Araştırma Makalesi

THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE

Cilt: 19 Sayı: 34 31 Ocak 2018
PDF İndir
EN TR

THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE

Öz

Thomas Hardy’s Jude the Obscure (1895) successfully represents the conflict between the individuals and the bourgeois industrial society in the late Victorian period. Herbert Marcuse’s criticism of the contemporary industrial society, which is actually a one dimensional society that imposes absolute norms on the individuals who are forced to become one dimensional wo/men, is quite relevant for a critical approach on this conflict. Marcuse’s approach enables a critical analysis of the social hegemony on such characters as Jude Fawley and Sue Bridehead in the novel. The institutionalised form of social oppression on the individuals aims to force these characters to lead one dimensional lives in accordance with dominant social norms. Hence, the protection of social harmony and the established bourgeois social order depends on the subjection of these individuals to the rules of the one dimensional society. So, this article argues that, viewed from Herbert Marcuse’s perspective, social oppression in Hardy’s Jude the Obscure suppresses individuality to create one dimensional characters in a one dimensional society.


Anahtar Kelimeler

Kaynakça

  1. Primary Source:
  2. Hardy, Thomas (2000). Jude the Obscure. Hertfordshire: Wordsworth.
  3. Secondary Sources:
  4. Ausubel, Herman (1955). The Late Victorians: A Short History. New York: Van Nostrand.
  5. Blake, Kathleen (1978). “The Woman of the Feminist Movement.” Studies in English Literature, 1500-1900, s. 18, c. 4, s.703-726. www.jstor.org. [Erişim: 20 Nisan 2017].
  6. Butler, John Lance (1990). Thomas Hardy. Cambridge: Cambridge UP.
  7. Davis, John (2009). “Enfranchisement of the Urban Poor.” Politics and Culture in Victorian Britain. Eds. Peter Ghosh and Lawrence Goldman. Oxford: Oxford UP. s. 95-117.
  8. Draper, Ronald (1990). “Hardy’s Comic Tragedy: Jude the Obscure.” Critical Essays on Thomas Hardy: The Novels. Ed. Dale Kramer. Boston and Massachusetts: G. K. Hall. s. 243-254.

Ayrıntılar

Birincil Dil

İngilizce

Konular

Sanat ve Edebiyat

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

31 Ocak 2018

Gönderilme Tarihi

26 Temmuz 2017

Kabul Tarihi

13 Kasım 2017

Yayımlandığı Sayı

Yıl 2018 Cilt: 19 Sayı: 34

Kaynak Göster

APA
Öğünç, Ö. (2018). THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 19(34), 323-354. https://doi.org/10.21550/sosbilder.330967
AMA
1.Öğünç Ö. THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. 2018;19(34):323-354. doi:10.21550/sosbilder.330967
Chicago
Öğünç, Ömer. 2018. “THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 19 (34): 323-54. https://doi.org/10.21550/sosbilder.330967.
EndNote
Öğünç Ö (01 Ocak 2018) THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 19 34 323–354.
IEEE
[1]Ö. Öğünç, “THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE”, Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, c. 19, sy 34, ss. 323–354, Oca. 2018, doi: 10.21550/sosbilder.330967.
ISNAD
Öğünç, Ömer. “THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 19/34 (01 Ocak 2018): 323-354. https://doi.org/10.21550/sosbilder.330967.
JAMA
1.Öğünç Ö. THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. 2018;19:323–354.
MLA
Öğünç, Ömer. “THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, c. 19, sy 34, Ocak 2018, ss. 323-54, doi:10.21550/sosbilder.330967.
Vancouver
1.Ömer Öğünç. THE ONE DIMENSIONAL MAN IN THOMAS HARDY’S JUDE THE OBSCURE. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. 01 Ocak 2018;19(34):323-54. doi:10.21550/sosbilder.330967