Yort Kitap, sinema yayıncılığı, sinema kuramları, film çalışmaları
Every day brings with it the publication of new books that expand the horizons of the field of cinema and film studies. In Turkey, one of the major publishers in the field is Yort Kitap. With a lengthy catalogue of titles—including Turkish translations of Nicholas Rombes’s 10/40/70: Constraint as Liberation in the Era of Digital Film Theory; Frank Kessler, Timothy Barnard, and Laurent Le Forestier’s Montage, Découpage, Mise en scène: Essays on Film Form; André Gaudreault and Philippe Marion’s The Kinematic Turn: Film in the Digital Era and Its Ten Problems; and Girish Shambu’s The New Cinephilia; as well as a collection of Harun Farocki’s essays compiled and published in Turkish under the title İmajlarla Düşünmek (Thinking in images)—Yort Kitap has made major contributions to the study of film in Turkey. In this interview, Yort editors Bilge Demirtaş, Can Gündüz, and Osman Şişman talk about these books and about the new books they have on the way. The editors explain that the range of books in the field is not confined to technical manuals. The books they publish, they explain, grapple with contemporary issues and have given rise to a range of new and creative approaches in film studies. And in their discussion of these, the editors inform readers of some of the major new trends emerging in the field.
Yort Kitap, cinema publishing, cinema theories, film studies
|Yayımlanma Tarihi||8 Ekim 2021|
|Yayınlandığı Sayı||Yıl 2021, Cilt 12, Sayı 2|
sinecine TR DİZİN ve FIAF tarafından taranmaktadır.