Araştırma Makalesi

A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays

Sayı: 42 25 Aralık 2019
  • Berna Ülker *
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A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays

Öz

This study focuses on the representation of women in British feminist drama that challenges gender roles and gets stuck in having obsessive power as an outcome of the policy of the first British woman Prime Minister Margaret Thatcher. The study discusses excessively ambitious women who question patriarchal order and subvert gender roles to get power and finally left alone on the top like Thatcher. Marlene in Caryl Churchill’s play Top Girls, Marion in Churchill’s play Owners, Mary Traverse in Timberlake Wertenbaker’s play The Grace of Mary Traverse are discussed throughly. Marlene, Marion, and Mary are the representatives of the destructive effects of the ambition for power that characterize Thatcher’s Britain. Socialist/materialist feminism is applied to the plays both to criticize selfish Thatcherite powerful women figures and to express the lack of collaboration among women to improve their position.

Anahtar Kelimeler

Kaynakça

  1. Betsko, K., & Koenig, R. (1987). Interviews with contemporary women playwrights. New York, NY: Beech Tree Books.
  2. Bimberg, C. (1997/98). Caryl Churchill’s Top Girls and Timberlake Wertenbaker’s Our Country’s Good as contributions to a definition of culture. Connotations, 7(3), 399-416.
  3. Brewer, M. (1999). Race, sex, and gender in contemporary women’s theater: the construction of woman. Brighton: Sussex Academic Press.
  4. Case, S.E. (1988). Feminism and theatre. New York: Routledge.
  5. Churchill, C. (1985). Plays:1. London: Bloomsbury Methuen.
  6. Churchill, C. (1996). Plays: 2 Softcops, Top Girls, Fen, Serious Money. London: Bloomsburry Methuen Drama.
  7. Dahl, M. K. (1993). Constructing the subject: Timberlake Wertenbaker’s The Grace of Mary Traverse. Journal of Dramatic Theory and Criticism. Spring, 149-159.
  8. Foster, V. (1998/99). The uses of history in contemporary feminist drama: a response to Christiane Bimberg. Connotations. 8(2), 249-57.

Ayrıntılar

Birincil Dil

İngilizce

Konular

Sanat ve Edebiyat

Bölüm

Araştırma Makalesi

Yazarlar

Berna Ülker * Bu kişi benim
Türkiye

Yayımlanma Tarihi

25 Aralık 2019

Gönderilme Tarihi

16 Nisan 2019

Kabul Tarihi

9 Eylül 2019

Yayımlandığı Sayı

Yıl 2019 Sayı: 42

Kaynak Göster

APA
Ülker, B. (2019). A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, 42, 21-34. https://doi.org/10.21497/sefad.674996
AMA
1.Ülker B. A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays. SEFAD. 2019;(42):21-34. doi:10.21497/sefad.674996
Chicago
Ülker, Berna. 2019. “A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, sy 42: 21-34. https://doi.org/10.21497/sefad.674996.
EndNote
Ülker B (01 Aralık 2019) A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi 42 21–34.
IEEE
[1]B. Ülker, “A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays”, SEFAD, sy 42, ss. 21–34, Ara. 2019, doi: 10.21497/sefad.674996.
ISNAD
Ülker, Berna. “A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi. 42 (01 Aralık 2019): 21-34. https://doi.org/10.21497/sefad.674996.
JAMA
1.Ülker B. A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays. SEFAD. 2019;:21–34.
MLA
Ülker, Berna. “A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays”. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, sy 42, Aralık 2019, ss. 21-34, doi:10.21497/sefad.674996.
Vancouver
1.Berna Ülker. A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays. SEFAD. 01 Aralık 2019;(42):21-34. doi:10.21497/sefad.674996