Çeviri
BibTex RIS Kaynak Göster

Conclusion: The Neuro-Image Brain-Screens From The Future

Yıl 2018, Cilt: 3 Sayı: 6, 135 - 141, 25.12.2018

Öz

Kaynakça

  • Baudrillard, J. (2002). The Spirit of Terrorism, çev: Chris Turner. (London: Verso).
  • Canton, J. (2007). The Extreme Future: The Top Trends That Will Reshape the World in the NEXT 20 Years (New York: Plume), x.
  • Deleuze, G. (1986). Cinema 1: the movement-image, çev: Hugh Tomlinson and Barbara Habberjam. London: Continuum.
  • Deleuze, G. (1994). Difference and Repetition, çev: Paul Patton, London: Athlone Press.
  • Deleuze, G. & Guattari, F. (1975). A Thousand Plateaus: Capitalism and Schizophrenia. Çev: Brian Massumi. (London: Athlon Press).
  • Gazzaniga, M. (1998). Gazzaniga, The Mind's Past, University of California Press, Berkeley, CA.
  • Grusin, R. (2010). Premediation: Affect and Mediality After 9/11 (Houndmills, Basingstoke: Palgrave, Macmillan.
  • Hardt, M. & Negri, A. (2000). Empire, (Cambridge. MA: Harvard University Press).
  • Jenkins, H. (2006). Convergence culture: Where old and new media collide. NYU press.
  • Lipovetsky, G.& Serroy, J. (2007). L'écran global: culture-médias et cinéma à l'âge hypermoderne. Seuil.
  • Neidich, W. (2009). “Neuropower,” Atlantica Magazine of Art and Thought 48/49 :119-65, 123.
  • Young, A. (2007). Images in the aftermath of trauma: Responding to September 11th. Crime, media, culture, 3(1), 30-48.
  • iNTERNET KAYNAKLARI
  • Dana Rosenblatt, “Behavioral Screening: The Future of Airport Security?” 17 Aralık 2008. http://edition.cnn.com/2008/TECH/12/02/airport.security/index.htm?eref=rss_topstories;
  • Dominic Pettman, “From September 11 to 7 II: Popular Propaganda and the Internet’s War on Terrorism,” Largeur.com, 5 Ocak 2002
  • Gareth Beaves, “Dont Think About Bombs, Dont Think About Bombs”, TechRadar.com, 11 Mayıs 2009. www.techradar.com/news/world-of-tech/eu-tests-brain-scanning-to-catch-terrorists-597786
  • http://premediation.blogspot.com
  • FİLMLER
  • Bress, E. & Gruber, M. (2004). The Butterfly Effect. (Sinema Filmi). ABD-Kanada: BenderSpink (co-production), FilmEngine (co-production), Katalyst Films
  • David, S. (2004). 9/11 Memorial from Ground Zero (Drama Belgesel). ABD: Bard Entertainment.
  • Cameron, J. (Yönetmen), Hurd, G. A. & Ling, V. (Yapımcı). (1989). The Abyss (Sinema Filmi). ABD: Twentieth Century Fox, Pacific Western, Lightstorm Entertainment.
  • Carne, M. (1953). Le jour se lève (Sinema Filmi). Fransa: Productions Sigma.
  • Rosselini, R. (1945). Roma città aperta (Sinema Filmi), İtalya: Excelsa Film.

Sonuç: Nöro-İmge Gelecekten Beyin Ekranlar

Yıl 2018, Cilt: 3 Sayı: 6, 135 - 141, 25.12.2018

Öz

Patricia Pisters'ın kitabı 21. YY'ın küreselleşmiş sinemasına yeni bir kavram, "nöro-imge" kavramı aracılığıyla bakmaktadır. Nöro-imge Deleuze''ün hareket imge ve zaman imge kavramlarından yola çıkarak üretilmiştir. Kitap nöro-imge'yi felsefi açıdan açıklamakta, nörobilimden çok estetik, ontolojik ve epistemolojik boyutlara odaklanmaktadır. Kitabın sonuç kısmı nöro-imge'nin politik ve etik görünüşlerine; tarihsel belleğin üretimi, nöro-imge'nin politikayı etkileme yolları, savaş bağlamındaki ekranların ve savaş filmlerinin çoğalması gibi konulara ayrılmıştır. Patricia Pisters bu kitapla bize nöro-imge'nin neden günümüzde ortaya çıktığına dair bir anlayış kazandırmaktadır. Kitabın sonuç makalesinde tüm bunları toparlamanın yanı sıra nöro-imge kavramını açıklığa kavuşturmaktadır.

Abstract

Patricia Pisters's book approaches 21st-century globalized cinema through the new concept of the “neuro-image. The concept produced through Deleuze's movement image and time image concepts. The book explores neuro-images from a philosophical point of view, paying less attention to science and more to their ontological, epistemological, and aesthetic dimensions. The final section of the book is dedicated to the political and ethical aspects of the neuro-image, including the production of historical memory, the ways in which the neuro-image can impact politics, and the multiplication of screens in the context of war and war films. Pisters leaves us with an understanding of why it is that the neuro-image has emerged in our present moment. In the Conclusion article of the book, Pisters clarifies neuro-image concept as well as she sums up all.



Kaynakça

  • Baudrillard, J. (2002). The Spirit of Terrorism, çev: Chris Turner. (London: Verso).
  • Canton, J. (2007). The Extreme Future: The Top Trends That Will Reshape the World in the NEXT 20 Years (New York: Plume), x.
  • Deleuze, G. (1986). Cinema 1: the movement-image, çev: Hugh Tomlinson and Barbara Habberjam. London: Continuum.
  • Deleuze, G. (1994). Difference and Repetition, çev: Paul Patton, London: Athlone Press.
  • Deleuze, G. & Guattari, F. (1975). A Thousand Plateaus: Capitalism and Schizophrenia. Çev: Brian Massumi. (London: Athlon Press).
  • Gazzaniga, M. (1998). Gazzaniga, The Mind's Past, University of California Press, Berkeley, CA.
  • Grusin, R. (2010). Premediation: Affect and Mediality After 9/11 (Houndmills, Basingstoke: Palgrave, Macmillan.
  • Hardt, M. & Negri, A. (2000). Empire, (Cambridge. MA: Harvard University Press).
  • Jenkins, H. (2006). Convergence culture: Where old and new media collide. NYU press.
  • Lipovetsky, G.& Serroy, J. (2007). L'écran global: culture-médias et cinéma à l'âge hypermoderne. Seuil.
  • Neidich, W. (2009). “Neuropower,” Atlantica Magazine of Art and Thought 48/49 :119-65, 123.
  • Young, A. (2007). Images in the aftermath of trauma: Responding to September 11th. Crime, media, culture, 3(1), 30-48.
  • iNTERNET KAYNAKLARI
  • Dana Rosenblatt, “Behavioral Screening: The Future of Airport Security?” 17 Aralık 2008. http://edition.cnn.com/2008/TECH/12/02/airport.security/index.htm?eref=rss_topstories;
  • Dominic Pettman, “From September 11 to 7 II: Popular Propaganda and the Internet’s War on Terrorism,” Largeur.com, 5 Ocak 2002
  • Gareth Beaves, “Dont Think About Bombs, Dont Think About Bombs”, TechRadar.com, 11 Mayıs 2009. www.techradar.com/news/world-of-tech/eu-tests-brain-scanning-to-catch-terrorists-597786
  • http://premediation.blogspot.com
  • FİLMLER
  • Bress, E. & Gruber, M. (2004). The Butterfly Effect. (Sinema Filmi). ABD-Kanada: BenderSpink (co-production), FilmEngine (co-production), Katalyst Films
  • David, S. (2004). 9/11 Memorial from Ground Zero (Drama Belgesel). ABD: Bard Entertainment.
  • Cameron, J. (Yönetmen), Hurd, G. A. & Ling, V. (Yapımcı). (1989). The Abyss (Sinema Filmi). ABD: Twentieth Century Fox, Pacific Western, Lightstorm Entertainment.
  • Carne, M. (1953). Le jour se lève (Sinema Filmi). Fransa: Productions Sigma.
  • Rosselini, R. (1945). Roma città aperta (Sinema Filmi), İtalya: Excelsa Film.
Toplam 23 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Felsefe
Bölüm Çeviri
Yazarlar

Ömür Şölen Soykan 0000-0003-4455-5545

Patricia Pisters Bu kişi benim

Yayımlanma Tarihi 25 Aralık 2018
Yayımlandığı Sayı Yıl 2018 Cilt: 3 Sayı: 6

Kaynak Göster

APA Soykan, Ö. Ş., & Pisters, P. (2018). Sonuç: Nöro-İmge Gelecekten Beyin Ekranlar. SineFilozofi, 3(6), 135-141.