The Manners and Rituals of the Ankara Rifai Lodge and the Practices of the Lodge's Music in the Dhikr Arrangement

Öz

This study is about the religious musical practices of a Rifai lodge established in Ankara. The historical process of the Sufi movement, which was established in Araplar village of Mamak district of Ankara in 1984, was first menThis study is about the religious musical practices of a Rifai lodge established in Ankara. The historical process of the Sufi movement, which was established in Araplar village of Mamak district of Ankara in 1984, was first mentioned, then the life of its founder was mentioned and the etiquette and customs of the sect were touched upon. Its relationship with music has also been determined as a result of archives, interviews and observations. The dhikr arrangement of the lodge is included and the musical elements in the dhikr arrangement are emphasized. In the dhikr order, bismillah, recitation of the Holy Quran, salawats, forgiveness, names, hymns, prayers, eulogies, etc. The sections containing music were identified and notated. However, tasbihats are also mentioned. In the lodge, which also attaches importance to meditations, songs such as suğul, hymn, tevşih, breath, elegy, etc. are performed. In these forms, works are performed as chorale with instruments such as Kanun, Ney, Bendir, Halile, Erbane and Kudüm. The problem of this study is: Is there a harmony between the music and dhikr organization of Ankara Rifai Lodge? What is the place of Ankara Rifai Lodge in Turkish religious music? was determined as. The research was prepared by using qualitative research methods such as source scanning, data collection, comparison and sampling. The importance of the study was determined as the importance of Ankara Rifai Lodge in terms of music due to the abundance of religious musical elements.tioned, then the life of its founder was mentioned and the etiquette and customs of the sect were touched upon. Its relationship with music has also been determined as a result of archives, interviews and observations. The dhikr arrangement of the lodge is included and the musical elements in the dhikr arrangement are emphasized. In the dhikr order, bismillah, recitation of the Holy Quran, salawats, forgiveness, names, hymns, prayers, eulogies, etc. The sections containing music were identified and notated. However, tasbihats are also mentioned. In the lodge, which also attaches importance to meditations, songs such as suğul, hymn, tevşih, breath, elegy, etc. are performed. In these forms, works are performed as chorale with instruments such as Kanun, Ney, Bendir, Halile, Erbane and Kudüm. The problem of this study is: Is there a harmony between the music and dhikr organization of Ankara Rifai Lodge? What is the place of Ankara Rifai Lodge in Turkish religious music? was determined as. The research was prepared by using qualitative research methods such as source scanning, data collection, comparison and sampling. The importance of the study was determined as the importance of Ankara Rifai Lodge in terms of music due to the abundance of religious musical elements.

Anahtar Kelimeler

• Turkish Religious Music
• Lodge Music
• Rifâî
• Dhikr
• Sufism

Ankara Rifâî Âsitânesinin Âdâbı, Erkânı ve Zikir Tertibindeki Türk Din Mûsikîsi Uygulamaları

Öz

Bu çalışma Ankara’da kurulmuş bir Rifâî tekkesinin dinî mûsikî uygulamalarını konu almaktadır.1984 yılında Ankara’da Mamak ilçesine bağlı Araplar Köyü’nde kurulmuş olan tasavvufî hareketin ilk olarak tarihsel sürecine değinilmiş, akabinde kurucusunun hayatından bahsedilmiş ve tarikatın âdâb ve erkân konularına yer verilmiştir. Mûsikî ile ilişkisi de arşivler, mülâkâtlar ve gözlemler neticesinde tespit edilmiştir. Tekkenin zikir tertibine yer verilmiş ve zikir tertibindeki mûsikî unsurları üzerinde durulmuştur. Zikir tertibinde besmele, Kur’ân-ı Kerim tilâveti, salâvatlar, istiğfarlar, esmâlar, ilahiler, şuğuller, kasideler vb. mûsikînin olduğu bölümler tespit edilmiş ve notaya alınmıştır. Bununla birlikte tesbihatlara da ayrıca değinilmiştir. Meşklere de önem veren tekkede şuğul, ilahi, tevşih, nefes, mersiye vb. formlarda eserler kanun, ney, bendir, halile, erbane, kudüm gibi sazlarla beraber koral olarak icrâ edilmektedir. Yapılan bu çalışmanın problem durumunu “Ankara Rifâi Tekkesi’nin mûsikî ile zikir tertibi arasında bir uyum var mıdır?”, “Ankara Rifâi Tekkesi’nin Türk din mûsikîsindeki yeri nedir?” olarak belirlenmiştir. Araştırma nitel araştırma metotlarından kaynak tarama, veri toplama, karşılaştırma, örneklendirme yöntemlerine başvurularak hazırlanmıştır. Çalışmanın önemi ise Ankara Rifâî Tekkesi’nin dinî mûsikî unsurlarının çokça olması sebebiyle mûsikî açısından önem arz etmesi olarak belirlenmiştir.

Anahtar Kelimeler

• Türk Din Mûsikîsi
• Tekke Mûsikîsi
• Rifâîlik
• Zikir
• Tasavvuf

Kaynakça

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