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THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE

Yıl 2018, , 323 - 354, 31.01.2018
https://doi.org/10.21550/sosbilder.330967

Öz

Thomas
Hardy’s
Jude the Obscure (1895) successfully represents the conflict
between the individuals and the bourgeois industrial society in the late
Victorian period. Herbert Marcuse’s criticism of the contemporary industrial society,
which is actually a one dimensional society that imposes absolute norms on the
individuals who are forced to become one dimensional wo/men, is quite relevant
for a critical approach on this conflict. Marcuse’s approach enables a critical
analysis of the social hegemony on such characters as Jude Fawley and Sue
Bridehead in the novel. The institutionalised form of social oppression on the
individuals aims to force these characters to lead one dimensional lives in
accordance with dominant social norms. Hence, the protection of social harmony
and the established bourgeois social order depends on the subjection of these
individuals to the rules of the one dimensional society. So, this article
argues that, viewed from Herbert Marcuse’s perspective, social oppression in
Hardy’s
Jude the Obscure suppresses
individuality to create one dimensional characters in a one dimensional
society.




Kaynakça

  • Primary Source:
  • Hardy, Thomas (2000). Jude the Obscure. Hertfordshire: Wordsworth.
  • Secondary Sources:
  • Ausubel, Herman (1955). The Late Victorians: A Short History. New York: Van Nostrand.
  • Blake, Kathleen (1978). “The Woman of the Feminist Movement.” Studies in English Literature, 1500-1900, s. 18, c. 4, s.703-726. www.jstor.org. [Erişim: 20 Nisan 2017].
  • Butler, John Lance (1990). Thomas Hardy. Cambridge: Cambridge UP.
  • Davis, John (2009). “Enfranchisement of the Urban Poor.” Politics and Culture in Victorian Britain. Eds. Peter Ghosh and Lawrence Goldman. Oxford: Oxford UP. s. 95-117.
  • Draper, Ronald (1990). “Hardy’s Comic Tragedy: Jude the Obscure.” Critical Essays on Thomas Hardy: The Novels. Ed. Dale Kramer. Boston and Massachusetts: G. K. Hall. s. 243-254.
  • Ebbatson, Roger (2006). Heidegger’s Bicycle: Interfering with Victorian Texts. Portland: Sussex Academic P.
  • Harrison, John F. C (1991). Late Victorian Britain 1875-1901. London and New York: Routledge.
  • Harvey, Geoffrey (2003). The Complete Critical Guide to Thomas Hardy. London and New York: Routledge.
  • Heilman, Robert (1975). “Hardy’s Sue Bridehead.” Hardy: The Tragic Novels. Ed. R. P. Draper. Hong Kong: Macmillan. s. 209-226.
  • Hoopes, Kathleen (1957). “Illusion and Reality in Jude the Obscure.” Nineteenth-Century Fiction, s. 12, c. 2, s. 154-157. www.jstor.org. [Erişim: 2 Mayıs 2017].
  • Lodge, David (1979). “Jude the Obscure: Pessimism and Fictional Form.” Critical Approaches to The Fiction of Thomas Hardy. Ed. Dale Kramer. London: Macmillan. s. 193-202.
  • Marcuse, Herbert (2002). One Dimensional Man. 1964. 2nd ed. London and New York: Routledge.
  • Schwartz, Barry (1970). “Jude the Obscure in the Age of Anxiety.” Studies in English Literature, 1500-1900, s. 10, c. 4, s. 793-804. www.jstor.org. . [Erişim: 5 Mart 2017].
  • Schwarz, Daniel (1979). “Beginnings and Endings in Hardy’s Major Fiction.” Critical Approaches to The Fiction of Thomas Hardy. Ed. Dale Kramer. London: Macmillan. 17-35.
  • Spivey, Ted (1954). “Thomas Hardy’s Tragic Hero.” Nineteenth-Century Fiction, s. 9, c. 3, s. 179-191. www.jstor.org. . [Erişim: 5 Mart 2017].
  • Sprechman, Ellen Lew (1995). Seeing Women as Men: Role Reversal in the Novels of Thomas Hardy. Lanham: U P of America.
  • Watts, Cedric (1992). Thomas Hardy: Jude the Obscure. London: Penguin Books.
  • Williams, Merryn (1972). Thomas Hardy and Rural England. New York: Columbia UP.

Thomas Hardy’nin Jude The Obscure Eserinde Tek Boyutlu İnsan

Yıl 2018, , 323 - 354, 31.01.2018
https://doi.org/10.21550/sosbilder.330967

Öz



Thomas Hardy’nin Jude the Obscure (1895) eseri
bireyler ile geç Viktorya dönemi burjuva sanayi toplumu arasındaki çatışmayı
başarılı bir şekilde betimler. Herbert Marcuse’un günümüz sanayi toplumunu
sorgulayan yaklaşımı, ki bu toplumsal yapı bireyleri tek boyutlu insanlara
dönüşmeye zorlayan mutlak toplumsal kuralları baskıyla uygulayan tek boyutlu
bir toplumdur, bu çatışmanın eleştirel bir yaklaşımla incelenmesi amacına son
derece uygundur. Bu çalışmanın amacı, Marcuse’un yaklaşımını benimseyerek
romanda özellikle Jude Fawley ve Sue Bridehead gibi karakterlerin üzerindeki
toplumsal baskıyı eleştirel bir yaklaşımla incelemektir. Bireyler üzerindeki
sosyal baskının kurumsallaşmış olması, bu karakterleri hâkim sosyal kurallara
göre tek boyutlu yaşamlar sürmeye zorlar. Bu nedenle, sosyal uyumun ve kurulu
burjuva düzeninin korunması bu bireylerin tek boyutlu toplumun kurallarına mahkûm
edilmesine bağlıdır. Dolayısıyla, bu makale, Herber Marcuse’un bakış açısıyla
yaklaşıldığında, Hardy’nin
Jude the Obscure eserindeki toplumsal baskının, tek boyutlu toplumda yaşayan tek
boyutlu karakterler yaratmak amacıyla bireyselliği ortadan kaldırdığını
savunmaktadır.




Kaynakça

  • Primary Source:
  • Hardy, Thomas (2000). Jude the Obscure. Hertfordshire: Wordsworth.
  • Secondary Sources:
  • Ausubel, Herman (1955). The Late Victorians: A Short History. New York: Van Nostrand.
  • Blake, Kathleen (1978). “The Woman of the Feminist Movement.” Studies in English Literature, 1500-1900, s. 18, c. 4, s.703-726. www.jstor.org. [Erişim: 20 Nisan 2017].
  • Butler, John Lance (1990). Thomas Hardy. Cambridge: Cambridge UP.
  • Davis, John (2009). “Enfranchisement of the Urban Poor.” Politics and Culture in Victorian Britain. Eds. Peter Ghosh and Lawrence Goldman. Oxford: Oxford UP. s. 95-117.
  • Draper, Ronald (1990). “Hardy’s Comic Tragedy: Jude the Obscure.” Critical Essays on Thomas Hardy: The Novels. Ed. Dale Kramer. Boston and Massachusetts: G. K. Hall. s. 243-254.
  • Ebbatson, Roger (2006). Heidegger’s Bicycle: Interfering with Victorian Texts. Portland: Sussex Academic P.
  • Harrison, John F. C (1991). Late Victorian Britain 1875-1901. London and New York: Routledge.
  • Harvey, Geoffrey (2003). The Complete Critical Guide to Thomas Hardy. London and New York: Routledge.
  • Heilman, Robert (1975). “Hardy’s Sue Bridehead.” Hardy: The Tragic Novels. Ed. R. P. Draper. Hong Kong: Macmillan. s. 209-226.
  • Hoopes, Kathleen (1957). “Illusion and Reality in Jude the Obscure.” Nineteenth-Century Fiction, s. 12, c. 2, s. 154-157. www.jstor.org. [Erişim: 2 Mayıs 2017].
  • Lodge, David (1979). “Jude the Obscure: Pessimism and Fictional Form.” Critical Approaches to The Fiction of Thomas Hardy. Ed. Dale Kramer. London: Macmillan. s. 193-202.
  • Marcuse, Herbert (2002). One Dimensional Man. 1964. 2nd ed. London and New York: Routledge.
  • Schwartz, Barry (1970). “Jude the Obscure in the Age of Anxiety.” Studies in English Literature, 1500-1900, s. 10, c. 4, s. 793-804. www.jstor.org. . [Erişim: 5 Mart 2017].
  • Schwarz, Daniel (1979). “Beginnings and Endings in Hardy’s Major Fiction.” Critical Approaches to The Fiction of Thomas Hardy. Ed. Dale Kramer. London: Macmillan. 17-35.
  • Spivey, Ted (1954). “Thomas Hardy’s Tragic Hero.” Nineteenth-Century Fiction, s. 9, c. 3, s. 179-191. www.jstor.org. . [Erişim: 5 Mart 2017].
  • Sprechman, Ellen Lew (1995). Seeing Women as Men: Role Reversal in the Novels of Thomas Hardy. Lanham: U P of America.
  • Watts, Cedric (1992). Thomas Hardy: Jude the Obscure. London: Penguin Books.
  • Williams, Merryn (1972). Thomas Hardy and Rural England. New York: Columbia UP.
Toplam 21 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat ve Edebiyat
Bölüm Makaleler
Yazarlar

Ömer Öğünç 0000-0001-6787-4106

Yayımlanma Tarihi 31 Ocak 2018
Yayımlandığı Sayı Yıl 2018

Kaynak Göster

APA Öğünç, Ö. (2018). THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 19(34), 323-354. https://doi.org/10.21550/sosbilder.330967