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Uzaylının Cinsiyeti: Lisa Tuttle'ın "Wives" Adlı Öyküsünde Bedenlenmiş Benliğin İnsanötesi Yorumu

Yıl 2022, Cilt: 7 Sayı: 3, 742 - 756, 30.12.2022
https://doi.org/10.29110/soylemdergi.1169340

Öz

Egemen söylem, günlük deneyimleri ve rutinleri düzenlemeyi amaçlayan yaygın girişimlerle her epistemik yapıya hâkim olmaya çalışır. Kültürden dile, cinsiyetten siyasal organizasyonlara kadar değişiklik gösteren disiplin uygulamaları hiyerarşik bir yapıda çok yönlü iktidar ilişkileri teşkil eder ve öznelerin yaşamaları için belli koşulları üretir. Beden alanındaki eleştirel çalışmaların da gösterdiği gibi beden hâkim söylemin temel hedeflerinden biridir; zira ideolojik bir yazım sahası olması itibariyle, düzene sokulmuş bir bedensellik deneyimi hâkim paradigmanın devamlılığını sağlar. Lisa Tuttle’ın “Wives” (“Zevceler”) adlı kısa hikâyesi bedenleşme etiğini merkeze alarak insanbiçimci sınırların dünya dışı varlıkların cinsiyetsiz bedenlerine nasıl işlendiğine odaklanır. Bilim-kurgu türünün özelliklerini taşıyan bu feminist anlatıda, insan-merkezli söylemin heteronormatif yapısı politik gündemini gerçekleştirebileceği yeni bir gezegen keşfeder. Hikâye, ideoloji ve bedenlenmiş öznellik arasındaki tehlikeli ilişki çerçevesinde insan-merkezli rejimin işleyişini sorgular. İktidar ilişkilerinde direniş içkin olduğu için, sömürgeleştirilen gezegenin yerli halkı bir biçimde hayatta kalmayı başarır; ancak bu hayatta kalma hali, Giorgio Agamben’in “çıplak yaşam” – ihtimallerden ve nitelikten arındırılmış bir yaşama biçimi - olarak adlandırdığı konuma indirgenmek pahasına mümkün olur. Bu çalışma Lisa Tuttle’ın “Zevceler” adlı hikâyesindeki ideolojik bedenlenme dinamiklerine insanötesi bir yorum getirir ve ideolojiyle beden arasındaki tehlikeli devamlılığı sorgulamayı hedefler.

Kaynakça

  • Agamben, Giorgio (1998). Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller- Roazen. Stanford: Stanford University Press.
  • Annas, Pamela J. (1978). “New Worlds, New Words: Androgyny in Feminist Science Fiction.” Science Fiction Studies 5 (2). 143-156.
  • Atayurt, Zeynep Z. (2014). “From Puppets to Cyborgs: (Un)Ruly Constructions of the Female Body and Femininity in Angela Carter’s ‘The Loves of Lady Purple and Lisa Tuttle’s ‘Wives.’” Worchester Papers 1: Representation of the Body in Fantasy and Gothic Literature. 75-89.
  • Attebery, Brian (2002). Decoding Gender in Science Fiction. New York: Routledge.
  • Bachelard, Gaston (1964). The Poetics of Space. Trans. Maria Jolas. Boston: Beacon Press.
  • Badmington, Neil (2004). Alien Chic: Posthumanism and the Other Within. London: Routledge.
  • Bordo, Susan (2003). Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley: University of California Press.
  • Braidotti, Rosi (1999). “Signs of Wonder and Traces of Doubt: On Teratology and Embodied Difference.” Feminist Theory and the Body: A Reader. Ed. Janet Price and Margrit Shildrick. New York: Routledge. 290-301.
  • Braidotti, Rosi (2016). “Posthuman Feminist Theory.” Oxford Handbook of Feminist Theory. Ed. Lisa Disch and Mary Hawkesworth. Oxford: Oxford University Press. 673-698.
  • Butler, Judith (1988). “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40 (4). 519–31.
  • Creed, Barbara (1993). The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge.
  • Davies, Tony (2008). Humanism. London: Routledge.
  • Foucault, Michel (1977). Discipline and Punish: The Birth of the Prison. London: Penguin.
  • Gomel, Elana (2011). “Science (Fiction) and Posthuman Ethics: Redefining the Human.” The European Legacy 16 (3). 339-354.
  • Gomel, Elana (2014). Science Fiction, Alien Encounters, and the Ethics of Posthumanism: Beyond the Golden Rule. Basingstoke: Palgrave Macmillan.
  • Graham, Elaine (2002). Representations of the Post/human: Monsters, Aliens, and Others in Popular Culture. Manchester: Manchester University Press.
  • Halberstam, Judith M., and Ira Livingston, eds (1995). Posthuman Bodies. Bloomington and Indianapolis: Indiana University Press.
  • Haran, Joan (2006). “Simians, Cyborgs, and Women in ‘Rachel in Love’”. Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Ed. Justin Larbalestier. Middletown, CT: Wesleyan University Press. 244-264.
  • Hay, Jonathan (2019). “Quotidian Science Fiction: Posthuman Dreams of Emancipation”. Iowa Journal of Cultural Studies 19. 29-46.
  • Hawkins, Cathy (2006). “The Universal Wife: Exploring 1970s Feminism with Lisa Tuttle's ‘Wives’.” Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Ed. Justine Larbalestier. Connecticut: Wesleyan University Press. 199-216.
  • Heilbrun, Carolyn (1973). Toward a Recognition of Androgyny. New York: A. Knopf.
  • Hollinger, Veronica (2009). “Posthumanism and Cyborg Theory.” The Routledge Companion to Science Fiction. London: Routledge. 289-300.
  • Hurley, Kelly (1995). “Reading like an Alien: Posthuman Identity in Ridley Scott’s Alien and Cronenberg’s Rabid.” Posthuman Bodies. Ed. Judith M. Halberstam and Ira Livingston. Bloomington and Indianapolis: Indiana University Press. 203-224.
  • Koistinen, Aino-Kaisa, and Sanna Karkulehto (2018). “Posthuman (ist) Feminism, Feminist Posthumanities.” Critical Posthumanism: Genealogy of the Posthuman 24. https://criticalposthumanism.net/feminism/
  • Lefanu, Sarah (1989). Feminism and Science Fiction. Bloomington and Indianapolis: Indiana University Press.
  • MacCormack, Patricia (2011). Posthuman Ethics: Embodiment and Cultural Theory. London: Routledge.
  • Mulvey, Laura (1989). “Visual Pleasure and Narrative Cinema.” Visual and Other Pleasures. London: Palgrave Macmillan. 14-26.
  • Murray, Alex (2010). Giorgio Agamben. London: Routledge.
  • Pateau, Francette (1986). “The Impossible Referent: Representations of the Androgyny.” Formations of Fantasy. Ed. Victor Burgin, James Donald and Cora Kaplan. London and New York: Methuen. 62-84.
  • Pepperell, Robert (2003). The Posthuman Condition. Bristol: Intellect.
  • Rich, Adrienne (1980). “Compulsory Heterosexuality and Lesbian Existence.” Signs: Journal of Women in Culture and Society 5 (4). 631-660.
  • Seed, David (2011). Science Fiction: A Very Short Introduction. Oxford: Oxford University Press.
  • Tuttle, Lisa (2006). “Wives.” Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Ed. Justine Larbalestier. Connecticut: Wesleyan University Press. 190-198.
  • Vint, Sherryl (2007). Bodies of Tomorrow: Technology, Subjectivity, Science Fiction. Toronto: University of Toronto Press.
  • Wolmark, Jenny (1988). “Alternative futures? Science fiction and feminism.” Cultural Studies 2 (1): 48-56.
  • Wolmark, Jenny (1994). Aliens and Others: Science Fiction, Feminism and Postmodernism. Iowa City: University of Iowa Press.
  • Yaszek, Lisa., and Ellis, Jason (2016). “Science Fiction.” The Cambridge Companion to Literature and the Posthuman. Ed. Bruce Clarke and Manuela Rossini. Cambridge: Cambridge University Press. 71-83.

Sexing the Alien: A Posthuman Hermeneutics of the Embodied Self in Lisa Tuttle’s “Wives"

Yıl 2022, Cilt: 7 Sayı: 3, 742 - 756, 30.12.2022
https://doi.org/10.29110/soylemdergi.1169340

Öz

Dominant discourses seek to take hold of every epistemic stratum through ubiquitous attempts to regulate quotidian experiences and routines. Ranging from language to culture, from gender to political organizations, disciplinary practices constitute a complex web of relations in hierarchical structures and produce specific identities and situations for subjects to inhabit. As critical scholarship in body studies has shown, body is among the central focuses of dominant discourses in that a regulated experience of corporeality secures, as a site of ideological inscription, the continuity of governing paradigms. Lisa Tuttle’s “Wives” calls for a reformulation of the ethics of embodiment and explores how anthropomorphic demarcations are imprinted upon the genderless bodies of extra-terrestrial beings. In this feminist narrative featuring the generic qualities of science fiction, the heteronormative register of the anthropocentric thought finds a new space (a different planet) to actualize its political agenda. The story interrogates the functioning of the humanist set of beliefs against the background of the precarious relation of ideology to embodied subjectivity. As resistance is an immanent constituent of power relations, the nonhuman inhabitants of the colonized planet somehow manage to survive upon being captured by men; nevertheless, this happens at the expense of being reduced to what Giorgio Agamben calls “bare life,” a way of living that is stripped of its potentials and qualities. This study offers a posthuman hermeneutics of the ideological embodiment in Lisa Tuttle’s story and seeks to question the precarious continuity between ideology and the body.

Kaynakça

  • Agamben, Giorgio (1998). Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller- Roazen. Stanford: Stanford University Press.
  • Annas, Pamela J. (1978). “New Worlds, New Words: Androgyny in Feminist Science Fiction.” Science Fiction Studies 5 (2). 143-156.
  • Atayurt, Zeynep Z. (2014). “From Puppets to Cyborgs: (Un)Ruly Constructions of the Female Body and Femininity in Angela Carter’s ‘The Loves of Lady Purple and Lisa Tuttle’s ‘Wives.’” Worchester Papers 1: Representation of the Body in Fantasy and Gothic Literature. 75-89.
  • Attebery, Brian (2002). Decoding Gender in Science Fiction. New York: Routledge.
  • Bachelard, Gaston (1964). The Poetics of Space. Trans. Maria Jolas. Boston: Beacon Press.
  • Badmington, Neil (2004). Alien Chic: Posthumanism and the Other Within. London: Routledge.
  • Bordo, Susan (2003). Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley: University of California Press.
  • Braidotti, Rosi (1999). “Signs of Wonder and Traces of Doubt: On Teratology and Embodied Difference.” Feminist Theory and the Body: A Reader. Ed. Janet Price and Margrit Shildrick. New York: Routledge. 290-301.
  • Braidotti, Rosi (2016). “Posthuman Feminist Theory.” Oxford Handbook of Feminist Theory. Ed. Lisa Disch and Mary Hawkesworth. Oxford: Oxford University Press. 673-698.
  • Butler, Judith (1988). “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40 (4). 519–31.
  • Creed, Barbara (1993). The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge.
  • Davies, Tony (2008). Humanism. London: Routledge.
  • Foucault, Michel (1977). Discipline and Punish: The Birth of the Prison. London: Penguin.
  • Gomel, Elana (2011). “Science (Fiction) and Posthuman Ethics: Redefining the Human.” The European Legacy 16 (3). 339-354.
  • Gomel, Elana (2014). Science Fiction, Alien Encounters, and the Ethics of Posthumanism: Beyond the Golden Rule. Basingstoke: Palgrave Macmillan.
  • Graham, Elaine (2002). Representations of the Post/human: Monsters, Aliens, and Others in Popular Culture. Manchester: Manchester University Press.
  • Halberstam, Judith M., and Ira Livingston, eds (1995). Posthuman Bodies. Bloomington and Indianapolis: Indiana University Press.
  • Haran, Joan (2006). “Simians, Cyborgs, and Women in ‘Rachel in Love’”. Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Ed. Justin Larbalestier. Middletown, CT: Wesleyan University Press. 244-264.
  • Hay, Jonathan (2019). “Quotidian Science Fiction: Posthuman Dreams of Emancipation”. Iowa Journal of Cultural Studies 19. 29-46.
  • Hawkins, Cathy (2006). “The Universal Wife: Exploring 1970s Feminism with Lisa Tuttle's ‘Wives’.” Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Ed. Justine Larbalestier. Connecticut: Wesleyan University Press. 199-216.
  • Heilbrun, Carolyn (1973). Toward a Recognition of Androgyny. New York: A. Knopf.
  • Hollinger, Veronica (2009). “Posthumanism and Cyborg Theory.” The Routledge Companion to Science Fiction. London: Routledge. 289-300.
  • Hurley, Kelly (1995). “Reading like an Alien: Posthuman Identity in Ridley Scott’s Alien and Cronenberg’s Rabid.” Posthuman Bodies. Ed. Judith M. Halberstam and Ira Livingston. Bloomington and Indianapolis: Indiana University Press. 203-224.
  • Koistinen, Aino-Kaisa, and Sanna Karkulehto (2018). “Posthuman (ist) Feminism, Feminist Posthumanities.” Critical Posthumanism: Genealogy of the Posthuman 24. https://criticalposthumanism.net/feminism/
  • Lefanu, Sarah (1989). Feminism and Science Fiction. Bloomington and Indianapolis: Indiana University Press.
  • MacCormack, Patricia (2011). Posthuman Ethics: Embodiment and Cultural Theory. London: Routledge.
  • Mulvey, Laura (1989). “Visual Pleasure and Narrative Cinema.” Visual and Other Pleasures. London: Palgrave Macmillan. 14-26.
  • Murray, Alex (2010). Giorgio Agamben. London: Routledge.
  • Pateau, Francette (1986). “The Impossible Referent: Representations of the Androgyny.” Formations of Fantasy. Ed. Victor Burgin, James Donald and Cora Kaplan. London and New York: Methuen. 62-84.
  • Pepperell, Robert (2003). The Posthuman Condition. Bristol: Intellect.
  • Rich, Adrienne (1980). “Compulsory Heterosexuality and Lesbian Existence.” Signs: Journal of Women in Culture and Society 5 (4). 631-660.
  • Seed, David (2011). Science Fiction: A Very Short Introduction. Oxford: Oxford University Press.
  • Tuttle, Lisa (2006). “Wives.” Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Ed. Justine Larbalestier. Connecticut: Wesleyan University Press. 190-198.
  • Vint, Sherryl (2007). Bodies of Tomorrow: Technology, Subjectivity, Science Fiction. Toronto: University of Toronto Press.
  • Wolmark, Jenny (1988). “Alternative futures? Science fiction and feminism.” Cultural Studies 2 (1): 48-56.
  • Wolmark, Jenny (1994). Aliens and Others: Science Fiction, Feminism and Postmodernism. Iowa City: University of Iowa Press.
  • Yaszek, Lisa., and Ellis, Jason (2016). “Science Fiction.” The Cambridge Companion to Literature and the Posthuman. Ed. Bruce Clarke and Manuela Rossini. Cambridge: Cambridge University Press. 71-83.
Toplam 37 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat ve Edebiyat
Bölüm EDEBİYAT / ARAŞTIRMA MAKALELERİ
Yazarlar

Rıza Çimen 0000-0002-8074-9155

Yayımlanma Tarihi 30 Aralık 2022
Gönderilme Tarihi 31 Ağustos 2022
Kabul Tarihi 16 Kasım 2022
Yayımlandığı Sayı Yıl 2022 Cilt: 7 Sayı: 3

Kaynak Göster

APA Çimen, R. (2022). Sexing the Alien: A Posthuman Hermeneutics of the Embodied Self in Lisa Tuttle’s “Wives". Söylem Filoloji Dergisi, 7(3), 742-756. https://doi.org/10.29110/soylemdergi.1169340