Akyol, S. (2006). Intibah’a dair. In Intibah. Ankara: Ozgur Yayinlari.
Bakhtin, M. (1981). Dialogic imagination. Michael Holquist (Ed.). Austin: University of Texas Press.
Bakhtin, M. (1984). Problems of Dostoyevsky’s poetics. Minneapolis: University of Minnesota Press.
Banfield, A. (2000). From unspeakable sentences: narration and representation in the language of fiction.” Michael McKeon (Ed.), Theory of the novel (515-536). Baltimore
& London: The Johns Hopkins UP. .
Bauer, D. (1988). Gender in Bakhtin’s carnival. Robyn R. Warhol & Diane Price Herndl (Ed.), Feminisms: an anthology of literary theory and criticism (671-684). New
Brunswick-New Jersey: Rutgers University Press.
Cassirer, E. (1953). The philosophy of symbolic forms: language. R. Manheim (Trans.). New Heaven: Yale University Press.
Cohn, D. (2000). Transparent minds: narrative modes for presenting consciousness in fiction. M. McKeon (Ed.), Theory of the novel (493-514). Baltimore & London: The
Johns Hopkins UP.
Hernall, D. P. (1991). The dilemmas of a feminine dialogic. Dale Bauer & S. Jaret McKinstry (Ed.), Feminism, Bakhtin, and the dialogic (7-24). Albany: State University of
New York Press. 7-24.
Enginün, İ. (2006). Yeni Türk edebiyatı/ Tanzimat’tan Cumhuriyet’e. Istanbul: Dergah Yayınları.
Foucault, M. (1995). Discipline & punish. New York: Vintage Books.
Gilbert, S. & Gubar, S. (1979). The madwoman in the attic. New Haven: Yale University Press.
Kaplan, M. (1997). Türk edebiyatı üzerinde araştırmalar. Istanbul: Dergah Yayınları.
Kemal, N. (2006). Intibah. Ankara: Ozgur Yayinlari.
Moi, T. (1985). Sexual/textual politics. New York: Methuen
Moran, B. (1983). Turk romanına eleştirel bir bakış I. İstanbul: Iletisim Yayincilik.
Tanpınar, A. H. (2001). 19cu asır Türk edebiyatı tarihi. Istanbul: Çağlayan Kitabevi.
Uçman, A. (2006). Namık Kemal. Prof. Dr. Ismail Parlatır (Ed.), Tanzimat edebiyatı (201-288). Ankara: Akçağ Yayınları.
Voloshinov, V. N. (1973). Marxism and the philosophy of language. L. Matejka & I. R. Titunik (Trans.). Cambridge: Harvard University Press.
THE SERPENT’S FANGS EMBEDDED IN THE HEEL: THE DIALOGIZATION OF AUTHORITY IN NAMIK KEMAL’S INTIBAH
The Turkish novelist Namık Kemal’s Intibah indicates how a character struggles against misrepresentation. In the novel, Ali Bey, a 22-year old educated boy, meets a very beautiful woman, whose name is Mehpeykey, as he walks in Çamlıca, and he falls in love with her. The narrator says that Mehpeyker does not have a virtuous background and he does his utmost to make the addressee hate her and believe that she is not a suitable partner for Ali Bey. However, the reader interestingly sympathizes with her throughout the novel because with her speech and actions Mehpeyker represents herself differently from what the narrator says about her. The present article studies the relationship and struggle between the narrator’s and Mehpeyker’s discourses based on the theory of the Russian critic Mikhail Bakhtin. Since in Intibah the narrator’s discourse appears as patriarchal discourse and another’s word as femininity which struggles against misrepresentation by patriarchy, a feminist reading of Bakhtin is also employed in the analysis of the novel. In Intibah Mehpeyker represents the voice of the other that disseminates the male authority of the narrator.
Akyol, S. (2006). Intibah’a dair. In Intibah. Ankara: Ozgur Yayinlari.
Bakhtin, M. (1981). Dialogic imagination. Michael Holquist (Ed.). Austin: University of Texas Press.
Bakhtin, M. (1984). Problems of Dostoyevsky’s poetics. Minneapolis: University of Minnesota Press.
Banfield, A. (2000). From unspeakable sentences: narration and representation in the language of fiction.” Michael McKeon (Ed.), Theory of the novel (515-536). Baltimore
& London: The Johns Hopkins UP. .
Bauer, D. (1988). Gender in Bakhtin’s carnival. Robyn R. Warhol & Diane Price Herndl (Ed.), Feminisms: an anthology of literary theory and criticism (671-684). New
Brunswick-New Jersey: Rutgers University Press.
Cassirer, E. (1953). The philosophy of symbolic forms: language. R. Manheim (Trans.). New Heaven: Yale University Press.
Cohn, D. (2000). Transparent minds: narrative modes for presenting consciousness in fiction. M. McKeon (Ed.), Theory of the novel (493-514). Baltimore & London: The
Johns Hopkins UP.
Hernall, D. P. (1991). The dilemmas of a feminine dialogic. Dale Bauer & S. Jaret McKinstry (Ed.), Feminism, Bakhtin, and the dialogic (7-24). Albany: State University of
New York Press. 7-24.
Enginün, İ. (2006). Yeni Türk edebiyatı/ Tanzimat’tan Cumhuriyet’e. Istanbul: Dergah Yayınları.
Foucault, M. (1995). Discipline & punish. New York: Vintage Books.
Gilbert, S. & Gubar, S. (1979). The madwoman in the attic. New Haven: Yale University Press.
Kaplan, M. (1997). Türk edebiyatı üzerinde araştırmalar. Istanbul: Dergah Yayınları.
Kemal, N. (2006). Intibah. Ankara: Ozgur Yayinlari.
Moi, T. (1985). Sexual/textual politics. New York: Methuen
Moran, B. (1983). Turk romanına eleştirel bir bakış I. İstanbul: Iletisim Yayincilik.
Tanpınar, A. H. (2001). 19cu asır Türk edebiyatı tarihi. Istanbul: Çağlayan Kitabevi.
Uçman, A. (2006). Namık Kemal. Prof. Dr. Ismail Parlatır (Ed.), Tanzimat edebiyatı (201-288). Ankara: Akçağ Yayınları.
Voloshinov, V. N. (1973). Marxism and the philosophy of language. L. Matejka & I. R. Titunik (Trans.). Cambridge: Harvard University Press.
Karadaş, F. (2020). THE SERPENT’S FANGS EMBEDDED IN THE HEEL: THE DIALOGIZATION OF AUTHORITY IN NAMIK KEMAL’S INTIBAH. Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi(48), 121-135. https://doi.org/10.21563/sutad.856449