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RECONSIDERING THE FILM NOIR PHENOMENON THROUGH THE ANALYSIS OF SERIAL COOK’S (2017) NOIRISH QUALITIES

Cilt: 13 Sayı: 4 1 Ekim 2023
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RECONSIDERING THE FILM NOIR PHENOMENON THROUGH THE ANALYSIS OF SERIAL COOK’S (2017) NOIRISH QUALITIES

Abstract

ABSTRACT This article addresses significant arguments in seminal studies on film noir’s history, essence, and conventions. It approaches film noir as a phenomenon to provide a more direct way of reconsidering noir in cinema. Therefore, the study proposes to cover a comprehensive collection of debates on noir in cinema to ground the theoretical background. Serial Cook (2017) is approached as a particular case to analyze the narrative structure and characters in the scope of film noir conventions. Therefore, the article analyzes the noirish qualities of Serial Cook based on the story plot, themes, conflicts, and prototypical characters. One of the purposes of the study is to question Can a Turkish movie’s structure be examined based on the film noir formula. Thus, the study searches for a film noir structure in a Turkish movie more than scoping a noirish tone and mood. For this reason, the article aims to broaden a new understanding of film noir’s condition in Turkish cinema and present a reconsideration of the contemporary usage of the global film noir phenomenon. Keywords: Film noir, Phenomenon, Femme fatale, Serial cook, Turkish cinema.

Keywords

Film noir , Phenomenon , Femme fatale , Serial cook , Turkish cinema.

Kaynakça

  1. Akbal Sualp, T. Z. (2001). Türkiye’de sinema ‘film noir’ ya da dışavurumcu iklimin içinden geçerken [While cinema in Turkey passes through the ‘film Noir’ or expressionist climate]. In D. Derman (Ed.), Türk film araştırmalarında yeni yönelimler II [New directions in Turkish film studies II] (pp. 88-98). Bağlam Publishing.
  2. Berra, J. (2013). Film noir and post-studio practices. In A. Spicer and H. Hanson (Eds.), A companion to film noir (pp. 229-244). Wiley Blackwell.
  3. Ceylan, B. N. (Director). (2008). Üç maymun [Three monkeys] [Film]. NBC Film.
  4. Chi-ngai, L. (Director). (1998). Sleepless town [Film]. Asmik Ace Entertainment.
  5. Coen, J. (Director). (1996). Fargo [Film]. PolyGram Filmed Entertainment.
  6. Conard, T. M. (2006). Nietzsche and the meaning and definition of noir. In M. T. Conard (Ed.), The philosophy of film noir (pp. 7-22). The University Press of Kentucky.
  7. Curtiz, M. (Director). (1942). Casablanca [Film]. Warner Bros. Pictures.
  8. Damico, J. (1975). Film noir: A modest proposal. In A. Silver and J. Ursini (Eds.), (1996). Film noir reader (pp. 95-105). Limelight Editions.
  9. Demirkubuz, Z. (Director). (1999). Üçüncü sayfa [Third page] [Film]. Mavi Film.
  10. Desser, D. (2003). Global noir: Genre film in the age of transnationalism. In B. K. Grant (Ed.), Film genre reader III (pp. 516-536). University of Texas Press.

Kaynak Göster

APA
Tetik, T. (2023). RECONSIDERING THE FILM NOIR PHENOMENON THROUGH THE ANALYSIS OF SERIAL COOK’S (2017) NOIRISH QUALITIES. The Turkish Online Journal of Design Art and Communication, 13(4), 1166-1177. https://doi.org/10.7456/tojdac.1321391