The Experiential Theatre of Anthony Neilson and The Wonderful World of Dissocia
Öz
Experiential theatre goes beyond the boundaries of dramatic theatre by allowing the audience to experience the event performed on stage and create their own meaning and interpretation of conflicting phenomena, such as security and violence. As one of the important representatives of this type of English theatre in the 1990s, the playwright Anthony Neilson, has attracted substantial critical attention for his trenchant portrayal of violence in all its bareness that inevitably comes out within the practices of daily life. With one of his most important plays to date, The Wonderful World of Dissocia (2004), Neilson portrays experiential theatricality of states of mind while exploring the connection between the internal and external reality of a self. By doing so, Neilson pushes the framework of experiential theatre to a new extreme. This paper scrutinizes his contribution to the practice of experiential theatre within the context of violence and identity politics.
Anahtar Kelimeler
Kaynakça
- Brown, Ian (2007). “Alternative Sensibilities: Devolutionary Comedy and Scottish Camp”. Edinburgh Companion to Contemporary Scottish Literature. Ed. Berthold Camp. Edinburgh: Edinburgh University Press. 319-327.
- Brown, Ian (2011). The Edinburgh Companion to Scottish Drama. Edinburgh: Edinburgh University Press.
- Brown, Mark. (2016.11.22). “Curiouser and curiouser: interview with Alice's Adventures In Wonderland director Anthony Neilson”. http://www.heraldscotland.com/news/14920900.Curiouser_and_curiouser__interview_with_Alice__39_s_Adventures_In_Wonderland_director_Anthony_Neilson/ [09.05.2018].
- Bull, John (2011). “Anthony Neilson”. The Methuen Guide to Contemporary British Playwrights. ed. Middeke, Martin- Schnierer, Peter Paul et al. London: Methuen Drama. 343-362.
- Clark, Colin (2007). “What is Anthony Neilson On?”. Interview with Anthony Neilson. http://www.nationaltheatrescotland.com/content/mediaassets/pdf/AnthonyNeilson-interview-Dissocia-Realism.pdf [11.07.2012].
- Cramer, Neil (2004). “Neilson and Ambivalence”. The programme for The Wonderful World of Dissocia. Edinburgh: Edinburgh International Festival Society.
- Dromgoole, Dominic (2002). The Full Room: An A-Z of Contemporary Playwriting. London: Methuen.
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Ayrıntılar
Birincil Dil
İngilizce
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Ahmet Gökhan Biçer
Bu kişi benim
Yayımlanma Tarihi
24 Aralık 2018
Gönderilme Tarihi
16 Nisan 2018
Kabul Tarihi
26 Haziran 2018
Yayımlandığı Sayı
Yıl 2018 Sayı: 40
Cited By
Tiyatro ve psikolojik gerçekçilik: “Kafana Tiyatro” (In-Yer-Head Theatre)
RumeliDE Dil ve Edebiyat Araştırmaları Dergisi
https://doi.org/10.29000/rumelide.983506