Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2019, Sayı: 47, 485 - 494, 19.12.2019
https://doi.org/10.21563/sutad.855906

Öz

Kaynakça

  • AK, Seyit Ali (2001), Erken Cumhuriyet Dönemi Türk Fotoğrafı Early Republican Period Turkish Photograph, İstanbul: Remzi Bookstore.
  • ATASOY, Nurhan (1986), Kıyafetnamelerin Doğuşu ve Fenerci Mehmed Kıyafetnamesi Fenerci Mehmed Outfit, Osmanlı Kıyafetleri Fenerci Mehmed Albümü Ottoman Clothes Fenerci Mehmed Album. Koç Foundation.
  • BARTHES, Roland (2008), Moda Dizgesi-Seçme Parçalar Fashion String-Featured Parts, Cogito Dergisi Cogito Magazine, Trans: Sema Rifat. Number: 55: İstanbul: Yapı Kredi Publications.
  • BAUDRILLARD, Jean (2008), Simgesel Değiş Tokuş ve Ölüm Symbolic Exchange and Death, Trans: Oğuz Adanır, İstanbul: Boğaziçi University Publications.
  • BENJAMIN, Walter (1993), Pasajlar Passages, Trans: Ahmet Cemal, İstanbul: Yapı Kredi Publications.
  • BERBER, Levent (2010), Günümüz Moda Fotoğrafçılığının Sı̇nematografı̇k Üretime Etkileri Influence of Today’s Fashion Photography to Cinematographic Work, İzmir: DEÜ, GSF, (PhD Thesis).
  • DAYI, Handan (2006), 1990 Sonrası Türk Moda Fotoğrafında Genel Eğilimler, General Trends in Turkish Fashion Photography after 1990, İzmir: DEÜ, GSF, (Master’s Thesis).
  • DUCROS, Françoise (1998), The Dream of Beauty Fashion and Fantasy, A New History of Photography, Ed. Michel Frizot, Könemann, Köln.
  • ELLIOTT, Smedley (2000), Escaping to Reality Fashion Photography in the 1990s, Fashion Cultures: Theories Explorations and Analysis, Trans: Ufuk Uysaloğlu ed. Stella Bruzzi, Pamela Church Gibson, Routledge Taylor & Francis Group.
  • GARCIA, Jodi A. (2004), Fashion Photography and The Clothes Involved, (A Senior Thesis in General Studies), December.
  • HİMAM ER, F. Dilek (2009), “Modanın Yaratım Nesnesi Olarak Tasarı Bedenler”, ‘Design As a Fashion Object of Fashion Bodies’, Yedi Journal, Dokuz Eylül University Faculty of Fine Arts Publications, Number 2: 17 July, https://dspace.deu.edu.tr/xmlui/handle/12345/902
  • KISMARIC, Susan, RESPINI, Eva (2004), Fashioning Fiction, Trans: Ufuk Uysaloğlu, New York: The Museum of Modern Art.
  • KRUGER, Thomas (2001), Fashion Photography, Central University of Technology, Free State, March.
  • LEHNERT Gertrud (2002), A History of Fashion, in the 20th. Centrury, Köneman.
  • ÖZENDES, Engin (1992), Türkiye'de Fotoğraf Photo in Turkey, İstanbul: İletişim Publications.
  • ÖZENDES, Engin (1998), Abdullah Freres Osmanlı Sarayının Fotoğrafçıları Abdullah Freres Photographers of the Ottoman Palace, İstanbul: Yapı Kredi Publications.
  • STEELE, Valerie (1997), Fifty Years of Fashion New Look to Now, Yale Üniversity.
  • VEBLEN, Thorstein (2005), Aylak Sınıfın Teorisi The Theory of Moony Class, Trans: Zeynep Gültekin, Cumhur Atay. İstanbul: Babil Publications.
  • WIT, Corali De (1998), Fashion Photography, Diversity is Essential to Happiness, Technikon Free State, November.
  • 1919 İnci Magazine, Burqa models, Number 1, February, the last page. Accessed June 15, 2018. http://osmanlicalisani.blogspot.com/2012/05/osmanlca-dergi.html
  • 1957 Hayat Magazine, February-March. Accessed July 18,2018. http://www.turknostalji.com/fotogaleri/hayat-dergisi-1957-no-25-bir-bahar-kreasyonu-30-13.html
  • 1958 Hayat Magazine, Number, 90–96. Accessed July 19,2018. http://www.turknostalji.com/fotogaleri/turk-mankenleri-pariste-44-32.html
  • Yaşar Saraçoğlu 2019, https://yasarsaracoglu.com/

HISTORICAL DEVELOPMENT OF TURKISH FASHION PHOTOGRAPHY

Yıl 2019, Sayı: 47, 485 - 494, 19.12.2019
https://doi.org/10.21563/sutad.855906

Öz

Fashion photography is one of the most important areas that can be associated with fashion. The share of fashion photography is quite large in the promotion of every product that can be called fashion. Fashion photography is the photographing of a fashion item or a garment using different techniques, emphasizing the characteristics. Being especially multicolored is the most characteristic feature of fashion photography which distinguishes itself from other photographing areas.
Western clothing culture developed simultaneously with Tanzimat period, unlike the world, has found its place in Turkey in 80's. Despite the close pursuit of the West, there are different reasons behind the absence of the fashion photography field. Considering the history of fashion photography in Turkey, it is observed that studio photography pioneered the fashion photography.
The emergence of Turkey as a profession in fashion photography has gained importance in recent years is quite new. One of the biggest factors in this situation is that ever-changing fashion is now becoming a consumption object. The constant change in fashion makes fashion indispensable. One of the most important tools in this market will be fashion photography. The development of fashion and fashion photography has now become an integral unity. To reveal the status of fashion photography in Turkey in this regard is extremely important. With this study, it was concluded that fashion photographs were initially perceived as portrait and studio photography, and in further periods, they were shaped with technique, art and creativity. In this context, this study revealed the historical development, past and present of fashion photography, and some recommendations were brought up.

Kaynakça

  • AK, Seyit Ali (2001), Erken Cumhuriyet Dönemi Türk Fotoğrafı Early Republican Period Turkish Photograph, İstanbul: Remzi Bookstore.
  • ATASOY, Nurhan (1986), Kıyafetnamelerin Doğuşu ve Fenerci Mehmed Kıyafetnamesi Fenerci Mehmed Outfit, Osmanlı Kıyafetleri Fenerci Mehmed Albümü Ottoman Clothes Fenerci Mehmed Album. Koç Foundation.
  • BARTHES, Roland (2008), Moda Dizgesi-Seçme Parçalar Fashion String-Featured Parts, Cogito Dergisi Cogito Magazine, Trans: Sema Rifat. Number: 55: İstanbul: Yapı Kredi Publications.
  • BAUDRILLARD, Jean (2008), Simgesel Değiş Tokuş ve Ölüm Symbolic Exchange and Death, Trans: Oğuz Adanır, İstanbul: Boğaziçi University Publications.
  • BENJAMIN, Walter (1993), Pasajlar Passages, Trans: Ahmet Cemal, İstanbul: Yapı Kredi Publications.
  • BERBER, Levent (2010), Günümüz Moda Fotoğrafçılığının Sı̇nematografı̇k Üretime Etkileri Influence of Today’s Fashion Photography to Cinematographic Work, İzmir: DEÜ, GSF, (PhD Thesis).
  • DAYI, Handan (2006), 1990 Sonrası Türk Moda Fotoğrafında Genel Eğilimler, General Trends in Turkish Fashion Photography after 1990, İzmir: DEÜ, GSF, (Master’s Thesis).
  • DUCROS, Françoise (1998), The Dream of Beauty Fashion and Fantasy, A New History of Photography, Ed. Michel Frizot, Könemann, Köln.
  • ELLIOTT, Smedley (2000), Escaping to Reality Fashion Photography in the 1990s, Fashion Cultures: Theories Explorations and Analysis, Trans: Ufuk Uysaloğlu ed. Stella Bruzzi, Pamela Church Gibson, Routledge Taylor & Francis Group.
  • GARCIA, Jodi A. (2004), Fashion Photography and The Clothes Involved, (A Senior Thesis in General Studies), December.
  • HİMAM ER, F. Dilek (2009), “Modanın Yaratım Nesnesi Olarak Tasarı Bedenler”, ‘Design As a Fashion Object of Fashion Bodies’, Yedi Journal, Dokuz Eylül University Faculty of Fine Arts Publications, Number 2: 17 July, https://dspace.deu.edu.tr/xmlui/handle/12345/902
  • KISMARIC, Susan, RESPINI, Eva (2004), Fashioning Fiction, Trans: Ufuk Uysaloğlu, New York: The Museum of Modern Art.
  • KRUGER, Thomas (2001), Fashion Photography, Central University of Technology, Free State, March.
  • LEHNERT Gertrud (2002), A History of Fashion, in the 20th. Centrury, Köneman.
  • ÖZENDES, Engin (1992), Türkiye'de Fotoğraf Photo in Turkey, İstanbul: İletişim Publications.
  • ÖZENDES, Engin (1998), Abdullah Freres Osmanlı Sarayının Fotoğrafçıları Abdullah Freres Photographers of the Ottoman Palace, İstanbul: Yapı Kredi Publications.
  • STEELE, Valerie (1997), Fifty Years of Fashion New Look to Now, Yale Üniversity.
  • VEBLEN, Thorstein (2005), Aylak Sınıfın Teorisi The Theory of Moony Class, Trans: Zeynep Gültekin, Cumhur Atay. İstanbul: Babil Publications.
  • WIT, Corali De (1998), Fashion Photography, Diversity is Essential to Happiness, Technikon Free State, November.
  • 1919 İnci Magazine, Burqa models, Number 1, February, the last page. Accessed June 15, 2018. http://osmanlicalisani.blogspot.com/2012/05/osmanlca-dergi.html
  • 1957 Hayat Magazine, February-March. Accessed July 18,2018. http://www.turknostalji.com/fotogaleri/hayat-dergisi-1957-no-25-bir-bahar-kreasyonu-30-13.html
  • 1958 Hayat Magazine, Number, 90–96. Accessed July 19,2018. http://www.turknostalji.com/fotogaleri/turk-mankenleri-pariste-44-32.html
  • Yaşar Saraçoğlu 2019, https://yasarsaracoglu.com/
Toplam 23 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Araştırma Makalesi
Yazarlar

Özlem Kaya Bu kişi benim 0000-0002-8572-6577

Yayımlanma Tarihi 19 Aralık 2019
Yayımlandığı Sayı Yıl 2019 Sayı: 47

Kaynak Göster

APA Kaya, Ö. (2019). HISTORICAL DEVELOPMENT OF TURKISH FASHION PHOTOGRAPHY. Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi(47), 485-494. https://doi.org/10.21563/sutad.855906

Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi Creative Commons Atıf-GayriTicari 4.0 Uluslararası Lisansı (CC BY NC) ile lisanslanmıştır.