A THEMATOLOGICAL COMPARISON OF THE DOMINANT FEMALE FIGURES IN EURIPIDES’ MEDEA, WILLIAM SHAKESPEARE’S MACBETH AND ÖZEN YULA’S UNOFFICIAL ROXELANA
Öz
Anahtar Kelimeler
Kaynakça
- Barzilai-Lumbroso, R. (2009). Turkish men and the history of Ottoman women: Studying the history of the Ottoman dynasty’s private sphere through women’s writings. Journal of Middle East Women’s Studies 5(2), 53-82. Bernstein, J. A. (2002). Bewitched, bothered and bewildered: Lady Macbeth, sleepwalking, and the demonic in Verdi’s Scottish opera. Cambridge Opera Journal, 14(1/2), 31-46.
- Biderci Dinç, D. (2019). Reading William Shakespeare’s Macbeth as a political text. International Social Sciences Studies Journal 5(30), 903-914.
- Chamberlain, S. (2005). Fantasizing infanticide: Lady Macbeth and the murdering mother in early modern England. College Literature 32(3), 72-91.
- Cixous, H. (1976). The laugh of the Medusa. (K. Cohen & P. Cohen, Trans.). The University of Chicago Press 1(4), 875-893.
- Cixous, H. (1981). Castration or decapitation? (A. Kuhn, Trans.) Signs 7(1), 41-55.
- Euripides. (1963) Medea and other plays. (P. Vellacott, Trans.). Penguin Books. (Original work published 431 B.C.E.)
- Fallaize, E. (2007). Simone de Beauvoir and the demystification of woman. In G. Plain & S. Sellers (Eds.), A history of feminist literary criticism (pp. 85-100). Cambridge University Press.
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Ayrıntılar
Birincil Dil
İngilizce
Konular
İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm
Araştırma Makalesi
Yazarlar
Seher Özsert
*
0000-0002-2931-499X
Türkiye
Yayımlanma Tarihi
15 Eylül 2023
Gönderilme Tarihi
31 Ağustos 2023
Kabul Tarihi
7 Eylül 2023
Yayımlandığı Sayı
Yıl 2023 Cilt: 12 Sayı: 3