44029500
Balaev, M. (2014). Contemporary approaches in literary trauma theory. New York: Palgrave Macmillan.
Berger, J. (1999). After the end: representations of post-apocalypse. Minneapolis: University of Minnesota.
Brison, S. J. (2002). Aftermath: violence and the remaking of a self. Princeton: Princeton University Press.
Buell, L. (2001). Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond. United States of America: The Belknap Press of Harvard University Press.
Caruth, C. (Ed.). (1995). Trauma: explorations in memory. Baltimore: The Johns Hopkins University Press.
Collins, J. J. (Ed.). (2014). The oxford handbook of apocalyptic literature. New York: Oxford University Press.
Fodorova, A. (2004). Lost and found: the fear and thrill of loss. Psychodynamic Practice, 10(1), 107-118. http://dx.doi.org/10.1080/14753630310001650294
Front, S. (2021). Post-apocalyptic stress disorder in the Leftovers. Studia Anglica Posnaniensia, 56(1), 251–274. https://doi.org/10.2478/stap-2021-0028
Giri, P. (2019). William Golding’s Lord of the Flies: A study of evil in man. A Peer Reviewed Journal of Interdisciplinary Studies, 5(1), 52-58. https://doi.org/10.3126/batuk.v5i1.27924
Hawlin, S. (1995). The savages in the forest: Decolonising William Golding. Critical Survey, 7(2), 125–135. Access address: https://www.jstor.org/stable/41555906
Hove, H. V. (2017). Exploring the realm of the unconscious in Anna Kavan’s Sleep Has His House. Women: A Cultural Review, 28(4), 358-374. http://dx.doi.org/10.1080/09574042.2017.1388584
Kavan, A. (2006). Ice. London: Peter Owen Publishers.
LaCapra, D. (2014). Writing history, writing trauma. Baltimore: John Hopkins University Press.
Orpana, S. A. (2019). The prism of petrol: Drive, desire and the energy unconscious in Anna Kavan’s Ice. Inscriptions, 2(1), 1-11. https://doi.org/10.59391/inscriptions.v2i1.27
Sacks, O. (2012). Hallucinations. United States of America: Alfred A. Knopf.
Schreiber, E. J. (1997). Imagined Edens and Lacan’s lost object: The wilderness and subjectivity in Faulkner’s ‘Go Down, Moses’. The Mississippi Quarterly, 50(3), 477–492. Access address: https://www.jstor.org/stable/26476259
Shostak, D. (2009). In the country of missing persons: Paul Auster’s narrative of trauma. Studies in the Novel, 41(1), 66–87. http://dx.doi.org/10.1353/sdn.0.0053
Sweeney, C. (2020). Cadaverised girls: The writing of Anna Kavan. Textual Practice, 34(4), 647- 668. https://doi.org/10.1080/0950236X.2018.1515111
Walker, V. (2012). The fiction of Anna Kavan (1901- 1968) (Unpublished doctoral dissertation). Queen Mary University of London, London.
Walker, V. (2017). An introduction to Anna Kavan: New readings. Women: A Cultural Review, 28(4), 285-294. https://doi.org/10.1080/09574042.2017.1388579
Watkins, S. (2020). Contemporary women’s post-apocalyptic fiction. London: Palgrave Macmillan.
Whitehead, A. (2004). Trauma fiction. Edinburg: Edinburg University Press Ltd.
Tunahan, M., & Avcu, İ. (2024). Overlapping Traumas: Revisiting Trauma in Post-apocalyptic World of Anna Kavan’s Ice. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi(52), 137-148. https://doi.org/10.21497/sefad.1453694