Araştırma Makalesi
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ZEKİ DEMİRKUBUZ FİLMLERİNDE ARZU VE İHANET

Yıl 2019, Cilt: 10 Sayı: 1, 111 - 135, 30.03.2019
https://doi.org/10.32001/sinecine.545799

Öz

Bu makale, Zeki Demirkubuz’un karşılıksız aşk, kıskançlık ve ihanet temalarını ele alan filmlerinden Kor (2016), İtiraf, (2001), Masumiyet (1997) ve Kader (2006) üzerine odaklanarak bu filmlerde işleyen arzu dinamiklerini aydınlatmayı amaçlamaktadır. Öncelikle karısının kendisini aldattığı şüphesiyle kıvranan erkeklerin dramlarını konu alan Kor ve İtiraf filmlerinin Rene Girard’ın üçgen arzu kuramına uygun düşecek şekilde, arzunun doğuşunda ve sürdürülmesinde üçüncü şahısların oynadığı aktif rolü ortaya serdiği gösterilecektir. Masumiyet ve Kader’de resmedilen ilişki, aşığın sevdiği kadını yüce bir nesne konumuna yükselttiği şövalye aşkının modern bir versiyonu olarak yorumlanacaktır. Masumiyet ve Kader, Lacancı psikanaliz ışığında, bilhassa Lacan’ın ve Zizek’in şövalye aşkında işleyen anamorfik bakış ve mazoşizm dinamiğine dair yazdıklarından yararlanmak suretiyle incelenecektir. Sonuç olarak bu makalenin amacı, yukarıda adı geçen filmlerin romantik aşk kavramının büyüsünü bozarak Lacan’ın kadınla erkek arasında kendiliğinden, dolayımsız ve dengeli bir cinsel ilişkinin mümkün olmadığına dair tezini kanıtladığını göstermektir.

Kaynakça

  • Barnard, S. (2002). Introduction. In S. Barnard & B. Fink (Eds.), Reading Seminar XX: Lacan’s Major Work onLove, Knowledge and Feminine Sexuality (pp. 1-20). New York: State University of New York.
  • De Rougemont, D. (1983). Love in the Western World (M. Belgion, Trans.). New Jersey: Princeton UP.
  • Demirkubuz, Z. (Producer/Director/Screenwriter). (1997). Masumiyet (Innocence) [Motion Picture]. Turkey: Mavi Film.
  • Demirkubuz, Z. (Producer/Director/Screenwriter). (2001). İtiraf (Confession) [Motion Picture]. Turkey: Mavi Film.
  • Demirkubuz, Z. (Director/Screenwriter). (2006). Kader (Destiny) [Motion Picture]. Turkey & Greece: Mavi Film & Inkas Film.
  • Demirkubuz, Z. (Director/Screenwriter). (2016). Kor (Ember) [Motion Picture]. Turkey: Mavi Film.
  • Evans, D. (1996). An Introductory Dictionary of Lacanian Psychoanalysis. London & New York: Routledge.
  • Freud, S. (2001). On the Universal Tendency to Debasement in the Sphere of Love. In J. Strachey (Ed. & Trans.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Volume XI, pp. 177-190). London: Vintage.
  • Girard, R. (1965). Deceit, Desire and the Novel (Y. Freccero, Trans.). Baltimore: The John Hopkins Press.
  • Girard, R. (1989). Violence and the Sacred (P. Gregory, Trans.). Baltimore & London: The John Hopkins UP.
  • Lacan, J. (1991a). The Seminar of Jacques Lacan Book I: Freud’s Papers on Technique. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1991b). The Seminar of Jacques Lacan Book II: The Ego in Freud’s Theory and in the Technique of Psychoanalysis. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1997). The Seminar of Jacques Lacan Book VII: The Ethics of Psychoanalysis. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1998). The Seminar Of Jacques Lacan Book XI: The Four Fundamental Concepts Of Psychoanalysis. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1999). The Seminar of Jacques Lacan Book XX: On Feminine Sexuality. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (2001). Ecrits: A Selection (A. Sheridan, Trans.). London & New York: Routledge.
  • Meloni, M. (2002). A Triangle of Thoughts: Girard, Freud, Lacan. JEP: European Journal of Psychoanalysis, 14. Retrieved from http://www.psychomedia.it/jep/number14/meloni.htm.
  • Phillips, A. (1996). Monogamy. London: Faber and Faber. Sedgwick, E. K. (1985). Between Men. New York: Columbia UP. Suner, A. (2010). New Turkish Cinema. London: I.B. Tauris.
  • Taylor, V. E. (2000). Contracting Masochism: Pain, Pleasure and the Language of Power. In M. C. Finke & C. Niekerk (Eds.), One Hundred Years of Masochism (pp. 53-71). Amsterdam: Rodopi.
  • Poe, E. A. (1990). The Imp of the Perverse. In S. Levine & S. Levine (Eds.), The Short Fiction of Edgar Allan Poe (pp. 268-271). Urbana & Chicago: University of Illinois Press.
  • Zizek, S. (1992). Looking Awry. Cambridge & London: The MIT Press.
  • Zizek, S. (1994). The Metastases of Enjoyment. London & New York: Verso.
  • Zizek, S. (2008). The Plague of Fantasies. London & New York: Verso.

DECEIT, DESIRE, AND THE FILMS OF ZEKİ DEMİRKUBUZ

Yıl 2019, Cilt: 10 Sayı: 1, 111 - 135, 30.03.2019
https://doi.org/10.32001/sinecine.545799

Öz

This article analyses four flms by Zeki Demirkubuz, Kor (Ember, 2016), İtiraf (Confession, 2001), Masumiyet (Innocence, 1997), and Kader (Destiny, 2006), which deal with the themes of unrequited love, jealousy, and betrayal. Analysis reveals the dynamics of desire in these four flms. Kor and İtiraf, both of which depict the sad plight of jealous husbands who agonize over their wives’ infdelity, illustrate Rene Girard’s theory of triangular desire by introducing a third person in the genesis and perpetuation of the subject’s desire. Masumiyet and Kader, on the other hand, are interpreted as modern takes on the theme of courtly love, in which the lover elevates the beloved to the status of sublime object. Masumiyet and Kader are analysed through the lens of Lacanian psychoanalysis, particularly in relation to Lacan’s and Zizek’s writings on the anamorphic gaze and masochistic contract present in courtly love. The article shows that all four flms demystify the concept of romantic love, thereby demonstrating Lacan’s contention that a spontaneous, unmediated and harmonious sexual relationship between a man and a woman is impossible.

Kaynakça

  • Barnard, S. (2002). Introduction. In S. Barnard & B. Fink (Eds.), Reading Seminar XX: Lacan’s Major Work onLove, Knowledge and Feminine Sexuality (pp. 1-20). New York: State University of New York.
  • De Rougemont, D. (1983). Love in the Western World (M. Belgion, Trans.). New Jersey: Princeton UP.
  • Demirkubuz, Z. (Producer/Director/Screenwriter). (1997). Masumiyet (Innocence) [Motion Picture]. Turkey: Mavi Film.
  • Demirkubuz, Z. (Producer/Director/Screenwriter). (2001). İtiraf (Confession) [Motion Picture]. Turkey: Mavi Film.
  • Demirkubuz, Z. (Director/Screenwriter). (2006). Kader (Destiny) [Motion Picture]. Turkey & Greece: Mavi Film & Inkas Film.
  • Demirkubuz, Z. (Director/Screenwriter). (2016). Kor (Ember) [Motion Picture]. Turkey: Mavi Film.
  • Evans, D. (1996). An Introductory Dictionary of Lacanian Psychoanalysis. London & New York: Routledge.
  • Freud, S. (2001). On the Universal Tendency to Debasement in the Sphere of Love. In J. Strachey (Ed. & Trans.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Volume XI, pp. 177-190). London: Vintage.
  • Girard, R. (1965). Deceit, Desire and the Novel (Y. Freccero, Trans.). Baltimore: The John Hopkins Press.
  • Girard, R. (1989). Violence and the Sacred (P. Gregory, Trans.). Baltimore & London: The John Hopkins UP.
  • Lacan, J. (1991a). The Seminar of Jacques Lacan Book I: Freud’s Papers on Technique. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1991b). The Seminar of Jacques Lacan Book II: The Ego in Freud’s Theory and in the Technique of Psychoanalysis. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1997). The Seminar of Jacques Lacan Book VII: The Ethics of Psychoanalysis. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1998). The Seminar Of Jacques Lacan Book XI: The Four Fundamental Concepts Of Psychoanalysis. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (1999). The Seminar of Jacques Lacan Book XX: On Feminine Sexuality. (J-A. Miller, Ed.). New York & London: W.W. Norton and Company.
  • Lacan, J. (2001). Ecrits: A Selection (A. Sheridan, Trans.). London & New York: Routledge.
  • Meloni, M. (2002). A Triangle of Thoughts: Girard, Freud, Lacan. JEP: European Journal of Psychoanalysis, 14. Retrieved from http://www.psychomedia.it/jep/number14/meloni.htm.
  • Phillips, A. (1996). Monogamy. London: Faber and Faber. Sedgwick, E. K. (1985). Between Men. New York: Columbia UP. Suner, A. (2010). New Turkish Cinema. London: I.B. Tauris.
  • Taylor, V. E. (2000). Contracting Masochism: Pain, Pleasure and the Language of Power. In M. C. Finke & C. Niekerk (Eds.), One Hundred Years of Masochism (pp. 53-71). Amsterdam: Rodopi.
  • Poe, E. A. (1990). The Imp of the Perverse. In S. Levine & S. Levine (Eds.), The Short Fiction of Edgar Allan Poe (pp. 268-271). Urbana & Chicago: University of Illinois Press.
  • Zizek, S. (1992). Looking Awry. Cambridge & London: The MIT Press.
  • Zizek, S. (1994). The Metastases of Enjoyment. London & New York: Verso.
  • Zizek, S. (2008). The Plague of Fantasies. London & New York: Verso.
Toplam 23 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makale
Yazarlar

Coşkun Liktor 0000-0003-2139-6561

Yayımlanma Tarihi 30 Mart 2019
Yayımlandığı Sayı Yıl 2019 Cilt: 10 Sayı: 1

Kaynak Göster

APA Liktor, C. (2019). DECEIT, DESIRE, AND THE FILMS OF ZEKİ DEMİRKUBUZ. Sinecine: Sinema Araştırmaları Dergisi, 10(1), 111-135. https://doi.org/10.32001/sinecine.545799

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