Öz
Anahtar Kelimeler
Diyalog Film Diyaloğu Edebiyat Diyaloğu Tiyatro Diyaloğ Doğal Diyalog
Kaynakça
- Asheim, Lester E. (1949). From book to film: A comparative analysis of the content of selected novels and the motion pictures based upon them. Doctoral dissertation. Faculty of the Graduate Library School. University of Chicago.
- Aslanyürek, S.(2014). Senaryo Kuramı: Agora kitaplığı
- Başol, Ö. (2010). Senaryo Kitabı ‘Senaryo Yazım Teknikleri ve Film Örnekleri’. İstanbul: Pana Film.
- Berliner, T. (1999). Hollywood movie dialogue and the “real realism” of John Cassavetes. Film Quarterly, 52(3): 2-16.
- Blacker, I. (1986). The Elements of screenwriting: A guide for film and television writers. New York, Macmillan.
- Bordwell, D. (1985). Narration in the fiction film. London: Methuen.
- Brady, B. (1994). Principles of adaptationfor film and television. Austin,University of Texas Press.
- Chion, M. (1987) Bir Senaryo Yazmak, Afa Yayınları.Çeviren: Nedret Tanyolaç.
- Herman, V. (1995). Dramaticdiscourse: Dialogue as interaction in plays. London: Routledge.
- Korz, M. (2011). Senaryoda Diyalog: Altıkırkbeş Yayın, Çeviri: Gonca Gülbey.
- Kozloff, S. (2000). Overhearing Film Dialogue, University of California Press.
- Kracauer, S. 1960). Theory of film: The redemption of physical reality: New York, Oxford University Press.
- Luzzati, D. (2007). Spontane ousspoken dialogue: which objects for whichc orpora. Revued’ Interaction Homme-Machine. 8(2): 23-36.
- McKee, R. (1997). Story: Substance, structure, style, and the principles of screenwriting. New York, Harper-Collins Publishers.
- Peterson, V., ve B. Nicolosi (2015). Notes to Screenwriters: Advancing Your Story, Screenplay, and Career with Whatever Hollywood Throws at You. Studio City, CA: Michael Wiese Productions.
- Rauma Sara I. 2004. Cinematic dialogue, literary dialogue, and the art of adaptation. Dialogue metamorphosis in the film adaptation of the Green Mile. Pro Gradu Thesis. University of Jyvaskyla.
- Rimmon-Kenan, S. 1983 (1989). Narrative fiction: Contemporary poetics. London: Methuen
- Truby, J. (2007). Anatomy of the story: 22 steps to becoming a master stroyteller. New York, Faber and Faber.
Öz
The purpose of this study is to investigate different aspects of the dialogue as an element of the cinematic narrative and contribute to the literature and practices. In this regard, theorists' views on dialogue are reviewed, the difference of the movie dialogue from the dialogues used in daily life is examined, theater and literature are examined, and then how movie characters should speak is suggested. The most important finding revealed by comparing the movie dialogue with the other dialogues is that movie dialogue has its own rules and functions, the concept of dialogue varies in different areas and to decide whether a dialogue is a good dialogue or not, it is necessary to look at where it is used. Another finding in this study is that the dialogue should be created in a moderate and balanced way by reason of the fact that each dialogue used unconsciously will become a factor that weakens the film, except the situations that picture will display deep meanings with words.
Anahtar Kelimeler
Dialogue Film Dialogue Literature Dialogue Theater Dialogue Natural Dialogue
Kaynakça
- Asheim, Lester E. (1949). From book to film: A comparative analysis of the content of selected novels and the motion pictures based upon them. Doctoral dissertation. Faculty of the Graduate Library School. University of Chicago.
- Aslanyürek, S.(2014). Senaryo Kuramı: Agora kitaplığı
- Başol, Ö. (2010). Senaryo Kitabı ‘Senaryo Yazım Teknikleri ve Film Örnekleri’. İstanbul: Pana Film.
- Berliner, T. (1999). Hollywood movie dialogue and the “real realism” of John Cassavetes. Film Quarterly, 52(3): 2-16.
- Blacker, I. (1986). The Elements of screenwriting: A guide for film and television writers. New York, Macmillan.
- Bordwell, D. (1985). Narration in the fiction film. London: Methuen.
- Brady, B. (1994). Principles of adaptationfor film and television. Austin,University of Texas Press.
- Chion, M. (1987) Bir Senaryo Yazmak, Afa Yayınları.Çeviren: Nedret Tanyolaç.
- Herman, V. (1995). Dramaticdiscourse: Dialogue as interaction in plays. London: Routledge.
- Korz, M. (2011). Senaryoda Diyalog: Altıkırkbeş Yayın, Çeviri: Gonca Gülbey.
- Kozloff, S. (2000). Overhearing Film Dialogue, University of California Press.
- Kracauer, S. 1960). Theory of film: The redemption of physical reality: New York, Oxford University Press.
- Luzzati, D. (2007). Spontane ousspoken dialogue: which objects for whichc orpora. Revued’ Interaction Homme-Machine. 8(2): 23-36.
- McKee, R. (1997). Story: Substance, structure, style, and the principles of screenwriting. New York, Harper-Collins Publishers.
- Peterson, V., ve B. Nicolosi (2015). Notes to Screenwriters: Advancing Your Story, Screenplay, and Career with Whatever Hollywood Throws at You. Studio City, CA: Michael Wiese Productions.
- Rauma Sara I. 2004. Cinematic dialogue, literary dialogue, and the art of adaptation. Dialogue metamorphosis in the film adaptation of the Green Mile. Pro Gradu Thesis. University of Jyvaskyla.
- Rimmon-Kenan, S. 1983 (1989). Narrative fiction: Contemporary poetics. London: Methuen
- Truby, J. (2007). Anatomy of the story: 22 steps to becoming a master stroyteller. New York, Faber and Faber.
Ayrıntılar
| Birincil Dil | Türkçe |
|---|---|
| Bölüm | Makaleler |
| Yazarlar | |
| Yayımlanma Tarihi | 28 Şubat 2020 |
| Yayımlandığı Sayı | Yıl 2020 |