BibTex RIS Kaynak Göster
Yıl 2013, Cilt: 9 Sayı: 16 - Cilt: 9 Sayı: 16, 71 - 82, 12.07.2016

Öz

Kaynakça

  • Bayrakçı Oğuz, 2004. Çağdafl İletiflim Kuramları Açısından: Tasarımda İletiflimsel Modeller, İstanbul: MSGSÜ Matbaası.
  • Chapanis, A. 1995. Ergonomics In Product Development: A Personal View, Ergonomics (1625–1638): 38.
  • Clark, K&Fujımoto, T. 1991. Product Development Performance: Strategy, Organization, And Management In The World Auto Industry, Boston: Harvard Business School Press.
  • Cell Phone Styles. 2012. Cell Phone Style İsn't Just Skin Deep . Eriflim Yeri: http://www.gizmocafe.com/ handhelds/parents-cellguide/cell-phone- styles.aspx [Eriflim tarihi: 09.04.2013]
  • CBS News. 2010. Number of cell phones worldwide hits”. Eriflim Yeri: http://www.cbsnews.com/sto ries/2010/02/15/ business/main6209772.shtml. [Eriflim tarihi: 26.05.2011]
  • Darlene J. Swerczek, 1985, Style As The Language Of Design, Design Methods and Theories (19/1): 218.
  • Dorsa, A., Malven F., Mickelson A. 1990. Semantically Safe Semantic vision in design. Symposium on design research and semiotics. (Ed) S. Vihma, Helsinki.
  • De Coverly, E., McDonagh, P., O’Malley, M. & Patterson, M. 2008. Hidden mountain: the social avoidance of waste. Journal of Macro market ing, 28 (3): 289
  • Fumihiko Kimuia. 1997. Issues in Styling and Engineering Design, Annals of the ClRP (46/2): 527.
  • Geyer, R.&Blass, V. D. 2010. The economics of cell phone reuse and recycling. International Journal of Manufacturing Technology (47):.5159.
  • Hagen, H., Hahmann, S. 1993. Curve and Surface Interrogation, (Eds.) Hagen, Mueller, Nielson. Focus on Scientific Visualization, 243-258, Springer.
  • Hill, Jane, H. 1999. Styling Locally, Styling Globally: What Does It Mean, Journal of Sociolinguistics (3/4): 542, Blackwell Publishers Ltd.
  • Heskett, J. 1980 Industrial Design, London: Thames and Hudson Ltd.
  • James L. Adams. 2004. Bir Mühendisin Dünyası, Ankara: Popüler Bilim Kitapları.
  • Jordan, P. 1998. Human factors for pleasure in product use, Applied Ergonomics (29): 25–33.
  • Jones, J.C. 1992. Design Methods, Van Nostrand Reinhold, New York
  • John H. Takamura Jr. 2007. Üründe Teleosemantik: Ürün Semantiğinin Evriminde Bir Sonraki Aflama, College of Design, Arizona State University, İASDR/0, 72.
  • Krippendorff, K.&Butter, R. 1984. Product Semantics: Exploring The Symbolic Qualities of Form (Innovations 3/2): 4
  • Karjalaınen Toni-Matti. 2001. Strategic Brand Identity and Symbolic Design Cues, University of Art and Design Helsinki.
  • Karjalaınen Toni-Matti. 2001. Strategic Brand Identity and Symbolic Design Cues, University of Art and Design Helsinki.
  • Karjalaınen Toni-Matti. 2001. Strategic Brand Identity and Symbolic Design Cues, University of Art and Design Helsinki.
  • Knoop, W., van Breemen, E., Horváth, I. Vergeest, J. Pham, B. 1998. Towards Computer Supported Design forAesthetics, Roller (Ed.), Proceeding ISATA, 403-412
  • Louie R. 1951. Never Leave Well Enouah Alone: The Locomotive: Its Esthetics, New York: Simon and Shuster.
  • Narter Çınar. 2009. Endüstriyel Tasarımın Kurumsal Kimlik Oluflturmadaki Rolü, Yüksek Lisans Tezi, Marmara Üniversitesi.
  • Ulrich, K.&Eppınger, S. 2008. Product Design and Development, London: McGraw-Hill.
  • Podehl Gerd. 2002. Terms And Measures For Stylıng Propertıes, Internatıonal Design Conference, Dubrovnik.
  • Pahl, G.&Beıtz, W. 1996. Engineering Design: A Systematic Approach, London: Springer.
  • Pahl, G, Beitz, W. 1988. Engineering Design: A Systematic Approach, Berlin: Springer-Verlag.
  • Pugh, S. 1990. Total Design, Harlow: Prentice Hall.
  • Suh N. 1990. The Principles of Design, Oxford University Press.
  • Schor, J. 1998. The overspent American: upscaling, down shifting, and the new consumer, New York: Basic Books/10.
  • Schmidt Eric. 2011. All the Numbers, All the Facts on Mobile the Trillion-Dollar Industry, Why is Google saying: Put your Best People on Mobile Eriflim Yeri: http://consultantvalueadded.com/2 011/03/07/mobile-as-a-trillion-dollar-industry- check-this. [Eriflim tarihi: 09.04. 2013]
  • Victor Margo Lin. 1997. Getting to Know The User, Design Studies (18): 227.
  • Volvo History. 2013. Volvo Brand Name and Logo History Eriflim Yeri: www.volvogroup.com/group/glob al/engb/volvo%20group/history/museums/pages /volvomuseum.aspx [Eriflim Tarihi: 07.04.2013]
  • Volvo Club. 2013. History of Founders of Volvo, Eriflim Yeri: www.volvoclub.org.uk/history/volvo_ logo.shtml [Eriflim tarihi: 09.04.2013].
  • fiekil 1. Khalid Halimahtun M. and Helander Martin G. 2004. A framework for affective customer needs in product design, Theor. Issues in Ergon. Sci.(5/1): 28.
  • fiekil 2. Podehl, Gerd. 2002. Terms And Measures For Stylıng Propertıes, Internatıonal Desıgn Conference -Desıgn 2002, Dubrovnik. 880.
  • fiekil 3. Weber, C. 1996. What is a Feature and What is its Use? - Results of FEMEX Working Group 1, Proceedings ISATA, Florenz, Italy. 287-269.
  • fiekil 4. Fumihiko Kimuia. 1997. Issues in Styling and Engineering Design, Annals of the ClRP (46/2): 527.
  • fiekil 5. (Fumihiko)
  • fiekil 6. Narter, Çınar. 2009. Endüstriyel Tasarımın Kurumsal Kimlik Oluflturmadaki Rolü, Marmara Üniversitesi, Yüksek Lisans Tezi, İstanbul. 82
  • Resim 1. www.volvo.com.se
  • Resim 2. www.sacvolvoclub.org/Home/volvo-history
  • Resim 3. www.swedenspeed.com
  • Resim 4. www.volvohistory.se
  • Resim 5. www.black&decker.com/history/drill
  • Resim 6. www.black&decker.com/history

Using “Styling” Conceptual Tool In Product Design: A Product Semantic Approach

Yıl 2013, Cilt: 9 Sayı: 16 - Cilt: 9 Sayı: 16, 71 - 82, 12.07.2016

Öz

Industrial design "styling" concept is generally described as the "Products altering the basic structural elements between the forms of perception”. Referred to here "perception", wants to give the message to be aware of or understand the product. Repeated a number of forms that create the perception occurs through a kind of product has led to the design. At this point, we must not mix up the styling and design. Design does not mean styling. Styling of the product does not mean that the external appearance and give shape to the shell. Styling Applications; cognitive sciences, hybrid technologies, is kept in sight, out of human psychological and physical needs of the state and includes the creation of form over function causality. "Styling" in Turkish is also referred as "shaping" and "stylization". In this article, under the discipline of Industrial Design "Semantic Concept Tools" and the "Design" is one of the methods of "styling" the implications of the concept of product design applications. In terms of product identification, products to reflect the context in which the concept of design and semantic approach to styling products that is passed out of the ways in which a study intended to convey messages included. In this study, the relationship between the disciplines of product design semantics,in the field of science and industry are established.

Kaynakça

  • Bayrakçı Oğuz, 2004. Çağdafl İletiflim Kuramları Açısından: Tasarımda İletiflimsel Modeller, İstanbul: MSGSÜ Matbaası.
  • Chapanis, A. 1995. Ergonomics In Product Development: A Personal View, Ergonomics (1625–1638): 38.
  • Clark, K&Fujımoto, T. 1991. Product Development Performance: Strategy, Organization, And Management In The World Auto Industry, Boston: Harvard Business School Press.
  • Cell Phone Styles. 2012. Cell Phone Style İsn't Just Skin Deep . Eriflim Yeri: http://www.gizmocafe.com/ handhelds/parents-cellguide/cell-phone- styles.aspx [Eriflim tarihi: 09.04.2013]
  • CBS News. 2010. Number of cell phones worldwide hits”. Eriflim Yeri: http://www.cbsnews.com/sto ries/2010/02/15/ business/main6209772.shtml. [Eriflim tarihi: 26.05.2011]
  • Darlene J. Swerczek, 1985, Style As The Language Of Design, Design Methods and Theories (19/1): 218.
  • Dorsa, A., Malven F., Mickelson A. 1990. Semantically Safe Semantic vision in design. Symposium on design research and semiotics. (Ed) S. Vihma, Helsinki.
  • De Coverly, E., McDonagh, P., O’Malley, M. & Patterson, M. 2008. Hidden mountain: the social avoidance of waste. Journal of Macro market ing, 28 (3): 289
  • Fumihiko Kimuia. 1997. Issues in Styling and Engineering Design, Annals of the ClRP (46/2): 527.
  • Geyer, R.&Blass, V. D. 2010. The economics of cell phone reuse and recycling. International Journal of Manufacturing Technology (47):.5159.
  • Hagen, H., Hahmann, S. 1993. Curve and Surface Interrogation, (Eds.) Hagen, Mueller, Nielson. Focus on Scientific Visualization, 243-258, Springer.
  • Hill, Jane, H. 1999. Styling Locally, Styling Globally: What Does It Mean, Journal of Sociolinguistics (3/4): 542, Blackwell Publishers Ltd.
  • Heskett, J. 1980 Industrial Design, London: Thames and Hudson Ltd.
  • James L. Adams. 2004. Bir Mühendisin Dünyası, Ankara: Popüler Bilim Kitapları.
  • Jordan, P. 1998. Human factors for pleasure in product use, Applied Ergonomics (29): 25–33.
  • Jones, J.C. 1992. Design Methods, Van Nostrand Reinhold, New York
  • John H. Takamura Jr. 2007. Üründe Teleosemantik: Ürün Semantiğinin Evriminde Bir Sonraki Aflama, College of Design, Arizona State University, İASDR/0, 72.
  • Krippendorff, K.&Butter, R. 1984. Product Semantics: Exploring The Symbolic Qualities of Form (Innovations 3/2): 4
  • Karjalaınen Toni-Matti. 2001. Strategic Brand Identity and Symbolic Design Cues, University of Art and Design Helsinki.
  • Karjalaınen Toni-Matti. 2001. Strategic Brand Identity and Symbolic Design Cues, University of Art and Design Helsinki.
  • Karjalaınen Toni-Matti. 2001. Strategic Brand Identity and Symbolic Design Cues, University of Art and Design Helsinki.
  • Knoop, W., van Breemen, E., Horváth, I. Vergeest, J. Pham, B. 1998. Towards Computer Supported Design forAesthetics, Roller (Ed.), Proceeding ISATA, 403-412
  • Louie R. 1951. Never Leave Well Enouah Alone: The Locomotive: Its Esthetics, New York: Simon and Shuster.
  • Narter Çınar. 2009. Endüstriyel Tasarımın Kurumsal Kimlik Oluflturmadaki Rolü, Yüksek Lisans Tezi, Marmara Üniversitesi.
  • Ulrich, K.&Eppınger, S. 2008. Product Design and Development, London: McGraw-Hill.
  • Podehl Gerd. 2002. Terms And Measures For Stylıng Propertıes, Internatıonal Design Conference, Dubrovnik.
  • Pahl, G.&Beıtz, W. 1996. Engineering Design: A Systematic Approach, London: Springer.
  • Pahl, G, Beitz, W. 1988. Engineering Design: A Systematic Approach, Berlin: Springer-Verlag.
  • Pugh, S. 1990. Total Design, Harlow: Prentice Hall.
  • Suh N. 1990. The Principles of Design, Oxford University Press.
  • Schor, J. 1998. The overspent American: upscaling, down shifting, and the new consumer, New York: Basic Books/10.
  • Schmidt Eric. 2011. All the Numbers, All the Facts on Mobile the Trillion-Dollar Industry, Why is Google saying: Put your Best People on Mobile Eriflim Yeri: http://consultantvalueadded.com/2 011/03/07/mobile-as-a-trillion-dollar-industry- check-this. [Eriflim tarihi: 09.04. 2013]
  • Victor Margo Lin. 1997. Getting to Know The User, Design Studies (18): 227.
  • Volvo History. 2013. Volvo Brand Name and Logo History Eriflim Yeri: www.volvogroup.com/group/glob al/engb/volvo%20group/history/museums/pages /volvomuseum.aspx [Eriflim Tarihi: 07.04.2013]
  • Volvo Club. 2013. History of Founders of Volvo, Eriflim Yeri: www.volvoclub.org.uk/history/volvo_ logo.shtml [Eriflim tarihi: 09.04.2013].
  • fiekil 1. Khalid Halimahtun M. and Helander Martin G. 2004. A framework for affective customer needs in product design, Theor. Issues in Ergon. Sci.(5/1): 28.
  • fiekil 2. Podehl, Gerd. 2002. Terms And Measures For Stylıng Propertıes, Internatıonal Desıgn Conference -Desıgn 2002, Dubrovnik. 880.
  • fiekil 3. Weber, C. 1996. What is a Feature and What is its Use? - Results of FEMEX Working Group 1, Proceedings ISATA, Florenz, Italy. 287-269.
  • fiekil 4. Fumihiko Kimuia. 1997. Issues in Styling and Engineering Design, Annals of the ClRP (46/2): 527.
  • fiekil 5. (Fumihiko)
  • fiekil 6. Narter, Çınar. 2009. Endüstriyel Tasarımın Kurumsal Kimlik Oluflturmadaki Rolü, Marmara Üniversitesi, Yüksek Lisans Tezi, İstanbul. 82
  • Resim 1. www.volvo.com.se
  • Resim 2. www.sacvolvoclub.org/Home/volvo-history
  • Resim 3. www.swedenspeed.com
  • Resim 4. www.volvohistory.se
  • Resim 5. www.black&decker.com/history/drill
  • Resim 6. www.black&decker.com/history
Toplam 47 adet kaynakça vardır.

Ayrıntılar

Diğer ID JA39TK56BD
Bölüm Makaleler
Yazarlar

Çınar Narter Bu kişi benim

Yayımlanma Tarihi 12 Temmuz 2016
Yayımlandığı Sayı Yıl 2013 Cilt: 9 Sayı: 16 - Cilt: 9 Sayı: 16

Kaynak Göster

APA Narter, Ç. (2016). Using “Styling” Conceptual Tool In Product Design: A Product Semantic Approach. Tasarım + Kuram, 9(16), 71-82.
AMA Narter Ç. Using “Styling” Conceptual Tool In Product Design: A Product Semantic Approach. Tasarım + Kuram. Temmuz 2016;9(16):71-82.
Chicago Narter, Çınar. “Using ‘Styling’ Conceptual Tool In Product Design: A Product Semantic Approach”. Tasarım + Kuram 9, sy. 16 (Temmuz 2016): 71-82.
EndNote Narter Ç (01 Temmuz 2016) Using “Styling” Conceptual Tool In Product Design: A Product Semantic Approach. Tasarım + Kuram 9 16 71–82.
IEEE Ç. Narter, “Using ‘Styling’ Conceptual Tool In Product Design: A Product Semantic Approach”, Tasarım + Kuram, c. 9, sy. 16, ss. 71–82, 2016.
ISNAD Narter, Çınar. “Using ‘Styling’ Conceptual Tool In Product Design: A Product Semantic Approach”. Tasarım + Kuram 9/16 (Temmuz 2016), 71-82.
JAMA Narter Ç. Using “Styling” Conceptual Tool In Product Design: A Product Semantic Approach. Tasarım + Kuram. 2016;9:71–82.
MLA Narter, Çınar. “Using ‘Styling’ Conceptual Tool In Product Design: A Product Semantic Approach”. Tasarım + Kuram, c. 9, sy. 16, 2016, ss. 71-82.
Vancouver Narter Ç. Using “Styling” Conceptual Tool In Product Design: A Product Semantic Approach. Tasarım + Kuram. 2016;9(16):71-82.