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THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE

Cilt: 16 Sayı: 1 1 Ocak 2026
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THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE

Öz

Füreya Koral (1910–1997), recognized as the first professional female ceramic artist in Turkey, approached contemporary ceramics not merely as decorative elements but as integral components of spatial identity and user experience. Her pioneering vision led to the widespread incorporation of ceramics into both architectural and interior design practices across Turkey. She produced large-scale ceramic panels for diverse interior environments including public institutions, hotels, marketplaces, and universities. Although existing literature extensively addresses Koral’s biography and artistic production within the fields of fine arts, architecture and ceramic arts, this study seeks to explore, for the first time, the contribution of her ceramic works to the spatial configuration of interiors through the lens of user perception and experience. Emphasizing the human-space relationship—one of the core dimensions of interior architecture—this research investigates how ceramics function as experiential and identity-forming design elements within interior settings.

Anahtar Kelimeler

Ceramics, Interior Space, Ceramic Panels, Ceramics in Public Interiors.

Kaynakça

  1. Aliotti, K., Şaşmazer, N., & Aksoy, F. (2018). Cesaretten De Öte [More Than Courageous]. In K. Aliotti, N. Şaşmazer, & F. Aksoy, Füreya (pp. 30-41). Istanbul: Kale.
  2. Antmen, A. (2018). Bir Füreya Miti [A Füreya Myth]. In K. Aliotti, Ş. Nilüfer, & F. Aksoy, Füreya (pp. 212-229). Istanbul: Kale.
  3. Arcasoy, A. (1983). Seramik Teknolojisi [Ceramic Technology]. İstanbul: Marmara Üniversitesi.
  4. Böhme, G. (2017). The Art Of The Stage Set As A Paradigm For An Aesthetics of Atmospheres.
  5. Büyükkaragöz, T., & Yayan, G. (2019). Çağdaş Tasarım Olgusu İçerisinde Füreya Koral'ın Yeri [Füreya Koral's Place in the Phenomenon of Contemporary Design]. Journal of Turkish and Islamic Social Research, 6(21), 73-86, 10.16989/TIDSAD.1727.
  6. Can, Ö. C. (2018). Ankara'da Kamusal Alanlardaki Seramik Duvar Panoları [Ceramic Wall Panels in Public Spaces in Ankara] Master's Degree Thesis. Ankara: Hacettepe University.
  7. Gül, S., Özkeçeci, İ., & Alacalı, H. (2012). Çağdaş Mimari Yapılarda Seramik Panolar ve Yıldız Teknik Üniversitesi Kongre ve Kültür Merkezi Uygulaması [Ceramic Panels in Contemporary Architectural Buildings and Yildiz Technical University Congress and Culture Center Application]. The Turkish Online Journal of Design, Art and Communication, 4(4), 71-81. http://www.tojdac.org/tojdac/VOLUME4-ISSUE4_files/tojdac_v04i406.pdf
  8. İçermer, S. P., & Terviel, C. (2022, Kasım). Mimarlık-Seramik İlişkisi Özelinde Oluşturulan Modüler Seramik Kırıcılar [Modular Ceramic Crushes Created Specifically for the Architecture-Ceramics Relationship]. Ulakbilge(78), 1169-1182. https://www.ulakbilge.com/makale/pdf/1672656198.pdf
  9. İlk Kadın Seramik Sanatçısı: Füreya [The First Female Ceramic Artist: Fureya]. (2017). Retrieved from Sel Gider Anılar Kalır.
  10. Kabacalı, A. (1990). Ateş Kızları'nın Annesi [Mother of the Fire Girls]. Cumhuriyet.

Kaynak Göster

APA
Haberal, E., & Güner Aktaş, G. (2026). THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE. The Turkish Online Journal of Design Art and Communication, 16(1), 292-317. https://doi.org/10.7456/tojdac.1797684
AMA
1.Haberal E, Güner Aktaş G. THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE. TOJDAC. 2026;16(1):292-317. doi:10.7456/tojdac.1797684
Chicago
Haberal, Ecem, ve Gözen Güner Aktaş. 2026. “THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE”. The Turkish Online Journal of Design Art and Communication 16 (1): 292-317. https://doi.org/10.7456/tojdac.1797684.
EndNote
Haberal E, Güner Aktaş G (01 Ocak 2026) THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE. The Turkish Online Journal of Design Art and Communication 16 1 292–317.
IEEE
[1]E. Haberal ve G. Güner Aktaş, “THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE”, TOJDAC, c. 16, sy 1, ss. 292–317, Oca. 2026, doi: 10.7456/tojdac.1797684.
ISNAD
Haberal, Ecem - Güner Aktaş, Gözen. “THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE”. The Turkish Online Journal of Design Art and Communication 16/1 (01 Ocak 2026): 292-317. https://doi.org/10.7456/tojdac.1797684.
JAMA
1.Haberal E, Güner Aktaş G. THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE. TOJDAC. 2026;16:292–317.
MLA
Haberal, Ecem, ve Gözen Güner Aktaş. “THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE”. The Turkish Online Journal of Design Art and Communication, c. 16, sy 1, Ocak 2026, ss. 292-17, doi:10.7456/tojdac.1797684.
Vancouver
1.Ecem Haberal, Gözen Güner Aktaş. THE SPATIAL ROLE OF CERAMICS: EVALUATING FUREYA KORAL’S WORKS FROM THE PERSPECTIVE OF INTERIOR SPATIAL CONFIGURATION AND USER EXPERIENCE. TOJDAC. 01 Ocak 2026;16(1):292-317. doi:10.7456/tojdac.1797684