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Revenge Tragedy Revisited: Women and Law in Nina Raine’s Consent

Yıl 2024, Cilt: 9 Sayı: 2, 743 - 758, 29.08.2024
https://doi.org/10.29110/soylemdergi.1487991

Öz

‘Revenge’ has been a common theme in western drama, the primary examples of which are found in well-known Ancient Greek plays and Renaissance revenge tragedies, in which one major thematic quality of revenge is its affinity with the themes of ‘justice’ and ‘law’. Mirroring the inefficacy of legal mechanisms in such well-known plays, Nina Raine’s Consent (2017) portrays three women who have to struggle against a gendered-biased legal system with their own methods in their search for justice. This article argues the play can be read as a contemporary revenge tragedy with a feminist outlook, in which the female characters suffocated within a patriarchal legal construction try to attain justice on their own, portraying women’s permanent confinement within legal discourse both in real life and dramatic representations.

Kaynakça

  • Andes, Anna (2019). “Consent by Nina Raine (Review)”. Theatre Journal, 71(3), 390-392. https://doi.org/10.1353/tj.2019.0064
  • Aston, Elaine (2020). Restaging Feminisms. Cham: Palgrave Macmillan.
  • Bowers, Fredson (1940). Elizabethan Revenge Tragedy 1587-1642. Princeton: Princeton University Press.
  • Brittain, Amy (19 May 2024). “Me Too Movement”. Encyclopedia Britannica. https://www.britannica.com/topic/Me-Too-movement. Accessed 21 May 2024.
  • Busfield, Joan (1996). Men, Women and Madness: Understanding Gender and Mental Disorder. Basingstoke and London: Palgrave Macmillan.
  • Clare, Janet (2007). “Introduction: Revenge and Revenge Tragedy”. In Revenge Tragedies of the Renaissance (pp. 1-17). Devon: Northcore.
  • Çakırtaş, Önder (2020). Ten ve Kimlik: Çağdaş Siyahi İngiliz Tiyatrosu. İstanbul: Çizgi Kitabevi.
  • Daniels, Sarah (1991). Neaptide. In Plays: One (Ripen Our Darkness, The Devil’s Gateway, Masterpieces, Neaptide, Byrthrite) (pp. 231-327). London: Methuen Drama.
  • Dunne, Derek (2016). “Introduction”. In C. C. Brown and A. Hadfield (Eds.) Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice (pp. 1-15). Basingstoke: Palgrave Macmillan.
  • Galsworthy, John (1914). Justice: A Tragedy in Four Acts. New York: Charles Scribner’s Sons.
  • Garcia, Manon (2023). The Joy of Consent: A Philosophy of Good Sex. Cambridge and London: The Belknap Press of Harvard University Press.
  • Griswold, Wendy (1986). Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576- 1980. Chicago and London: The University of Chicago Press.
  • Ünlü Çimen, Esra (2023). Metatheatre as Political Satire in Renaissance and Twentieth-Century English Drama. (Unpublished Ph.D. dissertation). Ankara: Ankara University. Ulusal Tez Merkezi. https://tez.yok.gov.tr/UlusalTezMerkezi/tezSorguSonucYeni.jsp

İntikam Trajedisi Geri Dönüyor: Nina Raine’in Consent Oyununda Kadınlar ve Hukuk

Yıl 2024, Cilt: 9 Sayı: 2, 743 - 758, 29.08.2024
https://doi.org/10.29110/soylemdergi.1487991

Öz

‘İntikam’, Batı tiyatrosunda ilk örnekleri Antik Yunan trajedilerinde ve Rönesans intikam trajelerinde görülen yaygın bir temadır. İntikam trajedisinin (revenge tragedy) göze çarpan bir özelliği ‘adalet’ ve ‘hukuk’ konuları ile ilişkili olmasıdır. Nina Raine’in Consent (2017) oyunu bu oyunlarda görülen hukuki aksaklıkları yansıtır ve adalete erişme yolunda cinsiyet temelli mekanizmalar tarafından engellenen üç kadının kendi yöntemleriyle adalet arayışını konu edinir. Bu makalede, oyunun ataerkil bir hukuk sistemi içerisinde hareket edemeyen kadın karakterlerin kendi başlarına adalete erişme çabasını ele alması bakımından, feminist bir perspektifi yansıtan çağdaş bir intikam trajedisi olarak okunabileceği ve gerçek hayatta ve dramatik temsillerde kadınların hukuki yapı içerisindeki süregelen sıkışmışlıklarını ortaya koyduğu fikri ele alınır.

Kaynakça

  • Andes, Anna (2019). “Consent by Nina Raine (Review)”. Theatre Journal, 71(3), 390-392. https://doi.org/10.1353/tj.2019.0064
  • Aston, Elaine (2020). Restaging Feminisms. Cham: Palgrave Macmillan.
  • Bowers, Fredson (1940). Elizabethan Revenge Tragedy 1587-1642. Princeton: Princeton University Press.
  • Brittain, Amy (19 May 2024). “Me Too Movement”. Encyclopedia Britannica. https://www.britannica.com/topic/Me-Too-movement. Accessed 21 May 2024.
  • Busfield, Joan (1996). Men, Women and Madness: Understanding Gender and Mental Disorder. Basingstoke and London: Palgrave Macmillan.
  • Clare, Janet (2007). “Introduction: Revenge and Revenge Tragedy”. In Revenge Tragedies of the Renaissance (pp. 1-17). Devon: Northcore.
  • Çakırtaş, Önder (2020). Ten ve Kimlik: Çağdaş Siyahi İngiliz Tiyatrosu. İstanbul: Çizgi Kitabevi.
  • Daniels, Sarah (1991). Neaptide. In Plays: One (Ripen Our Darkness, The Devil’s Gateway, Masterpieces, Neaptide, Byrthrite) (pp. 231-327). London: Methuen Drama.
  • Dunne, Derek (2016). “Introduction”. In C. C. Brown and A. Hadfield (Eds.) Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice (pp. 1-15). Basingstoke: Palgrave Macmillan.
  • Galsworthy, John (1914). Justice: A Tragedy in Four Acts. New York: Charles Scribner’s Sons.
  • Garcia, Manon (2023). The Joy of Consent: A Philosophy of Good Sex. Cambridge and London: The Belknap Press of Harvard University Press.
  • Griswold, Wendy (1986). Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576- 1980. Chicago and London: The University of Chicago Press.
  • Ünlü Çimen, Esra (2023). Metatheatre as Political Satire in Renaissance and Twentieth-Century English Drama. (Unpublished Ph.D. dissertation). Ankara: Ankara University. Ulusal Tez Merkezi. https://tez.yok.gov.tr/UlusalTezMerkezi/tezSorguSonucYeni.jsp
Toplam 13 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Dünya Dilleri, Edebiyatı ve Kültürü (Diğer)
Bölüm EDEBİYAT / ARAŞTIRMA MAKALELERİ
Yazarlar

Esra Ünlü Çimen 0000-0001-6481-8854

Yayımlanma Tarihi 29 Ağustos 2024
Gönderilme Tarihi 22 Mayıs 2024
Kabul Tarihi 25 Temmuz 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 9 Sayı: 2

Kaynak Göster

APA Ünlü Çimen, E. (2024). Revenge Tragedy Revisited: Women and Law in Nina Raine’s Consent. Söylem Filoloji Dergisi, 9(2), 743-758. https://doi.org/10.29110/soylemdergi.1487991