Bir İletişim Aracı ve Sanat Disiplini Olarak Pandemi Döneminde Fotoğraf
Öz
Anahtar Kelimeler
Kaynakça
- Referans1 Friday,J.(2000) Demonic Curiosity and The Aesthetics of Documentary Photography. British Journal of Aesthetics, 40(3), 356-375.
- Referans2 Gernsheim, H. (1991) Creative Photography Aesthetic Trends 1839-1960 1st ed. New York: Dover Publications, 229.
- Referans3 Oliveira, A.A. (2016). Post-photography, or are we past photography.H. Ferreira (Ed) Post-Screen: Intermittence + Interference içinde (68-76) Lisbon: Faculty of Fine Arts, University of Lisbon
- Referans4 McMaster, Scott. (2015). Truth in Photography or: How I Learned to Stop Worrying and Press the Shutter. N/A. 10.18848/2154-8560/CGP/v08i02/77-98.
- Referans5 Steichen, E, (1958). Photography: Witness and Recorder of Humanity. The Wisconsin Magazine of History,41(3), 159 – 167.
- Referans6 Ap photos: Photographers Reflect on Single Shot of Pandemic (2021) (https://apnews.com/article/photography-pandemics-ap-top-news-coronavirus-pandemic-ee22b9c3badb6f8b0343b6b7a5ea49ae) Accessed: 15 May 2021
- Referans7 CNN: The Defining Photos of The Pandemic — and The Stories Behind Them (2021) (https://edition.cnn.com/interactive/2021/03/world/coronavirus-pandemic-cnnphotos/) Accessed:15 May 2021
- Referans8 Evrim Ağacı: Post Truth (Gerçeklik Ötesi): Yalanların Gerçekmiş Gibi Sunulduğu Bir Dünyada, Hakikatin Anlamı Nedir? (2020) (https://evrimagaci.org/post-truth-gerceklik-otesi-yalanlarin-gercekmis-gibi-sunuldugu-bir-dunyada-hakikatin-anlami-nedir-8574) Accessed: 02 June 2021
Ayrıntılar
Birincil Dil
Türkçe
Konular
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Bölüm
Araştırma Makalesi
Yazarlar
Nur Onat
*
0000-0002-1218-9387
Türkiye
Yayımlanma Tarihi
29 Aralık 2021
Gönderilme Tarihi
14 Ekim 2021
Kabul Tarihi
10 Aralık 2021
Yayımlandığı Sayı
Yıl 2021 Cilt: 2 Sayı: 3
