FROM MRS WARREN’S PROFESSION TO PRESS CUTTINGS: THE WOMAN QUESTION IN GEORGE BERNARD SHAW’S PLAYS
Öz
George Bernard Shaw, who introduced social realism to
the British stage, is considered to be the most significant playwright of the
Victorian era. In his plays, he challenged the typical Victorian representation
of female characters and introduced a new woman type who stands as a powerful
and independent figure. Shaw’s female characters can be analysed in line with
the suffragette movement, the fight given by British women to gain their right
to vote. In this regard, Shaw’s play Mrs
Warren’s Profession exemplifies a
female character who can be considered as an advocate for female liberation and
power. On the other hand, his play Press
Cuttings, which was specifically written to support the suffragette
movement, neither exemplifies the new woman image presented by Shaw in his
plays nor contributes to the suffragette movement. Hence, this study aims to
discuss the theme of the rights of women and to focus on George Bernard Shaw’s Mrs Warren’s Profession and Press Cuttings by means of Shaw’s
involvement in and support for the suffragette movement from the Victorian to
the Edwardian era.
Anahtar Kelimeler
Kaynakça
- DELAP, Lucy (2005). “Feminist and Anti-Feminist Encounters in Edwardian Britain”. Historical Research (78): 377-399. http://onlinelibrary.wiley.com/doi/10.1111/j.1468-2281.2005.00235.x/pdf [14.04.2017].
- GRECEO, Stephen (1967). “Vivie Warren's Profession: a new look at ‘Mrs. Warren's Profession’”. The Shaw Review 10 (3): 93-99. https://www.jstor.org/stable/40682482 [22.08.2016].
- HIRSHFIELD, Claire (1987). “The Suffragist as Playwright in Edwardian England”. Frontiers: A Journal of Women Studies 9 (2): 1-6. http://www.jstor.org/stable/3346180 [11.04.2016].
- HOLROYD, Michael (1979). “George Bernard Shaw: Women and the Body Politic”. Critical Inquiry 6 (1): 17-32. http://www.jstor.org/stable/1343083 [11.04.2016]. KENT, Susan Kingsley (1990). Sex and Suffrage in Britain, 1860-1914. London: Routledge.
- KORNHABER, David (2009). The Birth of Theatre from the Spirit of Philosophy: Friedrich Nietzsche and the Development of the Modern Drama. Dissertation. New York: Columbia University.
- LAURENCE, Dan H. (2004). “Victorians Unveiled: Some Thoughts on ‘Mrs. Warren’s Profession’”. Shaw (24): 38-45. https://muse.jhu.edu/article/173220 [22.08.2016].
- MARKER, Frederick Jr (1998). “Shaw’s Early Plays”. The Cambridge Companion to George Bernard Shaw. ed. Christopher Innes. Cambridge: Cambridge UP. 103-123.
- McFADDEN, Karen Doris (1976). “George Bernard Shaw and the Woman Question”. Diss. University of Toronto.
Ayrıntılar
Birincil Dil
İngilizce
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Banu Öğünç
Bu kişi benim
Yayımlanma Tarihi
22 Haziran 2017
Gönderilme Tarihi
20 Mart 2017
Kabul Tarihi
15 Mayıs 2017
Yayımlandığı Sayı
Yıl 2017 Sayı: 37