Araştırma Makalesi

A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA

Cilt: 12 Sayı: 3 15 Eylül 2023
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A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA

Öz

This paper presents a thematological comparison to the portrayal of powerful woman characters in Euripides’s Medea, William Shakespeare’s Macbeth, and Özen Yula’s Unofficial Roxelana. The feminist analysis of the three plays indicates that women are portrayed as always seeking power, control, and recognition. Their desire for power is tested by patriarchy on several trials and tribulations. Even though the three female characters belong to different cultures and times, they share common themes of patriarchal oppression, desperate desires for power and recognition. The three women are observed to deviate from expected gender roles by exhibiting unconventional manlike behaviours according to the patriarchal framework. The feminist criticism reveals the motivations behind their deviation from their culturally constructed gender roles. Through the thematological analysis, as a subfield of comparative literature, the selected texts are compared in their relation to each other in terms of their unique themes by the help of feminist criticism.

Anahtar Kelimeler

Kaynakça

  1. Barzilai-Lumbroso, R. (2009). Turkish men and the history of Ottoman women: Studying the history of the Ottoman dynasty’s private sphere through women’s writings. Journal of Middle East Women’s Studies 5(2), 53-82. Bernstein, J. A. (2002). Bewitched, bothered and bewildered: Lady Macbeth, sleepwalking, and the demonic in Verdi’s Scottish opera. Cambridge Opera Journal, 14(1/2), 31-46.
  2. Biderci Dinç, D. (2019). Reading William Shakespeare’s Macbeth as a political text. International Social Sciences Studies Journal 5(30), 903-914.
  3. Chamberlain, S. (2005). Fantasizing infanticide: Lady Macbeth and the murdering mother in early modern England. College Literature 32(3), 72-91.
  4. Cixous, H. (1976). The laugh of the Medusa. (K. Cohen & P. Cohen, Trans.). The University of Chicago Press 1(4), 875-893.
  5. Cixous, H. (1981). Castration or decapitation? (A. Kuhn, Trans.) Signs 7(1), 41-55.
  6. Euripides. (1963) Medea and other plays. (P. Vellacott, Trans.). Penguin Books. (Original work published 431 B.C.E.)
  7. Fallaize, E. (2007). Simone de Beauvoir and the demystification of woman. In G. Plain & S. Sellers (Eds.), A history of feminist literary criticism (pp. 85-100). Cambridge University Press.
  8. French, M. (1992) “Macbeth” and masculinity. In A. Sinfield (Ed.), Macbeth: New casebooks (pp. 16-32). Palgrave Macmillan.

Ayrıntılar

Birincil Dil

İngilizce

Konular

İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

15 Eylül 2023

Gönderilme Tarihi

31 Ağustos 2023

Kabul Tarihi

7 Eylül 2023

Yayımlandığı Sayı

Yıl 2023 Cilt: 12 Sayı: 3

Kaynak Göster

APA
Özsert, S. (2023). A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA. Uluslararası Türkçe Edebiyat Kültür Eğitim (TEKE) Dergisi, 12(3), 976-989. https://doi.org/10.7884/teke.1353259
AMA
1.Özsert S. A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA. TEKE. 2023;12(3):976-989. doi:10.7884/teke.1353259
Chicago
Özsert, Seher. 2023. “A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA”. Uluslararası Türkçe Edebiyat Kültür Eğitim (TEKE) Dergisi 12 (3): 976-89. https://doi.org/10.7884/teke.1353259.
EndNote
Özsert S (01 Eylül 2023) A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA. Uluslararası Türkçe Edebiyat Kültür Eğitim (TEKE) Dergisi 12 3 976–989.
IEEE
[1]S. Özsert, “A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA”, TEKE, c. 12, sy 3, ss. 976–989, Eyl. 2023, doi: 10.7884/teke.1353259.
ISNAD
Özsert, Seher. “A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA”. Uluslararası Türkçe Edebiyat Kültür Eğitim (TEKE) Dergisi 12/3 (01 Eylül 2023): 976-989. https://doi.org/10.7884/teke.1353259.
JAMA
1.Özsert S. A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA. TEKE. 2023;12:976–989.
MLA
Özsert, Seher. “A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA”. Uluslararası Türkçe Edebiyat Kültür Eğitim (TEKE) Dergisi, c. 12, sy 3, Eylül 2023, ss. 976-89, doi:10.7884/teke.1353259.
Vancouver
1.Seher Özsert. A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA. TEKE. 01 Eylül 2023;12(3):976-89. doi:10.7884/teke.1353259

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