Araştırma Makalesi

Witnessing Trauma in Simon Stephens’ Motortown

Sayı: 40 24 Aralık 2018
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Witnessing Trauma in Simon Stephens’ Motortown

Öz

Simon Stephens is one of the most important contemporary playwrights whose popularity spreads out both Britain and continental Europe. His Motortown (2006) consists of eight scenes. Having structural order and correlations with each other, these scenes depict notions of fear, violence, anxiety and traumatic experiences. The play’s protagonist, Danny, is a British soldier who is sent to Iraq for his military service and comes back home with his traumatic memories. Simon Stephens portrays a political play which discloses the tormenting process of Danny’s unsuccessful treatment back home. Stephens also depicts traumatic patterns and major trauma factors observed as the lack of family support and psychological disorders of contemporary British society, which are the disappointing results of war in Iraq. Applying the trauma theory and taking into consideration the effects of war, this study will illustrate Danny’s personal background and his traumatic experiences which become central among other characters in contemporary British culture.

Anahtar Kelimeler

Kaynakça

  1. Ansdel, Caroline (2006). “Musings on Mays and Motortown” In Whats On Stage. http://www.whatsonstage.com/dl/page.php?page=greenroom&story=E8821145961557. [Accessed 18 January 2018].
  2. Avishai, Margalit (2004). The Ethics of Memory. Cambridge, MA: Harvard University Press.
  3. Buse, Peter (2001). Drama+Theory Critical Approaches to Modern British Drama. Manchester: Manchester University Press.
  4. Caruth, Cathy (1996). Unclaimed Experience: Trauma, Narrative and History. Baltimore, MA and London: Johns Hopkins University Press.
  5. Edkins, Jenny (2003). Trauma and Memory of Politics. Cambridge: Cambridge University Press.
  6. Freud, Sigmund (1961). Beyond the Pleasure Principle. New York: W.W. Norton.
  7. Gardner, Lyn (2006). “Review of Motortown, Royal Court London Stage” The Guardian. https://www.theguardian.com/stage/2006/apr/25/theatre. [Accessed 6 February 2018]
  8. Herman, L.Judith (1992). Trauma and recovery. New York: Basic Books.

Ayrıntılar

Birincil Dil

İngilizce

Konular

-

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

24 Aralık 2018

Gönderilme Tarihi

17 Mart 2018

Kabul Tarihi

26 Haziran 2018

Yayımlandığı Sayı

Yıl 2018 Sayı: 40

Kaynak Göster

APA
Günenç, M. (2018). Witnessing Trauma in Simon Stephens’ Motortown. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, 40, 129-138. https://doi.org/10.21497/sefad.515053
AMA
1.Günenç M. Witnessing Trauma in Simon Stephens’ Motortown. SEFAD. 2018;(40):129-138. doi:10.21497/sefad.515053
Chicago
Günenç, Mesut. 2018. “Witnessing Trauma in Simon Stephens’ Motortown”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, sy 40: 129-38. https://doi.org/10.21497/sefad.515053.
EndNote
Günenç M (01 Aralık 2018) Witnessing Trauma in Simon Stephens’ Motortown. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi 40 129–138.
IEEE
[1]M. Günenç, “Witnessing Trauma in Simon Stephens’ Motortown”, SEFAD, sy 40, ss. 129–138, Ara. 2018, doi: 10.21497/sefad.515053.
ISNAD
Günenç, Mesut. “Witnessing Trauma in Simon Stephens’ Motortown”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi. 40 (01 Aralık 2018): 129-138. https://doi.org/10.21497/sefad.515053.
JAMA
1.Günenç M. Witnessing Trauma in Simon Stephens’ Motortown. SEFAD. 2018;:129–138.
MLA
Günenç, Mesut. “Witnessing Trauma in Simon Stephens’ Motortown”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, sy 40, Aralık 2018, ss. 129-38, doi:10.21497/sefad.515053.
Vancouver
1.Mesut Günenç. Witnessing Trauma in Simon Stephens’ Motortown. SEFAD. 01 Aralık 2018;(40):129-38. doi:10.21497/sefad.515053