A Socialist Feminist Reading of Thatcherite Women in British Feminist Plays
Öz
Anahtar Kelimeler
Kaynakça
- Betsko, K., & Koenig, R. (1987). Interviews with contemporary women playwrights. New York, NY: Beech Tree Books.
- Bimberg, C. (1997/98). Caryl Churchill’s Top Girls and Timberlake Wertenbaker’s Our Country’s Good as contributions to a definition of culture. Connotations, 7(3), 399-416.
- Brewer, M. (1999). Race, sex, and gender in contemporary women’s theater: the construction of woman. Brighton: Sussex Academic Press.
- Case, S.E. (1988). Feminism and theatre. New York: Routledge.
- Churchill, C. (1985). Plays:1. London: Bloomsbury Methuen.
- Churchill, C. (1996). Plays: 2 Softcops, Top Girls, Fen, Serious Money. London: Bloomsburry Methuen Drama.
- Dahl, M. K. (1993). Constructing the subject: Timberlake Wertenbaker’s The Grace of Mary Traverse. Journal of Dramatic Theory and Criticism. Spring, 149-159.
- Foster, V. (1998/99). The uses of history in contemporary feminist drama: a response to Christiane Bimberg. Connotations. 8(2), 249-57.
Ayrıntılar
Birincil Dil
İngilizce
Konular
Sanat ve Edebiyat
Bölüm
Araştırma Makalesi
Yazarlar
Berna Ülker
*
Bu kişi benim
Türkiye
Yayımlanma Tarihi
25 Aralık 2019
Gönderilme Tarihi
16 Nisan 2019
Kabul Tarihi
9 Eylül 2019
Yayımlandığı Sayı
Yıl 2019 Sayı: 42