• Bassnett, Susan and Lefevere, André (eds.), Translation, History and Culture, Cassell, London, 1995
• Bassnett, Susan and Lefevere, André (eds.), Constructing Cultures, Multilungual Matters, Clevedon, 1998
• Bassnett Susan and Trivedi Harish (eds.), Post-Colonial Translation, London-New York: Routledge, 1999
• Bentley, Eric, In Search of Theater, Vintage Books, New York, 1954 • Bentley, Eric, What is Theatre? A query in chronicle form, Horizon Press, New York, 1956
• Bentley, Eric, “Are Stanislavski and Brecht Commensurable?” Tulane Drama Review, Vol. 9, No. 1 (Autumn, 1964), 69-76
• Bertolt, Brecht, Mother Courage and Her Children, Translated by Eric Bentley, Eyre Methuen Ltd., London, 1978
• Even-Zohar Itamar, “The Position of Translated Literature Within the Literary Polysystem”, in, James S. Holmes, José Lambert, Raymond van den Broeck (eds.), Literature and Translation: New Perspectives in Literary Studies, Leuven:ACCO, 1978, p. 117-127
• Even-Zohar, Itamar, “Polysystem Theory”, in, Poetics Today, Fall 1979
• Göktürk, Akşit, Çeviri: Dillerin Dili, Yapı Kredi Yayınları, Istanbul, 2002
• Karaboğa, Kerem, Oyunculuk Sanatında Yöntem ve Paradoks, Boğaziçi Üniversitesi Yayınevi, 2005, Istanbul
• Lawrence Venuti, (ed.), The Translation Studies Reader, London-New York: Routledge, 2000
• Lefevere, André, Translation, Rewriting, and the Manipulation of Literary Fame, London and New York: Routledge, 1992
• Lefevere, André, Translating Literature, Practice and Theory in a Comparative Literature Context, Second Edition, the Modern Language Association of America, 1994
• Michael Rundell (ed. in chief), Macmillan English Dictionary, International Student Edition, Macmillan Education Ltd., UK, 2002
• Munk, Erika (ed.), Stanislavski and America, an Anthology from the Tulane Drama Review, Hill and Wang, New York, 1966
• Reiss, Katharina, Translation Criticism – The Potentials & Limitations, trans. Errol F. Rhodes, St. Jerome, UK, 2000
• Skerrit-Zuber Ortrun (ed.), Page to Stage, Theatre as Translation, Amsterdam/Rodopi, 1984 • White, John J., Bertolt Brecht’s Dramatic Theory, Camden House, UK, 2004
• Willet, John, (ed. and trans.) Brecht on Theatre: The Development of an Aesthetic, Eyre Methuen Ltd., London, 1974, 179-209
• Bassnett, Susan and Lefevere, André (eds.), Translation, History and Culture, Cassell, London, 1995
• Bassnett, Susan and Lefevere, André (eds.), Constructing Cultures, Multilungual Matters, Clevedon, 1998
• Bassnett Susan and Trivedi Harish (eds.), Post-Colonial Translation, London-New York: Routledge, 1999
• Bentley, Eric, In Search of Theater, Vintage Books, New York, 1954 • Bentley, Eric, What is Theatre? A query in chronicle form, Horizon Press, New York, 1956
• Bentley, Eric, “Are Stanislavski and Brecht Commensurable?” Tulane Drama Review, Vol. 9, No. 1 (Autumn, 1964), 69-76
• Bertolt, Brecht, Mother Courage and Her Children, Translated by Eric Bentley, Eyre Methuen Ltd., London, 1978
• Even-Zohar Itamar, “The Position of Translated Literature Within the Literary Polysystem”, in, James S. Holmes, José Lambert, Raymond van den Broeck (eds.), Literature and Translation: New Perspectives in Literary Studies, Leuven:ACCO, 1978, p. 117-127
• Even-Zohar, Itamar, “Polysystem Theory”, in, Poetics Today, Fall 1979
• Göktürk, Akşit, Çeviri: Dillerin Dili, Yapı Kredi Yayınları, Istanbul, 2002
• Karaboğa, Kerem, Oyunculuk Sanatında Yöntem ve Paradoks, Boğaziçi Üniversitesi Yayınevi, 2005, Istanbul
• Lawrence Venuti, (ed.), The Translation Studies Reader, London-New York: Routledge, 2000
• Lefevere, André, Translation, Rewriting, and the Manipulation of Literary Fame, London and New York: Routledge, 1992
• Lefevere, André, Translating Literature, Practice and Theory in a Comparative Literature Context, Second Edition, the Modern Language Association of America, 1994
• Michael Rundell (ed. in chief), Macmillan English Dictionary, International Student Edition, Macmillan Education Ltd., UK, 2002
• Munk, Erika (ed.), Stanislavski and America, an Anthology from the Tulane Drama Review, Hill and Wang, New York, 1966
• Reiss, Katharina, Translation Criticism – The Potentials & Limitations, trans. Errol F. Rhodes, St. Jerome, UK, 2000
• Skerrit-Zuber Ortrun (ed.), Page to Stage, Theatre as Translation, Amsterdam/Rodopi, 1984 • White, John J., Bertolt Brecht’s Dramatic Theory, Camden House, UK, 2004
• Willet, John, (ed. and trans.) Brecht on Theatre: The Development of an Aesthetic, Eyre Methuen Ltd., London, 1974, 179-209
Dinçel, B. (2012). ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 11, 142-158. https://izlik.org/JA53WF87DY
AMA
1.Dinçel B. ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD. T.E.D. Dergi. 2012;(11):142-158. https://izlik.org/JA53WF87DY
Chicago
Dinçel, Burç. 2012. “ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, sy 11: 142-58. https://izlik.org/JA53WF87DY.
EndNote
Dinçel B (01 Mayıs 2012) ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 11 142–158.
IEEE
[1]B. Dinçel, “ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD”, T.E.D. Dergi, sy 11, ss. 142–158, May. 2012, [çevrimiçi]. Erişim adresi: https://izlik.org/JA53WF87DY
ISNAD
Dinçel, Burç. “ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi. 11 (01 Mayıs 2012): 142-158. https://izlik.org/JA53WF87DY.
JAMA
1.Dinçel B. ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD. T.E.D. Dergi. 2012;:142–158.
MLA
Dinçel, Burç. “ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, sy 11, Mayıs 2012, ss. 142-58, https://izlik.org/JA53WF87DY.
Vancouver
1.Dinçel B. ANDRE LEFEVRE AND TRANSLATION AS A REWRITING PROCESS: THE CANONIZATION OF BERTOLT BRECHT IN THE ANGLO-SAXON WORLD. T.E.D. Dergi [Internet]. 01 Mayıs 2012;(11):142-58. Erişim adresi: https://izlik.org/JA53WF87DY