Araştırma Makalesi
BibTex RIS Kaynak Göster

Popüler Tarihyazımı Mecrası olarak Türk TV Dizilerindeki Öykülendirme Pratiklerinin Değerlendirilmesi

Yıl 2019, , 183 - 195, 30.12.2019
https://doi.org/10.17829/turcom.518871

Öz

Bu makale, Türk izleyicisi üzerinde sembolik bir güce sahip olduğu kabul edilen üç farklı televizyon dizisinde temsil edildiği şekliyle, öykülendirme ve ahlakilik arasında bir köprü kurmaya çalışmaktadır. Bu çalışma için seçilen diziler, Türkiye’de farklı televizyon kanallarında yayınlanan Diriliş, Ertuğrul, Vatanım Sensin, ve Yunus Emre’dir. Bu makalede, tarihsel olayların ve kişiliklerin öykülendirilmesi için kullanılan retorik stratejilerin aynı zamanda gelenek ve kültür üzerine olan savaşımlarla ilişkisi üzerine analitik bir araç olduğu göz önünde tutulmaktadır. Buradaki temel ön kabul, söz konusu programlarda yer alan retorik stratejileri anlama girişiminin günümüzde ortaya çıkan son derece kaygan bir zeminde yer alan ideolojik gerilimleri ve taktikleri analiz etme biçimlerimiz üzerine etkisi olduğuna dair argümandır. Bu makalede, ahlaki bir iddia inşa etmede kullanılan üç strateji, kutsallık, topluluk ve özerklik üçlüsüne dayanan bir model yardımıyla ele alınacaktır (Sheweder, Much, Mahapra, ve Park, 1997). Bu makalede, popüler televizyon dizilerinde yer alan anlatı düzeneğinin rolü, faillik (agency) kavramının önemi ve yorumun siyaseti ile ilişkisi çerçevesinde irdelenmektedir.


Kaynakça

  • Anderson, S. (2000). Loafing in the garden of knowledge: History TV and popular memory. Film & History: An Interdisciplinary Journal of Film and Television Studies, 30(1), 14-23.
  • Barthes, R. (1977). Elements of semiology. Macmillan.
  • Bakhtin, M. (1993). Toward a philosophy of the act (V. Liapunov, Trans.; M. Holquist & V. Liapunov, Eds.).
  • Black, E. (1988). Secrecy and disclosure as rhetorical forms. Quarterly Journal of Speech, 74(2), 133-150.
  • Burke, K. (1969). A rhetoric of motives (Vol. 178). Univ of California Press.
  • Frank, A. W. (2002). Why study people's stories? The dialogical ethics of narrative analysis. International journal of qualitative methods, 1(1), 109-117.
  • Hakemulder, J. (2000). The moral laboratory: Experiments examining the effects of reading literature on social perception and moral self-concept (Vol. 34). John Benjamins Publishing.
  • Hodgkin, K., & Radstone, S. (Eds.). (2003). Contested pasts: The politics of memory. Routledge.
  • Johnson, M. (1994). Moral imagination: Implications of cognitive science for ethics. University of Chicago Press.Johnson
  • Nussbaum, M. C. (2003). Upheavals of thought: The intelligence of emotions. Cambridge University Press.
  • Rorty, R., & Rorty, R. M. (1989). Contingency, irony, and solidarity. Cambridge University Press.
  • Shweder, R., Much, N., Mahapatra, M., & Park, L. (1997). Divinity and the “big three” explanations of suffering. Morality and health, 119, 119-169.
  • White, H. (1982). The politics of historical interpretation: discipline and de-sublimation. Critical Inquiry, 9(1), 113-137.
  • Widdershoven, G. A. (1993). The story of life: Hermeneutic perspectives on the relationship between narrative and life history. The narrative study of lives, 1, 1-20.

Evaluating Narrativization Practices in Turkish TV serials as a Venue of Popular Historiography

Yıl 2019, , 183 - 195, 30.12.2019
https://doi.org/10.17829/turcom.518871

Öz

This paper aims at constructing a bridge between narratives and morality, as represented in three selected TV dramas assumed to have symbolic power over Turkish audiences: Resurrection, You are My Homeland, and Yunus Emre. The storification of historical events and personalities through TV dramas is considered to increase understanding of how different moral argumentations are related with contestations over tradition and culture. The major assumption in this article is that understanding the basic rhetorical strategies in these programs has a major impact on the way in which we analyze current ideological tensions and tactics, which are positioned on a constantly shifting ground. In this paper, the voices used in the strategies of constructing a moral argumentation will be evaluated through a model based on discourses of divinity, community, and autonomy (Sheweder, Much, Mahapra, & Park, 1997). The role of narrative transactions in TV dramas is explicated so as to make an assessment on the significance of agency as well as the politics of interpretation. 

Kaynakça

  • Anderson, S. (2000). Loafing in the garden of knowledge: History TV and popular memory. Film & History: An Interdisciplinary Journal of Film and Television Studies, 30(1), 14-23.
  • Barthes, R. (1977). Elements of semiology. Macmillan.
  • Bakhtin, M. (1993). Toward a philosophy of the act (V. Liapunov, Trans.; M. Holquist & V. Liapunov, Eds.).
  • Black, E. (1988). Secrecy and disclosure as rhetorical forms. Quarterly Journal of Speech, 74(2), 133-150.
  • Burke, K. (1969). A rhetoric of motives (Vol. 178). Univ of California Press.
  • Frank, A. W. (2002). Why study people's stories? The dialogical ethics of narrative analysis. International journal of qualitative methods, 1(1), 109-117.
  • Hakemulder, J. (2000). The moral laboratory: Experiments examining the effects of reading literature on social perception and moral self-concept (Vol. 34). John Benjamins Publishing.
  • Hodgkin, K., & Radstone, S. (Eds.). (2003). Contested pasts: The politics of memory. Routledge.
  • Johnson, M. (1994). Moral imagination: Implications of cognitive science for ethics. University of Chicago Press.Johnson
  • Nussbaum, M. C. (2003). Upheavals of thought: The intelligence of emotions. Cambridge University Press.
  • Rorty, R., & Rorty, R. M. (1989). Contingency, irony, and solidarity. Cambridge University Press.
  • Shweder, R., Much, N., Mahapatra, M., & Park, L. (1997). Divinity and the “big three” explanations of suffering. Morality and health, 119, 119-169.
  • White, H. (1982). The politics of historical interpretation: discipline and de-sublimation. Critical Inquiry, 9(1), 113-137.
  • Widdershoven, G. A. (1993). The story of life: Hermeneutic perspectives on the relationship between narrative and life history. The narrative study of lives, 1, 1-20.
Toplam 14 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İletişim ve Medya Çalışmaları
Bölüm Araştırma Makaleleri
Yazarlar

Nuran Erol Işık 0000-0003-0606-2694

Yayımlanma Tarihi 30 Aralık 2019
Gönderilme Tarihi 28 Ocak 2019
Yayımlandığı Sayı Yıl 2019

Kaynak Göster

APA Erol Işık, N. (2019). Evaluating Narrativization Practices in Turkish TV serials as a Venue of Popular Historiography. Türkiye İletişim Araştırmaları Dergisi(34), 183-195. https://doi.org/10.17829/turcom.518871

Türkiye İletişim Araştırmaları Dergisi'nde yayımlanan tüm makaleler Creative Commons Atıf-Gayri Ticari 4.0 Uluslararası Lisansı ile lisanslanmıştır.