Lavery’nin Frozen Adlı Oyunu: Bir Cinsel İstismarcının Psikoseksüel Hikayesi ve Pedofili Karşıtlığının Poetikası

Yıl 2018, , 157 - 168, 22.06.2018

Murat Öğütcü

https://doi.org/10.21497/sefad.443444

Öz

Bryony Lavery, İngiliz feminist tiyatrosu için önemli bir figürdür. Sıradışı tiyatro teknikleri ve konuları eleştirmenlerin dikkatini çekmiştir. Frozen (1998) adlı pedofili karşıtı oyunu, bir çocuk istismarcısının güdülerini inceleyen bir psikiyatristi irdelemektedir. Cinsel istismarcının geçmişi incelendiğinde mağdur ve mağdur eden arasındaki çizgi bulanıklaşmakta ve mağdur edilen ailenin istismarcıyı affetmesi geleneksel intikam öğesine karşıt bir durumu ortaya koymaktadır. Lavery’nin kara mizah kullanması geleneksel kavramlar çerçevesinde bu gibi ciddi meselelerin irdelenmesini daha tartışılır hale getirmektedir. Bundan dolayı, bu makalenin amacı Bryony Lavery’nin Frozen adlı oyununda cinsel istirmarcının psikoseksüel hikayesini sunmak, cinsel istismarın sosyal ve psikolojik nedenlerini incelemek ve Lavery’nin alışılmışın dışında olan pedofili karşıtı poetikasını tartışmaktır.

Anahtar Kelimeler

Bryony Lavery, Frozen, psikoseksüel hikaye, pedofili karşıtı

Lavery’s Frozen: The Psychosexual History of a Sexual Predator and the Poetics of Anti-Paedophilia

Öz

Bryony Lavery is an important figure in British feminist drama. She has been noted by critics for her unconventional theatrical methods and themes. Her Frozen (1998) is an anti-paedophiliac play that deals with a psychiatrist who tries to investigate the motives of a paedophile. Investigations into the past of the sexual predator blur the lines between the victim and the victimiser, and the acts of forgiving by the wronged family challenge conventional motifs of revenge. Lavery’s use of black and dark comedy further challenges conventional ways of dealing with such serious matters. Therefore, by presenting the psychosexual history of the sexual predator in Bryony Lavery’s Frozen, this article will analyse the social and psychological reasons behind sexual abuse in the play, and discuss Lavery’s unconventional poetics of anti-paedophilia.

Anahtar Kelimeler

Bryony Lavery, Frozen, psychosexual history, anti-paedophilia

Kaynakça

• Apter, Emily (2009). “What is Yours, Ours and Mine.” Angelaki: Journal of the Theoretical Humanities XIV (1): 87-100. https://doi.org/10.1080/ 09697250903006492 [Accessed 10 January 2018].
• Aston, Elaine (2003). Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge: Cambridge UP.
• Brown Susan, et al (2006). “Bryony Lavery Entry: Overview Screen.” Orlando: Women’s Writing in the British Isles from the Beginning to the Present. Cambridge: Cambridge University Press Online http://orlando.cambridge.org/public/svPeople?person_id=lavebr [Accessed 9 January 2017].
• Caruth, Cathy (1995). “Trauma and Experience. lntro.” In Trauma. Explorations in Memory. ed. Cathy Caruth. Baltimore: John Hopkins UP. 3-12.
• Certeau, Michel de (1997). Culture in the Plural. trans. Luce Giard. Minneapolis, MN: U of Minnesota P.
• Craissati, Jackie (1998). Child Sexual Abusers: A Community Treatment Approach. Sussex: Psychology P.
• Crime And Disorder Act (1998). The Official Home of UK Legislation. https://www.legislation.gov.uk/ukpga/1998/37/pdfs/ukpga_19980037_en.pdf [Accessed 23 December 2017].
• Cousin, Geraldine (2007). Playing for Time. Manchester: Manchester UP.
• Cuddon, J. A. (2013a). “Black comedy.” In Dictionary of Literary Terms and Literary Theory. Malden, MA: Wiley-Blackwell. 80-81.
• Cuddon, J. A. (2013b). “Comic relief.” In Dictionary of Literary Terms and Literary Theory. Malden, MA: Wiley-Blackwell. 139-140.
• Cuddon, J. A. (2013c). “Dark comedy.” In Dictionary of Literary Terms and Literary Theory. Malden, MA: Wiley-Blackwell. 186.
• Dellbrügge, Katharina (2009). Representation of Trauma and Recovery in Bryony Lavery’s Play ‘Frozen’. Norderstedt: Grin.
• Faller, Kathleen Coulborn (1990). Understanding Child Sexual Maltreatment. London: Sage.
• Freiere, Paulo (2012). Pedagogy of the Oppressed. trans. Myra Bergman Ramos. London: Bloomsbury.
• Freud, Sigmund (1986). “Remembering, Repeating and Working-Through.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud. trans. James Strachey. Vol. XII. London: Hogarth P. 147-156.
• “Frozen” (2002). Theatre Record XXII (10-18): 908.
• Gomes-Schwartz et al (1990). Child Sexual Abuse: The Initial Effects. London: Sage.
• Goodman, Lizbeth (1993). Contemporary Feminist Theatres: To Each Her Own. London and New York: Routledge.
• Jung, Carl Gustav (2002). Dreams. trans. R. F. C. Hull. London: Routledge.
• Home Office. (2000). “Domestic Violence: Break the Chain Multi-Agency Guidance for Addressing Domestic Violence.” London: Home Office.
• Hooper, Lisa M. et al (2014). Models of Psychopathology: Generational Processes and Relational Roles. New York: Springer.
• Karpman, S. B. (1968). “Fairy Tales and Script Drama Analysis.” Transactional Analysis Bulletin VII (26): 39-43.
• Keyssar, Helene (1996). “Introduction.” In Feminist Theatre and Theory. ed. Helene Keyssar. London: Macmillan. 1-18.
• Lavery, Bryony (2007). “Frozen.” In Plays One. London: Faber and Faber. 95-197.
• Lister-Ford, Christine (2002). Skills in Transactional Analysis: Counselling and Psychotherapy. London: Sage.
• Mckinley, Jesse (2004.09.25). “Playwright Created a Psychiatrist by Plagiarizing One, Accusers Say.” The New York Times http://www.nytimes.com/2004/09/25/theater/playwright-created-a-psychiatrist-by-plagiarizing-one-accusers-say.html [Accessed 11 January 2017].
• Schlesinger, Benjamin (1982). Sexual Abuse of Children: A Resource Guide and Annotated Bibliography. Toronto and London: U of Toronto P.
• Sedehi, K. T., T. L. Kit, and W. R. W. Yahya (2016). “Revenge and Retribution: Reli(E)Ving Trauma in Frozen by Bryony Lavery.” International Journal of Comparative Literature and Translation Studies IV (4): 1-4. http://www.journals.aiac.org.au/index.php/IJCLTS/article/view /2769 [Accessed 22 January 2018].
• Sierz, Aleks (2012). Modern British Playwriting: The 1990s: Voices, Documents, New Interpretations. London: Bloomsbury. Simonson, Robert. “Frozen Playwright Lavery Accused of Plagiarism.” Playbill http://www.playbill.com/article/frozen-playwright-lavery-accused-of-plagiarism-com-122131 [Accessed 11 January 2017].
• Sweet, Jeffrey (2017). “Bryony Lavery.” In What Playwrights Talk about When They Talk about Writing. New Haven, CT: Yale UP. 144-152.
• Vaillant, George E. (1977/1995). Adaptation to Life. Cambridge, MA: Harvard UP.
• Wald, Christina (2006). “‘What discoveries do we bring back from that alien terrain?’: The Spatialisation of Trauma and the Exploration of the Paedophile’s Mind in Bryony Lavery’s Frozen.” In Mapping Uncertain Territories: Space and Place in Contemporary Theatre and Drama: Papers Given on the Occasion of the Fourteenth Annual Conference of the German Society for Contemporary Theatre and Drama in English. ed. Thomas Rommel et al. Trier: WVT Wissenschaftlicher Verlag. 111-126.
• Wald, Christina (2008). “Reproductions and No Original: Gender and Traumatic Memory”. In Iterationen: Geschlecht im Kulturellen Gedchtnis. ed. Anja Schwarz and Sabine Lucia Müller. Göttingen: Wallstein-Verlag. 171-190.